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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

The Quebec Campaign 1775-1776/

Rittenberg, Richard Stanley January 1974 (has links)
No description available.
2

Feminism in the prose fiction of Jane Austen

Hearne, Dana Anne. January 1975 (has links)
No description available.
3

The development of Jane Austen's comic process of education

Sait, James Edward January 1972 (has links)
This study of Jane Austen's six novels examines the relationship of comedy and education. Austen carefully constructs two kinds of comedy in her novels: surface comedy derived from inaccurate perceptions and conceptions of the world, and deep comedy, the vital rhythm of growth which is elaborated as growing love and self-awareness. All six novels develop complex relationships between reason, emotion, imagination, aesthetics and ethics. In Northanger Abbey, Catherine Morland, victimized by the sterile surface comedy of artificial social conventions and her Gothic fantasy, an artificial aesthetic convention, moves toward a recognition of the deep comedy and vitality which her love for Henry Tilney inspires. Marianne Dashwood in Sense and Sensibility perceives and judges the superficialities of life and reacts in an emotional and picturesque fashion, while her sister, Elinor, in love with Edward Ferrars, cannot give surface expression to her emotions. Each sister is educated through tragicomic experiences to the demands of both views of life. Elizabeth Bennett and Darcy, victims of the prevailing social delusion of objectification in Pride and Prejudice, gradually develop a sense of the deeper values in life through expanded aesthetic sensibility and mutual affection. Fanny Price in Mansfield Park possesses deep feelings for Edmund Bertram but must learn to be independent and give her emotions sincere expression in a society deluded by false ceremony. Emma presents surface comedy as a product of Emma's attempt to superimpose her imagined life-patterns on a benevolent world. Educated by sympathy and her attachment to Mr. Knightley, Emma recognises the world below Highbury's glittering surface and the necessity for maintaining society's existing structures. In Persuasion, Anne Elliot achieves surface expression and the capacity to act as Wentworth, a victim of society's delusions of fixed social place, comes to realize the depth of Anne's emotion. Jane Austen's novels portray a complex picture of education through the interaction of surface and deep comedy. / Arts, Faculty of / English, Department of / Graduate
4

Feminism in the prose fiction of Jane Austen

Hearne, Dana Anne. January 1975 (has links)
No description available.
5

The Quebec Campaign 1775-1776/

Rittenberg, Richard Stanley January 1974 (has links)
No description available.
6

Das Römische Urteil über Georg Hermes, 1775-1831 : ein Beitrag zur Geschichte der Inquisition im 19. Jahrhundert /

Schwedt, Herman H., January 1900 (has links)
Texte remanié de: Diss.--Theologie--Rom, Pontifica Universitas Gregoriana. / Contient, p. 387-605, des lettres de différentes autorités civiles et ecclésiastiques concernant Hermes, en italien, français et latin. Bibliogr. p. XVII-XXXIV. Index.
7

The contribution of the firm of Boulton and Watt to engineering drawing

Richardson, John B. January 1989 (has links)
No description available.
8

The operatic ensemble in France

Cook, Elisabeth Ann January 1989 (has links)
No description available.
9

The cultural life of Bristol 1640-1775

Barry, J. January 1985 (has links)
No description available.
10

Marriage and maturity in Jane Austen's novels.

McCracken, Kathryn Anne. January 1966 (has links)
No description available.

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