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Le thème de la souffrance chez Vigny.Benarrosch, Mathilde. January 1969 (has links)
No description available.
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A "Politic well-wrought veil" : Edmund Burke's politico- aestheticMacpherson, Sandra. January 1990 (has links)
No description available.
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The emotion of love of Heinrich Heine's Buch der Lieder = Die Behandlung der Liebesgefühle in Heinrich Heines Buch der LiederWaseem, Gertrud. January 1974 (has links)
No description available.
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Mary Shelley's monstrous patchwork : textual "grafting" and the novelKibaris, Anna-Maria January 1995 (has links)
No description available.
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Navarra y sus instituciones en la Guerra de la Convención (1793-1795) /Oslé Guerendiáin, Luis Eduardo. January 2004 (has links)
Tesis doctoral--Geografía e historia--Pamplona--Universidad pública de Navarra, 2003. / Bibliogr. p. 571-601.
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Un trait fondamental de l'écriture harmonique de Franz Schubert : la division symétrique de l'octave en trois parties / V. 1. Text -- v. 2. Exemples musicaux.Le Blanc, Mario, 1960- January 1985 (has links)
No description available.
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Heinrich Heines Shakespeares Mädchen und Frauen : ein Beitrag zur Shakespeare-Kritik oder ein religiös-politisch-ästhetischer Essay?Albrecht, Brigitte January 1979 (has links)
Note:
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Un trait fondamental de l'écriture harmonique de Franz Schubert : la division symétrique de l'octave en trois partiesLe Blanc, Mario, 1960- January 1985 (has links)
No description available.
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Die Versepen Annette von Droste-Hulshoffs Untersuchung zum Verhaltnis von Weltdeutung und dichterischer Metaphorik03 September 2015 (has links)
M.A. / Please refer to full text to view abstract
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A comparative study on the published completions of the unfinished movements in Franz Schubert's Sonata in C major, D. 840 ("Relique")Benson, Michael Louis, 1967- 12 October 2012 (has links)
Franz Peter Schubert (1797-1828) began composition of the Sonata in C Major, D. 840 (“Reliquie”) during April of 1825. It was first published in Leipzig in 1861 and dubbed the “Reliquie” by the publisher K.F. Whistling, based on the mistaken assumption that it was Schubert’s last piano sonata. Following the complete Moderato and Andante movements, Schubert left the Minuetto: Allegretto and Rondo: Allegro movements unfinished. The primary purpose of this treatise is to compare and contrast the published completions of the unfinished Minuetto: Allegretto and Rondo: Allegro movements as finished by Ludwig Stark, Ernst Krenek, Walter Rehberg, Harold Truscott, Armin Knab, Paul Badura-Skoda, Dieter Einfeldt, Noël Lee, Martino Tirimo, Geoffrey Poole and Brian Newbould. / text
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