The thesis is a survey of 291 frontispieces and illustrated title pages in European books on astronomy from the 17th century. It is a quantitative and qualitative survey of how motifs are related to consumption, identification and display. Elements in the motifs related to factual content as opposed to those aimed to raise the perceived value of astronomy are distinguished. The quantitative study shows that astronomical phenomena (90 per cent) and scientific instruments (62 per cent, or as much as 86 per cent if only titles with illustrations occupying an entire page are considered) are the most common motifs to inform the reader of the genre. Besides these, a wide range of depicted features indicate the particularity of each title. Different means for raising the value of astronomy and its attributes are identified. The interplay of “real” or “credible” elements with fictional ones was used to attract attention, create positive associations and promote acquisition and reading. The motifs mainly promote delectation and erudition, although some attract attention through their deliberately enigmatic design and a few through fear. The survey determines prevalent settings (palaces, the theatre, gardens, the wilderness and the heavens), activities (skilful use of instruments, conversations or disputes), references to the ancients and heraldic components. They present both the self-image of astronomers at the time and ideal components that contain connotations of an enhanced reality. This self-image also contributed to the definition of normative values for astronomers in the 17th century. The affinities between painters and astronomers are examined. In addition, an analysis of descriptions of frontispieces is undertaken, which shows that the user of the book was expected to devote considerable time to the frontispiece in order to understand all of its particular features and that the illustrations were suitable for display and learned digression.

Vrije Univ., Diss.--Amsterdam, 1999. / Literaturverz. S. [205] - 216.

Thesis (M.A.)--Miami University, Dept. of French and Italian, 2009. / Title from first page of PDF document. Includes bibliographical references (p. 53-56).

Thesis (Doctoral)--King's College (University of London), 1998. / BLDSC reference no.: D218276. Includes bibliographical references.

The popularity of religious art in late seventeenth century Protestant England stands in apparent contradiction to the profound anti-Catholic sentiment that many current scholars argue characterizes the period. A close analysis of London auction catalogs from 1690 reveals that a significant number of all pictures listed for sale featured typically Catholic subject matter. Consulting both seventeenth century literature and current scholarship provides a rationale for this apparent contradiction. Factional conflict within Protestantism itself was often focused on the issue of religious imagery. Accordingly, it functioned as a means of articulating religious difference. While the radical Puritan mission may have involved abolishing all English "monuments of superstition," Anglicanism held biblical and hagiographic imagery to be an essential aspect of Christian worship. This thesis argues that Anglicans embraced religious imagery as a means of rejecting the Puritan cause and, in doing so, forged a unique Anglican identity.

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The accompanying thesis forms a study of the General Assembly as an influence not only upon Scottish Politics but upon Scottish Representative Institutions. The majority of writers upon the history of the Scottish Church stress the private influence of individuals, which while interesting in itself was in many cases extraneous to the general movements both in the Kirk and in the development of the representative principle both as applied to Kirk institutions and to Parliament and Conventions. Several writers have seen in the General Assembly a thoroughly democratic institution, which represented all classes of social life and which prepared the way for the ideal of a universal franchise. I have endeavoured to show that the General Assembly for the greater part of its development had little of this universal character and was rather the expression of an "Opposition" which was no more democratic in actual composition than the Parliament itself. The period 1560-1618 represents only part of the period upon which I originally began investigation. To cope with the century 1560-1660 I found that it would have been necessary to omit much manuscript material which was valuable for purposes of detail. I therefore limited the present thesis to the 58 years after the Reformation which saw the rise of the Assembly to full power 1592-96 and its subsequent decline, both as a political force and as a representative institution.

The main theme of my thesis is the city administration of Prachatice as a seigniorial town between the years 1622 and 1699. I've focused my attention primarily on the functioning of the town hall in Prachatice. I've tried to reconstruct its staff structure and I've also been engaged in the renewal of the autonomy town authority related with it town hall, elders and the town reeve. The primary sources for my work were the town councillor manuals, lists of renewals, wedding contract books and testament books stored in the state regional archive in Prachatice, in stock Archive of the Prachatice town. I used sources, which were created during the renovation process, stored in the state regional archive in Třeboň, workplace Český Krumlov, and register books stored in the state regional archive in Třeboň. In the opening chapters I've tried to generally familiarize with the essential literature, the towns autonomy and town laws. I've compared the Prachatice autonomy with studies engaged in autonomy authorities of other towns.

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No description available.