141 |
A Study of the Theology of Dr. John Thomas, Founder of the ChristadelphiansThompson, William Lester 01 January 1946 (has links)
No description available.
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142 |
La musique, miroir de l'amour dans Un amour de Swann, suivi de, Nocturne /Gagnon, Isabelle. January 1997 (has links)
No description available.
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143 |
Grotesques et maniaques dans A la recherche du temps perdu.Charney, Ann Korsower. January 1965 (has links)
No description available.
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144 |
Les enfants dans l'oeuvre d'Albert Laberge /Yassa-Gad, Samiha January 1983 (has links)
No description available.
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145 |
Paul Valéry : lecteur de Pascal.Gordon, David January 1970 (has links)
No description available.
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146 |
The Paris Commune and the French right : the reaction of the bourgeoisieWemp, Brian A. (Brian Alan) January 1995 (has links)
No description available.
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147 |
Zur Gestaltung luxemburgischer Nationalhelden und ihrer Ausweglosigkeit in vier Dramen von Nikolaus WelterReger, Roger. January 1975 (has links)
No description available.
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148 |
Die Funktion des Geldes in Heinrich Manns Roman Empfang bei der WeltLaroche, Marcel January 1975 (has links)
Note:
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149 |
A Prototypical Pattern in Dreiser's FictionWood, Bobbye Nelson 12 1900 (has links)
Beginning in 1911 with Jennie Gerhardt and continuing through the publication of The "Genius" in 1915, all of Dreiser's major fiction is curiously marked by the same recurring narrative pattern. The pattern is always triangluar in construction and always contains the same three figures-- a vindictive and vengeful parent, outraged by an outisder's violation of personal and societal values; an enchanted offspring; and a disrupted outsider who threatens established order. In spite of each work's different characterization, setting, and episode, the narrative conflict invariably arises from the discovery of an illicit relationship between offspring and outsider, and the narrative climax involves a violent clash of wills, with victory sometimes going to the parent and sometimes to the outsider. The denouement is consistently sorrowful and pensive in tone, with a philosophical epilogue which speculates on man's melancholy and puzzling fate. As both a guide to personal therapy and a key to the work with which Dreiser established his artistic identity, the recurring narrative pattern is important. Its examination (1) illuminates an obscure period in Dreiser's life, (2) reveals his personality priorities as he turns the kaleidoscope of introspection to observe the Cudlipp crisis from various angles, and (3) offers to the discerning reader a reliable clue to the developing system of aesthetics of one of America's greatest artists.
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150 |
Les espaces intérieurs de Proust et VermeerLaganière, Andrée January 2001 (has links)
Thèse numérisée par la Direction des bibliothèques de l'Université de Montréal.
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