No description available.

鄒秉洛. / 據手稿本複印 / Thesis (M.A.)--香港中文大學硏究院敎育學部. / Ju shou gao ben fu yin. / Includes bibliographical references (leaves 547-563). / Zou Bingluo. / Thesis (M.A.)--Xianggang Zhong wen da xue yan jiu yuan jiao yu xue bu. / 自序 --- p.i / 論文提要 --- p.iv / 圖表目次 --- p.vi / Chapter 第一章 --- 導論 --- p.1 / Chapter 一 --- 引言 --- p.1 / Chapter 二 --- 研究動機與目的 --- p.3 / Chapter 第二章 --- 論題說明 --- p.7 / Chapter 一 --- 「性格」與「發展」的詮釋 --- p.7 / Chapter 二 --- 「發展心理學」及「性格發展學說」的簡介 --- p.11 / Chapter 三 --- 「魯迅」其人的生平簡史及學問工作 --- p.29 / Chapter 第三章 --- 文 獻 評 述 --- p.41 / Chapter 一 --- 「心理傳記」的概說 --- p.41 / Chapter 二 --- 中國人性格發展的有關資料述要 --- p.60 / Chapter 三 --- 魯迅的「自傳」及「日記」闡析 --- p.92 / Chapter 第四章 --- 研 究 設 計 --- p.116 / Chapter 一 --- 研究對象、性質和限制 --- p.116 / Chapter 二 --- 研究假設 --- p.120 / Chapter 三 --- 研究工具和學理根據 --- p.122 / Chapter 四 --- 研究方法和步驟 --- p.177 / Chapter 第五章 --- 研究結果：魯迅在人生各階段的性格發展 --- p.183 / Chapter 一 --- 幼兒階段(出生至七歲；1881年~ 1887年)的個性分析 --- p.183 / Chapter 二 --- 兒童階段(七歲至十二歲；1887年~1892年)的個性分析 --- p.271 / Chapter 三 --- 青少年階段(十二歲至廿二歲；1892年~1902年)的個性分析 --- p.343 / Chapter 四 --- 成年階段(廿二歲至五十六歲；1902年~1936 年)的個性分析 --- p.493 / Chapter 第六章 --- 結論及建議 --- p.520 / 參考書目： --- p.547 / Chapter 一 --- 中文論著 --- p.547 / Chapter 二 --- 英文論著 --- p.556 / 附 錄： --- p.564 / Chapter 一 --- 許壽裳編《魯迅先生年譜》 --- p.564 / Chapter 二 --- 許廣平輯錄《魯迅先生譯著書目》 --- p.569 / Chapter 三 --- 魯的名、號和筆名表 --- p.575 / Chapter 四 --- 魯迅教學生活一覽表 --- p.577 / Chapter 五 --- 魯迅關注「國民性問題」及「青年人」的資料輯錄 --- p.578

University of Macau / Faculty of Social Sciences and Humanities / Department of Chinese

張歷君. / "2000年8月" / 論文 (哲學碩士)--香港中文大學, 2000. / 參考文獻 (leaves 133-146) / 附中英文摘要. / "2000 nian 8 yue" / Zhang Lijun. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2000. / Can kao wen xian (leaves1 133-146) / Fu Zhong Ying wen zhai yao. / Chapter 緒論 / Chapter 第一節 --- 硏究目的及方法 --- p.1-6 / Chapter 第二節 --- 硏究背景及簡介 --- p.6-8 / Chapter 上篇 --- 文字的拱廊與時間的影象´ؤ´ؤ論魯迅的直譯與雜文 / Chapter 第一節 --- 引言 --- p.9-13 / Chapter 第二節 --- 翻譯與希望一一論魯迅的「直譯」 --- p.14-34 / Chapter 第三節 --- 解剖圖說與歷史照相學 一一論魯迅的「雜文」 --- p.34-59 / Chapter 第四節 --- 小結 --- p.59-61 / Chapter 下篇 --- 可技術複製性時代的傳統技藝´ؤ´ؤ論魯迅作品中的「破壞」 與「救贖」 / Chapter 第一節 --- 引言 --- p.62-63 / Chapter 第二節 --- 傳統經驗的「不可傳遞性」 --- p.63-67 / Chapter 第三節 --- 「幻燈片事件」中的技術與暴力 --- p.67-78 / Chapter 第四節 --- 病態國民照相 ´ؤ´ؤ論魯迅小說中的媒體經驗 --- p.79-100 / Chapter 第五節 --- 從〈懷舊〉到《故事新編》 ´ؤ´ؤ魯迅小說寫作中的「傳統技巧」 與「救贖」 --- p.100-128 / Chapter 第六節 --- 小結：「破壞」與「救贖」 --- p.128-131 / 結語 --- p.132 / 參考書目 --- p.133-146

This thesis is a comprehensive thematic study of the unique prose poetry collection Wild Grass by the famous modern Chinese writer Lu Xun. It provides a general survey of previous Wild Grass studies both in China and abroad in the past 70 years in Chapter 1. The survey clarifies the achievements and defects of those studies, and finds that they are still insufficient and can and should be further expanded. By employing a comprehensive methodology, including close reading, rhetorical analysis, intertextual interpretation, and some standard psychoanalytic insights, the thesis explores the themes of Wild Grass on three different levels. In Chapter 2, on the historical level, the thesis reveals the theme of social and political criticism of the dark reality of mid- 19208 China. In Chapter 3, some Wild Grass poems are interpreted on the philosophical level to show the theme of Lu Xun's meditations on the ego, will to life, and the meaning of human existence. In Chapter 4, the thesis examines some Wild Grass poems on the emotional level to display Lu Xun's dilemma of love and moral responsibilities at a crucial juncture of his life when he contemplated deserting his old-style wife and accepting a young lady's love. Some poems are informed by a strong awareness of repentance, which is essentially an embodiment of Lu Xun's sense of morality and responsibility. In its conclusion, the thesis summarizes the intellectual and artistic values of Wild Grass, deeming it a magnificent book marking a creative peak in Lu Xun's career and an achievement in modern Chinese literature of the twentieth century. Lu Xun's spirit of struggle, awareness of repentance, and subjective emotion and lyricism that are incorporated in Wild Grass have become an important legacy for Chinese literature and the Chinese people. The symbolic and surrealistic features, the expressionistic characterization, the structure of the logical dilemma, and elegant language make Wild Grass a great modern masterpiece.

This thesis is a comprehensive thematic study of the unique prose poetry collection Wild Grass by the famous modern Chinese writer Lu Xun. It provides a general survey of previous Wild Grass studies both in China and abroad in the past 70 years in Chapter 1. The survey clarifies the achievements and defects of those studies, and finds that they are still insufficient and can and should be further expanded. By employing a comprehensive methodology, including close reading, rhetorical analysis, intertextual interpretation, and some standard psychoanalytic insights, the thesis explores the themes of Wild Grass on three different levels. In Chapter 2, on the historical level, the thesis reveals the theme of social and political criticism of the dark reality of mid- 19208 China. In Chapter 3, some Wild Grass poems are interpreted on the philosophical level to show the theme of Lu Xun's meditations on the ego, will to life, and the meaning of human existence. In Chapter 4, the thesis examines some Wild Grass poems on the emotional level to display Lu Xun's dilemma of love and moral responsibilities at a crucial juncture of his life when he contemplated deserting his old-style wife and accepting a young lady's love. Some poems are informed by a strong awareness of repentance, which is essentially an embodiment of Lu Xun's sense of morality and responsibility. In its conclusion, the thesis summarizes the intellectual and artistic values of Wild Grass, deeming it a magnificent book marking a creative peak in Lu Xun's career and an achievement in modern Chinese literature of the twentieth century. Lu Xun's spirit of struggle, awareness of repentance, and subjective emotion and lyricism that are incorporated in Wild Grass have become an important legacy for Chinese literature and the Chinese people. The symbolic and surrealistic features, the expressionistic characterization, the structure of the logical dilemma, and elegant language make Wild Grass a great modern masterpiece. / Arts, Faculty of / Asian Studies, Department of / Graduate

莊偉宏. / "2000年8月" / 論文 (哲學碩士)--香港中文大學, 2000. / 參考文獻 (leaves 89-97) / 附中英文摘要. / "2000 nian 8 yue" / Zhuang Weihong. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2000. / Can kao wen xian (leaves 89-97) / Fu Zhong Ying wen zhai yao. / Chapter 一、 --- 引論 --- p.4 / Chapter i. --- 現代槪念的構成 --- p.4 / Chapter ii. --- 追求「現代」的文化史 --- p.6 / Chapter iii. --- 理論結構 --- p.7 / Chapter iv. --- 硏究限制 --- p.8 / Chapter 二、 --- 中國現代化研究的重新審視 --- p.10 / Chapter 1. --- 五四硏究的文獻回顧 --- p.10 / Chapter i. --- 充滿意識形態的研究論題 --- p.10 / Chapter ii. --- 反傳統主義論爭的由來 --- p.12 / Chapter iii. --- 中心性硏究的批判 --- p.13 / Chapter 2. --- 研究方法：哲學詮釋學 --- p.15 / Chapter i. --- 效果歷史的形成 / Chapter ii. --- 視界融合法則 --- p.17 / Chapter iii. --- 詮釋的極限 --- p.19 / Chapter 3. --- 現代文化想像的結構 --- p.21 / Chapter 4. --- 「尼采與中國」的研究回顧 --- p.22 / Chapter 5. --- 小結 --- p.24 / Chapter 三、 --- 尼采在中國：視界融合的開始 --- p.26 / Chapter 1. --- 尼采´ؤ與痛苦作戰的命途 --- p.27 / Chapter i. --- 尼采的生平 --- p.27 / Chapter ii. --- 尼采的思想 --- p.28 / Chapter 2. --- 尼采在中國的歷史 --- p.31 / Chapter 3. --- 五四知識份子詮釋尼采的特徵 --- p.34 / Chapter i. --- 傳統成見下的詮釋：尼采作爲「反傳統」的符號 --- p.35 / Chapter ii. --- 傳統成見下的詮釋：尼采作爲現代的符號 --- p.37 / Chapter iii. --- 進化的呼喚 --- p.39 / Chapter 4. --- 小結 --- p.40 / Chapter 四、 --- 魯迅與尼采話語 --- p.42 / Chapter 1. --- 魯迅與尼采的邂逅 --- p.43 / Chapter i. --- 魯迅鬥爭的一生 --- p.43 / Chapter ii. --- 前人的成果 --- p.44 / Chapter iii. --- 尼采影響魯迅的程度 --- p.45 / Chapter 2. --- 視界融合的準備：尼采與魯迅的現代文化藍圖 --- p.45 / Chapter i. --- 魯迅的尼采話語 --- p.45 / Chapter ii. --- 早期魯迅與尼采 --- p.49 / Chapter iii. --- 精神戰士的讚歌 --- p.50 / Chapter iv. --- 個人主義的疑惑 --- p.51 / Chapter 3. --- 小結 --- p.53 / Chapter 五、 --- 魯迅、尼采與傳統：從理解到融合 --- p.55 / Chapter 1. --- 魯迅的尼采詮釋結構 --- p.55 / Chapter 2. --- 進化論-雙重危機之下的超人「前見」 --- p.56 / Chapter i. --- 尼采與終極關懷 --- p.57 / Chapter ii. --- 魯迅的「前見」：虛無主義在中國 --- p.58 / Chapter iii. --- 〈傷逝〉：終極關懷的雙重文本 --- p.59 / Chapter iv. --- 呼喚力量的超人 --- p.62 / Chapter V. --- 魯迅的超人心理意象：進化的超人 --- p.63 / Chapter 3. --- 憐憫的弔詭-傳統「前見」下的超人 --- p.65 / Chapter i. --- 超人與庸眾的矛盾 --- p.65 / Chapter ii. --- 人道主義與超人的矛盾 --- p.66 / Chapter iii. --- 超人與聖人的矛盾：一個心理分析 --- p.61 / Chapter 4. --- 超人眼中的中國傳統 --- p.70 / Chapter i. --- 超人和聖人之間的調和 --- p.70 / Chapter ii. --- 〈狂人日記〉:庸眾與傳統 --- p.72 / Chapter iii. --- 庸眾性心意圖象：魯迅文化心理的結構性分析 --- p.74 / Chapter iv. --- 傳統徘徊於正負之間 --- p.75 / Chapter v. --- 哀其不幸、怒其不爭：魯迅的現代文化意象 --- p.75 / Chapter 5. --- 小結 --- p.80 / Chapter 六、 --- 前瞻：尼采在中國一個未完的計劃 --- p.82 / Chapter 1. --- 超人-一個被遺忘的現代想像 --- p.83 / Chapter 2. --- 中國的後現代濫觴 --- p.84 / Chapter 2. --- 傳統及現代 --- p.86 / Chapter 2. --- 尼采在中國：一個未完成的計劃 --- p.87 / 參考書目 --- p.89

University of Macau / Faculty of Social Sciences and Humanities / Department of Portuguese

No description available.

Parallel title in Chinese characters. Includes bibliographical references (p.[179]-192) and index.