論文(碩士)--香港中文大學,1977. / Includes bibliographical references (leaves 622-655). / Thesis (M.A.)--Xianggang zhong wen da xue. / 弈訢像 / 慈禧手書罷免弈訢硃諭（同治四年） / 前言 --- p.1-2 / Chapter 第一章 --- 奕訢傳略 --- p.3-8 / 註釋 --- p.9-18 / Chapter 第二章 --- 宮廷政治與奕訢權位之推移 --- p.19-20 / 註釋 --- p.21-22 / Chapter 第一節 --- 君主之特殊寵遇´ؤ´ؤ奕訢政治地位之形成 / Chapter 1 --- 宣宗之鍾愛 --- p.23-26 / 註釋 --- p.27-32 / Chapter 2 --- 文宗之寵眷及其轉變 --- p.33-45 / 註釋 --- p.46-56 / Chapter 第二節 --- 宮廷政變之發動´ؤ´ؤ奕訢政治權位之興起 --- p.57-58 / Chapter 1 --- 肅順党人勢力之興替 --- p.59-84 / 註釋 --- p.85-106 / Chapter 2 --- 奕訢與肅順党人之衝突 --- p.107-113 / 註釋 --- p.114-116 / Chapter 3 --- 奕訢之政治與力 --- p.117-118 / 註釋 --- p.149-165 / Chapter 第三節 --- 宮廷鬥爭之繼續與弈訢政治地位之中興 / Chapter 1 --- 同治初年弈訢與慈禧關係之變化 --- p.166-180 / 註釋 --- p.181-184 / Chapter 2 --- 奕訢與慈禧之抗爭 --- p.185-233 / 註釋 --- p.234-249 / Chapter 3 --- 奕訢與穆宗之覤龉 --- p.250-275 / 註釋 --- p.276-283 / Chapter 第四節 --- 奕訢與宮廷政治關係之檢討 --- p.284-289 / 註釋 --- p.290-291 / Chapter 第三章 --- 弈訢之自強事業 / Chapter 第一節 --- 弈訢與湘淮將帥之關係 --- p.292-303 / 註釋 --- p.304-311 / Chapter 第二節 --- 練兵政策 --- p.312-330 / 註釋 --- p.331-337 / Chapter 第三節 --- 購製器械 --- p.338-387 / 註釋 --- p.388-408 / Chapter 第四節 --- 培育人才 --- p.409-443 / 註釋 --- p.444-456 / Chapter 第五節 --- 弈訢自強事業之檢討 --- p.457-465 / 註釋 --- p.466-469 / Chapter 第四章 --- 弈訢之對外認識與活動 / Chapter 第一節 --- 弈訢之對外認識及其態度之轉變 --- p.470-502 / 註釋 --- p.503-504 / Chapter 第二節 --- 弈訢與外人之關係 --- p.505-544 / 註釋 --- p.545-556 / Chapter 第三節 --- 弈訢外交活動之挫折 --- p.557-592 / 註釋 --- p.593-604 / Chapter 第五章 --- 結論 --- p.604-617 / 註釋 --- p.618-641 / 參考書目 --- p.622-655

No description available.

Typescript, etc. / Digitized by Kansas State University Libraries

No description available.

Cet article trace la biographie du journaliste Harry Bernard (1898-1979). A partir du dépouillement de sa volumineuse corespondance, déposée à la Bibliothèque nationale du Québec, et des nombreux articles qu'il publia au cours de sa carrière au Droit et au Courrier de Saint-Hyacinthe, le portrait esquissé dévoile un itinéraire professionnel complexe où se justaposent des écrits de toutes sortes. Sa biographie constitue une contribution originale à l'étude de l'évolution des idées au Canada français entre 1920 et 1960. Aujourd'hui totalement oublié - sauf de quelques historiens littéraires -, Harry Bernard reste toutefois un important érudit et homme de lettres de son époque.

No description available.

No description available.

No description available.

The comment has been made that Bertolt Brecht was an apostle of a reaction against individualism. This comment was made in light of Brecht's works.Seemingly a paradox arises when one considers Brecht's life and personality, because the characteristics of individualism are quite evident here. What then is the source of this apparent paradox?The main contributing factor seems to be the general confusion of the two terms individualism and individuality. The two are synonyms in English but are anonyms in a discussion of German cultural and political development. Because Brecht is a German, these terms should be applied to him as they are defined in German thought. When this is successfully accomplished, it becomes apparent that there is no conflict between Brecht's life and his works. Brecht merely described the system of individuality and its effects; he did not preach it. Therefore, it is highly incorrect to say that he worked against the system of individualism; he should more correctly be called an apostle of individualism.

This creative project has explored the principles of play production found in the theoretical works of Bertolt Brecht with the purpose of arriving at a specific production practice for the stage works of Brecht. That production practice was then tested in a production of Brecht's The Good Women of Setguan staged and directed by the researcher.Some of the research areas covered in the project are settings, lights, projections, live television, and sound. Acting and directing problems are reviewed with special attention given to problems which are unique to Brecht productions.Also included in the project are drawings and lighting plots for three settings considered for the play, an annotated production book with technical cues and blocking instructions, and a selection of photographs from the production.