Thèse--Universit́e de Paris. / "Bibliographie": p. [229]-230.

Thesis (M.A.)--University of Wisconsin--Madison, 1967. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1969. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Thesis (Ph. D.)--University of Rhode Island, 2006. / Includes bibliographical references (leaves 141-146).

The objective of this dissertation is to give a practical overview of the phenomenon of dance in Czech feature film 1898-1993. The theoretical, artistic and cinematic principles that should be taken into consideration when attempting to value a dance performance in a feature film. Second part is divided into six chapters concerning specific function of dance scenes in different film genres. Appendix gives a complete list of choreographers and their artistic film cooperations.

Tese (doutorado)—Universidade de Brasília, Instituto de Ciências Exatas, Departamento de Matemática, 2011. / Submitted by wiliam de oliveira aguiar (wiliam@bce.unb.br) on 2011-06-27T17:20:02Z No. of bitstreams: 1 2011_TertulianoCarneirodeSouzaNeto.pdf: 489280 bytes, checksum: c757fc5257dd8408cbf6a1d641c6cbee (MD5) / Approved for entry into archive by Repositorio Gerência(repositorio@bce.unb.br) on 2011-06-30T17:50:48Z (GMT) No. of bitstreams: 1 2011_TertulianoCarneirodeSouzaNeto.pdf: 489280 bytes, checksum: c757fc5257dd8408cbf6a1d641c6cbee (MD5) / Made available in DSpace on 2011-06-30T17:50:48Z (GMT). No. of bitstreams: 1 2011_TertulianoCarneirodeSouzaNeto.pdf: 489280 bytes, checksum: c757fc5257dd8408cbf6a1d641c6cbee (MD5) / Seja f(x1, ..., xn) = a1xk 1 + ... + anxk n g(x1, ..., xn) = b1xk 1 + ... + bnxk n (1) um par de formas aditivas de grau pΤ (p − 1). Estamos interessados em obter condições que garantam a existência de zeros p-ádicos para o par (1). Uma conhecida conjectura, devida a Emil Artin, afirma que a condição n > 2k2 é suficiente. Utilizando técnicas da Teoria Combinatória dos Números, provamos que a condição n > 2 p (p/ P – 1) k2 − 2k é suficiente se k = 2.3Τ ou 4.5Τ, e em qualquer caso se Τ≥ (p – 1)/ 2. _____________________________________________________________________________________ ABSTRACT / Let f(x1, ..., xn) = a1xk 1 + ... + anxk n g(x1, ..., xn) = b1xk 1 + ... + bnxk n (1) be a pair of additive forms of degree pΤ (p − 1). We are interested in finding conditions which guarantee the existence of p-adic zeros to the pair (2). A well-known conjecture due to Emil Artin states that the condition n > 2k2 is sufficient. By means of techniques of Combinatorial Number Theory, we prove that n > 2 p (p/ P – 1) k2 − 2k is sufficient if k = 2.3Τ ou 4.5Τ, and in any case if Τ≥ (p – 1)/ 2.

Orientador : Francisco Foot Hardman / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-07-14T02:10:28Z (GMT). No. of bitstreams: 1 Macedo_SilviaQuintanelha_M.pdf: 4996699 bytes, checksum: b4e7dd2a550e0f42d613b80835cf75cd (MD5) Previous issue date: 1991 / Resumo: Sergio Milliet não foi exatamente o criador de uma poética. Conhecido por sua produção ensaistica no terreno das artes plásticas e literatura, Milliet manteve durante quase quarenta anos de atividade como critico , ujma especial atenção à poesia...Observação: O resumo, na integra, podera ser visualizado no texto completo da tese digital / Abstract: Not informed. / Mestrado / Mestre em Teoria e História Literária

Red Magic is a play in three acts by Michel de Ghelderode. As part of this thesis, it was directed by Michael Irwin and produced on November 2-5, 1966, at the Frederic Wood Studio Theatre on the campus of the University of British Columbia. This written thesis is an analysis of the play in preparation for, and a record of that production. It is divided into three sections. The first section is a discussion in essay form of the author, the play, and the production. Pertinent biographical information about the author is followed by a discussion of the characteristics of his plays as they appear in Red Magic. The play itself is analysed as to plot, theme, dialogue, character, relevence to our time, playwright's intent, type of universe depicted, and forces at work behind the action. Because there are available no published interpretations of Red Magic, this part is limited to the director's interpretation. A specific approach to the style of production and to the solution of problems follows. A bibliography completes the essay section. The second section is the specific analysis of the script. Opposite the pages of script appear analytical notes for each French scene under the following headings: Purpose, Actions, Dominant Emotions, Character Dominance, Mood, Rhythmic Image, Shape, Staging, Difficulties, Mechanical Problems and Beats. In the text on the facing pages are shown the scene divisions, cuts, blocking, beat divisions, lighting and sound cues, and some stage directions. The script is preceded by important facts and acknowledgements about the production, a cost breakdown, a box office report, and keys to understanding the analytical information and the symbols used in the text . Complete lighting, sound, property and costume plots follow the script. The third and final section consists of the material record of the production. Costume sketches are followed by a rendering of the set and photographs in colour of the actual production. Following these are samples of the program and newspaper reviews. Lastly, the blueprints of the ground plan and construction drawings are included as foldouts. / Arts, Faculty of / Theatre and Film, Department of / Graduate

After May 1940 a national soul searching took place in the Netherlands to uncover the reasons for the quick defeat at the hands of the Germans. One of the reasons frequently mentioned was the antimilitaristic and pacifistic mentality permeating large parts of Dutch society during the twenties and early thirties. But no serious investigation was ever undertaken to prove or disprove this claim. This dissertation attempts to discover the degree to which antimilitarism and pacifism weakened the national will to resist an invasion in general and undermined the combat efficiency of the armed forces in particular. To determine the nature and extent of antimilitarism the wealth of contemporary pamphlets, newspapers and documents in the International Institute for Social History in Amsterdam and in the Peace Palace in the Hague were used. Antimilitarists and pacifists were categorized into five main groups: social democrats, those further left (anarchists, communists, syndicalists, etc.), religious groups, certain middle class groups including two major women organizations, and youths. The size of each category, its political and economic strength, and the extent each was able to influence Dutch society as a whole are described as accurately as possible. Information on the effect of antimilitaristic propaganda on the armed forces was obtained from documents and reports in the military Central Archive Depot in the Hague, the military archives in Schaarsbergen, the Sectie Krijgsge- schiedenis of the army, and the reports of the Central Intelligence Service. The conclusions reached were that in the early twenties antimilitarists were strong enough to force considerable reductions in the size of the conscripted army and the length of its service. Until the later thirties antimilitarists were influential enough to prevent an increase in the size of the armed forces and to block the allocation of sufficient funds for modernizations of material and weapons. Antimilitaristic propaganda was extensive and persuasive enough to convince a large segment of the population that the military forces were a useless and dangerous extravagance of a by-gone era. Professional soldiers were laughed at and as a result their morale was low and their efficiency slight. Conscripts were indifferent or belligerent and tried to do as little as possible during their tour of duty. The result was that training, discipline, skill and morale were insufficient and below standard. Since arms and equipment were also of an inferior quality and in short supply the Dutch forces, and specifically the army, quickly collapsed when the Germans invaded. Antimilitarism was not the sole cause of the Dutch defeat but it was the main reason for the rapidity of the defeat of the Netherlands. / Arts, Faculty of / History, Department of / Graduate

Doctorat en philosophie et lettres / info:eu-repo/semantics/nonPublished