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Human relations in the fiction of Gertrude Stein.Tansey, Charlotte Hunter. January 1948 (has links)
No description available.
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The erasure of the Afro element of mestizaje in modern Mexico : the coding of visibly black mestizos according to a white aesthetic in and through the discourse on nation during the cultural phase of the Mexican Revolution, 1920-1968Hernández Cuevas, Marco Polo 11 1900 (has links)
"The Erasure of the Essential Afro Element of Mestizaje in Modern Mexico: The
Coding of Visibly Black Mestizos According to a White Aesthetic
In and Through the Discourse on Nation During the Cultural Phase of the
Mexican Revolution, 1920-1968" examines how the Afro elements of Mexican
mestizaje were erased from the ideal image of the Mexican mestizo and how the
Afro ethnic contributions were plagiarized in modern Mexico. It explores part of
the discourse on nation in the narrative produced by authors who subscribed to
the belief that only white was beautiful, between 1920 and 1968, during a period
herein identified as the "cultural phase of the Mexican Revolution." It looks at the
coding and distortion of the image of visibly black Mexicans in and through
literature and film, and unveils how the Afro element "disappeared" from some of
the most popular images, tastes in music, dance, song, food, and speech forms viewed as cultural texts that, by way of official intervention, were made "badges"
of Mexican national identity.
The premise of this study is that the criollo elite and their allies, through
government, disenfranchised Mexicans as a whole by institutionalizing a magic
mirror—materialized in the narrative of nation—where mestizos can "see" only a
partial reflection of themselves. The black African characteristics of Mexican
mestizaje were totally removed from the ideal image of "Mexican-ness"1
disseminated in and out of the country. During this period, and in the material
selected for study, wherever Afro-Mexicans—visibly Afro or not—are mentioned,
they appear as "mestizos" oblivious of their African heritage and willingly moving
toward becoming white.
The analysis adopts as critical foundation two essays: "Black Phobia and
the White Aesthetic in Spanish American Literature," by Richard L. Jackson; and
"Mass Visual Productions," by James Snead. In "Black Phobia..." Jackson
explains that, to define "superior and inferior as well as the concept of beauty"
according to how white a person is perceived to be, is a "tradition dramatized in
Hispanic Literature from Lope de Rueda's Eufemia (1576) to the present" (467).
For Snead, "the coding of blacks in film, as in the wider society, involves a history
of images and signs associating black skin color with servile behavior and
marginal status" (142).
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Investimento externo e estrutura industrial: 1946/1962Gorza Pignaton, Alvaro Afonso 11 1900 (has links)
Submitted by Marcia Bacha (marcia.bacha@fgv.br) on 2011-04-12T19:24:34Z
No. of bitstreams: 1
000100597.pdf: 6870686 bytes, checksum: c400a0bbf2994fae4e8ee5c22c70e82a (MD5) / Approved for entry into archive by Marcia Bacha(marcia.bacha@fgv.br) on 2011-04-13T17:45:25Z (GMT) No. of bitstreams: 1
000100597.pdf: 6870686 bytes, checksum: c400a0bbf2994fae4e8ee5c22c70e82a (MD5) / Made available in DSpace on 2011-04-13T17:45:35Z (GMT). No. of bitstreams: 1
000100597.pdf: 6870686 bytes, checksum: c400a0bbf2994fae4e8ee5c22c70e82a (MD5)
Previous issue date: 1972-11
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A estrutura esportiva do SESI no Paraná : 1946 a 2004Nunes, Ricardo João Sonoda January 2006 (has links)
Orientador: Fernando Marinho Mezzadri / Dissertação (mestrado) - Universidade Federal do Paraná, Setor de Ciências Biológicas, Programa de Pós-Graduação em Educação Física. Defesa: Curitiba, 2006 / Inclui bibliografia / Área de concentração: Exercício e esporte
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The erasure of the Afro element of mestizaje in modern Mexico : the coding of visibly black mestizos according to a white aesthetic in and through the discourse on nation during the cultural phase of the Mexican Revolution, 1920-1968Hernández Cuevas, Marco Polo 11 1900 (has links)
"The Erasure of the Essential Afro Element of Mestizaje in Modern Mexico: The
Coding of Visibly Black Mestizos According to a White Aesthetic
In and Through the Discourse on Nation During the Cultural Phase of the
Mexican Revolution, 1920-1968" examines how the Afro elements of Mexican
mestizaje were erased from the ideal image of the Mexican mestizo and how the
Afro ethnic contributions were plagiarized in modern Mexico. It explores part of
the discourse on nation in the narrative produced by authors who subscribed to
the belief that only white was beautiful, between 1920 and 1968, during a period
herein identified as the "cultural phase of the Mexican Revolution." It looks at the
coding and distortion of the image of visibly black Mexicans in and through
literature and film, and unveils how the Afro element "disappeared" from some of
the most popular images, tastes in music, dance, song, food, and speech forms viewed as cultural texts that, by way of official intervention, were made "badges"
of Mexican national identity.
The premise of this study is that the criollo elite and their allies, through
government, disenfranchised Mexicans as a whole by institutionalizing a magic
mirror—materialized in the narrative of nation—where mestizos can "see" only a
partial reflection of themselves. The black African characteristics of Mexican
mestizaje were totally removed from the ideal image of "Mexican-ness"1
disseminated in and out of the country. During this period, and in the material
selected for study, wherever Afro-Mexicans—visibly Afro or not—are mentioned,
they appear as "mestizos" oblivious of their African heritage and willingly moving
toward becoming white.
The analysis adopts as critical foundation two essays: "Black Phobia and
the White Aesthetic in Spanish American Literature," by Richard L. Jackson; and
"Mass Visual Productions," by James Snead. In "Black Phobia..." Jackson
explains that, to define "superior and inferior as well as the concept of beauty"
according to how white a person is perceived to be, is a "tradition dramatized in
Hispanic Literature from Lope de Rueda's Eufemia (1576) to the present" (467).
For Snead, "the coding of blacks in film, as in the wider society, involves a history
of images and signs associating black skin color with servile behavior and
marginal status" (142). / Arts, Faculty of / French, Hispanic, and Italian Studies, Department of / Graduate
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Bearing witness : the homiletic theory and practice of Thomas G. LongWoods, John January 2008 (has links)
No description available.
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The struggle for Persia : The Azerbaijan Crisis of 1946L'Estrange-Fawcett, L. January 1988 (has links)
No description available.
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The road to war : France and Vietnam, 1944-1947 /Shipway, Martin. January 1996 (has links)
Texte remanié de: Th. / Bibliogr. p. 287-295. Index.
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John Piper: The Making of a Christian HedonistTaylor, Justin Gerald 18 June 2015 (has links)
JOHN PIPER: THE MAKING OF
A CHRISTIAN HEDONIST
Justin Gerald Taylor, Ph.D.
The Southern Baptist Theological Seminary, 2015
Chair: Dr. Michael A. G. Haykin
This dissertation on noted pastor and author John Piper (1946- ) constitutes an early effort in the field of intellectual biography, tracing four key influences--in roughly chronological order--upon Piper's life and theology. Those with primary influence in Piper's formative years were his parents, William S. H. Piper (1919-2007) and Ruth Mohn Piper (1918-1974), who exhibited a unique combination of joyful fundamentalism. Piper's next major influence was C. S. Lewis (1898-1963), discovered during his undergraduate studies at Wheaton College, who introduced him to romantic rationalism. Piper's first teacher at Fuller Seminary was Daniel P. Fuller (1925- ), a hermeneutics professor who planted the seeds of Christian hedonism and who gave him a love for exegetical biblicism. It was during these seminary days and into his time of doctoral study that Piper discovered Jonathan Edwards (1703-1758), whose affectional Calvinism would go on to shape Piper's theology more than anyone else. Piper's three primary venues of ministerial vocation--teaching, preaching, and writing--are all examined to reveal the ways in which each of these influencers played various roles in Piper's development of Christian hedonism and his distinct contribution to a theology of the Christian life. The dissertation concludes with two applications of the foregoing analysis, exploring how Piper uses Scripture and how he appropriates church history for pastoral ends. Also included is a comprehensive bibliography of Piper's published works (1971-2015).
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The development of pharmaceutical services in the British welfare stateHunt, John Anthony January 1998 (has links)
No description available.
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