劉小麗. / Submitted: March 2010. / Thesis (doctoral)--Chinese University of Hong Kong, 2010. / Includes bibliographical references (p. 244-253). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Liu Xiaoli.

Sung, Kei Yan. / Thesis submitted in: December 2007. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. / Includes bibliographical references (leaves 80-86). / Abstracts in English and Chinese. / Introduction --- p.1 / Chapter Chapter 1 --- General Background Information / Chapter ´ؤ --- Part I The American Context: Second Half of Twentieth Century --- p.5 / Chapter ´ؤ --- Part II Experimentalism --- p.9 / Chapter Chapter 2 --- Biographical Contexts / Chapter ´ؤ --- Biography - A Transethnic Overview --- p.15 / Chapter ´ؤ --- Harrison and Contemporary Composers: Relationship and Influences --- p.28 / Chapter Chapter 3 --- Composing Otherness / Chapter ´ؤ --- Part I Concerto in Slendro: An Anticipation of Asia --- p.38 / Chapter ´ؤ --- Part II Transethnicism in the Mature Period -- Varied Trio --- p.53 / Conclusion --- p.76 / Bibliography --- p.80

Chan, Tsz Shan. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2011. / Includes bibliographical references (leaves 100-102). / Abstracts in English and Chinese. / Introduction --- p.1 / Chapter 1. --- Jack Kerouac and the Concept of Emptiness --- p.20 / Chapter 2. --- Gary Snyder and Autonomous Nature --- p.43 / Chapter 3. --- Ginsberg and the Sunyata Consciousness --- p.70 / Conclusion --- p.95 / Bibliography --- p.100

A dissertation submitted to the Faculty of Arts, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements for the degree of Master of Arts in Engiish. / This dissertation grapples With the activity of critical production. It answers not to an interpretation which would constitute the writer within the institutionalised category of effect and object of knowledge, but rather to an explosion, a proliferation of critical paths at the limit of the doxa: a veritable labyrinth. The terms of my title open up a methodological field within which I enact the play of associations, contiguities, relations among four texts: The Name of the Rose, lost. in the Funhouse, The Naked Lunch and 'The library of Babel'. The terms themselves disseminate across the text argument in citations, references, echoes. The labyrinth is used throughout as a trope which deconstructs its own performance within the text. Legends are myths, inscriptions on maps, legenda or "things for reading" (through an etymological supplement), "lesser libraries." Barthes cites the biblical words of the man possessed by demons: "My name is Legion for we are many" and demonstrates how the demonlacal plural brings with it fundamental changes in reading strategies. The notion of the demoniacal plural is used to problernatlse the debates around subjectivity. The belief in unitary, rational selfhood is debunked and the subject is Seen to be plural, irreducible, heterogenous. Subjectivity is further problernatlsed by demonstrating the slippage among the labyrinthine multiplicity of discursive positions occupied by readers: the monoloqlcal models of meaning developed from each reading position constantly shift. The discursive position recuperated and sanctioned by the Law or the institution is impossible to maintain as Subjects are seduced by language into confrontation with other positions through their continuous renarnings of each other. Subjectivity and discursive positioning form .their own labyrinthine intentionality. The argument then moves towards an exploration of the current calculation of the subject for the writer. (Distinctions between author and critic begin to collapse here since meaning is shown to be governed by neither). The reading\writing subject strolls in a vast labyrinth of text - a postmodern flaneur who frustrates the work of exegesis by enacting the play of the signifier. The line traced by this hypothetical traveller does not engender a definitive theoretical or discursive map of the domain but rather a contingent and highly provisional, backward turning path. The demoniacal plural is also used to problematise notions of an original and innovative critical voice which "speaks" the dissertation. The logic regulating the argument is the already-written, The dissertation plavs with each text (both critical texts and fictions) looking for a practice which reproduces them but in another place. My imagined (ideal?) reader wmtreat the argument as that Which. lt was not simply meant to be,will. follow.the argument and be seduced by it: an echoing. structure with dead ends, wrong turns, false entrances fictitious exits; misleading threads and deceptive lines, / AC 2018

Out of the politically charged atmosphere of the 1960s and 1970s emerged a migration to "the land" and communes, which popularly became known as the back-to-the-land movement. This migration occurred throughout the United States, as well as many other countries, and included clusters of land based communities in southern Oregon. Within these clusters, lesbian feminist women created lesbian separatist lands and communes. These women were well educated, and politically active in movements such as the New Left, Civil Rights, Women's Liberation, and Gay Liberation. These lands or communes functioned together as a community network that developed and commodified lesbian art, which impacted and influenced the development of lesbian art over time. In Oregon, as of 2011, at least ten known lesbian lands still existed. This cluster belonged to an extended community that stretched down into California and over into New Mexico. Over a two-year period I collected, transcribed, and studied the oral histories of eight of the elders of the women's land movement in southern Oregon. The purpose of this study is to better understand this movement of lesbian feminists the development of lesbian art and culture over time. The lesbian feminist back-to-the-land movement made the conscious choice to disengage from the patriarchal mainstream rather than continue participation in their own oppression. They viewed lesbian feminist separatism and the creation of safe lesbian land as a way to reconstruct their self-identity and influence the continued self-perception of lesbians the world over through art and literature. Based on these oral histories and archival materials, it became evident that the women within the lesbian land communities developed and maintained land on which they could re-examine who they were, re-educate themselves and each other, learn practical skills, construct new identities, create art, and broadcast their creations out into the world through organized media networks. One of the key features of this construction of lesbian land culture was the desire to share--share power, share money, share responsibilities, share knowledge, share land, share lovers. On the one hand, ownership was eschewed as elitist and patriarchal, while simultaneously important to the continuity of women's land and its protection from what could be described as patriarchal profit motives. They developed infrastructure, altered language, created a spiritual practice, and made art. The material and artistic culture was created in concert with modes or mediums of transmission, casting it out to a much wider audience. These creative activities influenced and impacted women beyond Oregon, beyond the lesbian land communities, and beyond the 1970s. By examining the lesbian land movement in southern Oregon, we can better understand the impact on LGBTQ culture, and the continued albeit unintentional impact on the questioning of the gender binary and sexual identity. In other words, the feminist and queer questioning of identity construction and symbolic language began here.

Das Wort was a literary journal published by German Communist writers and fellow-travelers exiled in Moscow from 1936 to 1939. It was to be a mouthpiece for German literature in exile and to promote the Popular Front policy, which sought to unite disparate elements in non-Fascist Europe in opposition to the Nazis. Das Wort, under the editorship of German Communist writers whose close association with the Soviet Union had been well established in the previous decade, tried to provide a forum for exiled writers of various political persuasions, but was unwavering in its positive portrayal of Stalin's Soviet Union and the policies of that country. As the level of hysteria grew with the successive purges and public show trials in the Soviet Union, the journal adopted an even more eulogistic and militant attitude: any criticism or expression of doubt about Soviet policy was equated with support for Fascism. Thus the ability of the journal to contribute to the formation of a true common front in Europe to oppose Fascism was compromised from the outset by its total support for the Soviet Union. The Popular Front policy foundered on this issue, and that portion of German literature in exile which was to form the first generation of East German literature was inextricably bound to the Soviet Union well before the German Democratic Republic came in to existence.

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Includes bibliographical references (leaves 206-210) / v, 210 leaves ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / Thesis (Ph.D.)--University of Adelaide, School of Humanities, Discipline of English, 2004

In 1878, Britain occupied Cyprus to protect imperial interests in the Near East and India, interests, both strategic and economic, that Russian expansion threatened and Ottoman weakness undermined. By 1912, Cyprus had become a pawn. The island had not been converted into the strategic, economic or political base to protect and extend British interests in the Near East. The policy of 1878 had failed because it was perceived rather than actual benefits that underlay the imposition of British rule. / The primary aim of this study is to present Cyprus as a failed case of imperialism. Historians have traditionally claimed that Cyprus was a strategic asset within the British imperial structure throughout British rule (1878-1960). That notion is challenged for the first phase of British rule – from the occupation of Cyprus in 1878 to when it was annexed in 1914 and then offered to Greece in October 1915. The approach is to situate the island within the British imperial imagination, which will help to understand why the island was occupied, and then to situate it within the British imperial structure after it was occupied to determine its place, value and viability. Understanding British politics and imperial policy is vital when trying to grasp the complexities of the imperial imagination(s) and the role of Cyprus within the imperial structure. This dissertation will show that perceptions generate reality and inform policy and that often these perceptions are imagined and exaggerated and thus, not based on evidence or reality. / This study will show that the British perceived Cyprus within two competing imaginaries that were at the heart of an imagined European spiritual identity: the Christian/Crusader/Holy Land tradition and that of Ancient Greece. The first tradition helps to explain why Cyprus was occupied; understanding the second provides one of the main reasons why the British failed in their imperial venture in Cyprus. Many British Conservative politicians and those that knew the Near East, through their imagined view of the Holy Land and their travels, diplomatic and military careers, situated Cyprus within the first tradition. They considered it strategically vital to the Levant and beyond to Armenia and Mesopotamia. Liberal leaders perceived Cyprus to be apart of Europe and, more significantly, within the unitary ideal of Modern Greece that the British had fashioned in continuum of the unitary ideal of Ancient Greece. Although the identity of the Cypriots was complex, the British imposed – unwittingly – modernity on the Cypriots. / Ultimately, it was the latter imagination that became dominant and with the failure of Cyprus to have a place within imperial strategy, it became a pawn to be parted to Greece with.

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