This diploma thesis focuses on industry clusters and their relation to industry 4.0. The aim is to propose improvements of a selected cluster with prerequisites for transition to industry 4.0. For this purpose, a cluster maturity model will be developed in order to determine the current level of cluster readiness for industry 4.0 in predefined dimensions. This model will be based on an analysis of current maturity models and specific features and clusters´s restrictions. An analysis of the OMNIPACK cluster and the subsequent application of the maturity model to this cluster will be also part of the work. The benefit of this diploma thesis will be wider application of the defined maturity model in Czech cluster organizations.

This diploma thesis deals with the possibilities of using the geographic information systems in construction practice with a focus on facility management of buildings. The goal is to show the possibilities of use and the advantages that GIS offers in the construction industry thanks to its analytical and visualization capabilities. In the theoretical part there are basic terms such as BIM, Industry 4.0, GIS and facility management described. Furthermore, the possibilities of using GIS in construction industry and facility management of buildings are addressed. In the practical part the procedure of creating a GIS database for facility management is processed, specifically on information model of BUT FAST campus premises.

Em fases transformadoras como a que se vive na atualidade com as tecnologias que impactam os processos produtivos de moda, os papéis desempenhados pelos designers se alteram. Neste contexto, o designer de moda parece se deparar entre as narrativas da cultura maker (influenciados por movimentos de contra-cultura, ao clamar por autonomia como o Arts & Crafts, DIY, movimento do software livre e open-source) e, por outro, os direcionamentos tomados pela indústria 4.0. (produção em escala, ultra-personalizadas, distribuída e com uso de dados). Estes dois âmbitos têm em comum interesse o uso de ferramentas de fabricação digital, por isso, os conhecimentos necessários para projetos desenvolvidos nestes espaços se difundem rapidamente. Contudo, ímpetos, narrativas, valores iniciais e interesses de diversas origens se mesclam de um modo difícil de distinguir (NASCIMENTO, S.; PÓLVORA, A.; 2016), mas que continuam a gerar agenciamentos. Esta investigação tem como objetivo apresentar um panorama dos percursos do designer de moda em meio ao contexto cultural e operacional da fabricação digital afim de destacar pontos de tensão e de disparidades sociais que passam pelo campo produtivo, afim de encontrar quais os próximos e melhores passos a serem dados. Deste modo, busca-se utilizar ferramentas digitais como impressoras 3D, escaners 3D e máquinas de corte a laser na com a intenção de trazer mais autonomia, acessibilidade, igualdade nas relações para designers de moda no Brasil. / In a phase of deep transformations with new technologies that impact the productive processes in the fashion field. In this context, the fashion designer finds himself between narratives devired from the the maker culture (following counter-culture movements, claiming for autonomy with the Arts & Crafts movement, DIY, later the free software movement, open-source) and the 4.0 industry (scale, ultrapersonalized, distributed production based on data). Both areas have the interest on digital fabrication in common, therefore, the required knowledge for projects developed in these spaces spreads rapidly. Yet, impulses, narratives and initial values cultuated by the maker movement seems to be mixed and dispersed (NASCIMENTO, S.; PÓLVORA, A.; 2016) while agency keep happening. The present investigation\'s aim is to present the paths followed by the fashion designer immersed in a cultural context and in the operational digital fabrication\'s context in order to find which are the best actions to be taken. In this sense, digital fabrication tools such as 3D printers, 3D scanners, laser cutter machines can be used to bring more autonomy, accessibility, equality in the relations and in the ways of producing for fashion designers in Brasil.

Em fases transformadoras como a que se vive na atualidade com as tecnologias que impactam os processos produtivos de moda, os papéis desempenhados pelos designers se alteram. Neste contexto, o designer de moda parece se deparar entre as narrativas da cultura maker (influenciados por movimentos de contra-cultura, ao clamar por autonomia como o Arts & Crafts, DIY, movimento do software livre e open-source) e, por outro, os direcionamentos tomados pela indústria 4.0. (produção em escala, ultra-personalizadas, distribuída e com uso de dados). Estes dois âmbitos têm em comum interesse o uso de ferramentas de fabricação digital, por isso, os conhecimentos necessários para projetos desenvolvidos nestes espaços se difundem rapidamente. Contudo, ímpetos, narrativas, valores iniciais e interesses de diversas origens se mesclam de um modo difícil de distinguir (NASCIMENTO, S.; PÓLVORA, A.; 2016), mas que continuam a gerar agenciamentos. Esta investigação tem como objetivo apresentar um panorama dos percursos do designer de moda em meio ao contexto cultural e operacional da fabricação digital afim de destacar pontos de tensão e de disparidades sociais que passam pelo campo produtivo, afim de encontrar quais os próximos e melhores passos a serem dados. Deste modo, busca-se utilizar ferramentas digitais como impressoras 3D, escaners 3D e máquinas de corte a laser na com a intenção de trazer mais autonomia, acessibilidade, igualdade nas relações para designers de moda no Brasil. / In a phase of deep transformations with new technologies that impact the productive processes in the fashion field. In this context, the fashion designer finds himself between narratives devired from the the maker culture (following counter-culture movements, claiming for autonomy with the Arts & Crafts movement, DIY, later the free software movement, open-source) and the 4.0 industry (scale, ultrapersonalized, distributed production based on data). Both areas have the interest on digital fabrication in common, therefore, the required knowledge for projects developed in these spaces spreads rapidly. Yet, impulses, narratives and initial values cultuated by the maker movement seems to be mixed and dispersed (NASCIMENTO, S.; PÓLVORA, A.; 2016) while agency keep happening. The present investigation\'s aim is to present the paths followed by the fashion designer immersed in a cultural context and in the operational digital fabrication\'s context in order to find which are the best actions to be taken. In this sense, digital fabrication tools such as 3D printers, 3D scanners, laser cutter machines can be used to bring more autonomy, accessibility, equality in the relations and in the ways of producing for fashion designers in Brasil.

This master thesis maps contemporary situation linked to the Industry 4.0 topic and sets it into connections and define its relations. The first part is dedicated to describing the beginning and nature of Industry 4.0. Next part shows main national initiatives of several countries. In the other part of thesis there is specific description of terms connected to this concept. Next part is about evaluating benefits, risks and restrictions. After that there is description of present use on market. The last part sums some predictions about Industry 4.0.

This thesis deals with the importance of chemical industry in the creation of jobs in the Czech Republic between 2008-2015. The Thesis is divided into four chapters. First chapter is devoted to general development of chemical industry, with emphasis on the labour market. Second chapter is concerned with educational institutions within chemical industry. Third chapter examines selected chemical companies and their cooperation with educational institutions. The last chapter focuses on the future of the chemical industry of the Czech Republic with an emphasis on development of the labor market due to ongoing technological changes. The analyse of comprehensive development of the chemical industry is made on the basis of historical-statistical method. In the sections describing the possible development are used mostly specialized studies.

This work deals with problematics if industrial robotic arms, with theirs constructions, controling and with theirs role in Industry 4.0. Work describes the process of development and realization of the industrial robotic arm model by 3D printing. Besides construction fo model, work deals with firmware, software and inversion kinematics crucial to controling. Model of robotic arm will be used as learning tool.

The subject of this dissertation is the application of selected elements od industry 4.0 to the construction industry. Individually selected elements are subsequently presented in more detail and for each element is created a SWOT analysis. The conclussion of this dissertation is conducting surveys in construction companies on the use of new technologies and evaluation of these surveys.

This thesis deals with design, construction and software of intelligent warehouse for testbed Industry 4.0. The first part is dedicated to the issue of warehousing, storage, Industry 4.0 and the description of the testbed Barman. The second part deals with the development of the cell storage. Firstly, there is a description of the design and construction of the cell, followed by a description of the sensors and control equipment used. The following part deals with the software of the cell and finally the goals of the thesis are evaluated.

This diploma thesis deals with construction and software of transport entities for testbed Industry 4.0. The aim of the thesis is to create a transport network for moving a glass with a drink between individual cells on a production table. A four-axis Epson SCARA manipulator is used to transport the glass and a conveyor with carriages is designed to serving the finished drinks. The first part deals with the description of used components and their electrical connections. The second part describes the program solution of robotic manipulator and programmable logic controller. The final part is devoted to the description of problems arising during implementation.