- About
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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 1 to 7 of 7 (0.042 seconds)Spelling suggestions: "subject:"410302 cinema 2studies"" "subject:"410302 cinema 3studies""
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Visual law: An exegesis of vernacular jurisprudence in popular mediaBainbridge, Jason G. Unknown Date (has links)
No description available.
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Visual law: An exegesis of vernacular jurisprudence in popular mediaBainbridge, Jason G. Unknown Date (has links)
No description available.
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Visual law: An exegesis of vernacular jurisprudence in popular mediaBainbridge, Jason G. Unknown Date (has links)
No description available.
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Visual law: An exegesis of vernacular jurisprudence in popular mediaBainbridge, Jason G. Unknown Date (has links)
No description available.
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Costume in 'new Hollywood' moviesLewis, S. R. Unknown Date (has links)
No description available.
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The Representation of Women in Revolutionary Cuban CinemaMejia, G. G. Unknown Date (has links)
No description available.
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Perversion of the reel : a thesis presented in partial fulfilment of the requirements for the completion of Master of Fine Arts at Massey University, Wellington, New ZealandEdmunds, Hannah January 2010 (has links)
Through the use of masculinity as a visual language this research aims to unravel the divide between the role of the act and the acted. French actor Julien Boisselier operates as the male manifestation of the actor in question and functions on multiple levels of performance, both as male and as an actor. Boisseliers depictions of major, medium and minor acted characters offer another level to the performance variable. The aim to highlight the visible triggers of a ‘pure performance’ (a performance where the actor may slip or falter out of acted character and into default human performance) as shown through the choreography of his physiognomy is the experience underpinning this thesis.
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