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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

MARCAS DO EXPRESSIONISMO NO DISCURSO DE FRANZ KAFKA E CLARICE LISPECTOR.

Brito, Lêda Maria Leite Alencar de 19 March 2015 (has links)
Made available in DSpace on 2016-08-10T11:07:09Z (GMT). No. of bitstreams: 1 LEDA MARIA LEITE ALENCAR DE BRITO.pdf: 762747 bytes, checksum: 37bc61e19fbed5b2b9a13a4adfb50a97 (MD5) Previous issue date: 2015-03-19 / This thesis aims to make a comparative analysis between the works The Passion According to GH, Clarice Lispector and The Metamorphosis by Franz Kafka . Theorized issues are addressed by Victor Shklovsky in literary studies and Comparative Literature at work Literary Theory . It is intended to study the uniqueness of each work procedures , highlighting aesthetic procedures concerning Modern Literature : Expressionism , features that link the objects chosen for the proposal expressionist aesthetic . The similarities and differences of each work aesthetic and structural homologies between the works studied and the expressionist painting. / Esta dissertação tem por objetivo fazer uma análise comparada entre as obras A Metamorfose, de Franz Kafka e A Paixão Segundo G. H., de Clarice Lispector. São abordadas questões teorizadas por Victor Chklovski nos estudos literários e da Literatura Comparada na obra Teoria da Literatura. Pretende-se estudar os procedimentos de singularidade de cada obra, destacando procedimentos estéticos concernentes à Literatura Moderna: o Expressionismo, características que ligam os objetos escolhidos à proposta da estética expressionista. As semelhanças e diferenças estéticas de cada obra e as homologias estruturais entre as obras estudadas e a pintura expressionista.

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