Thesis (Ph. D.)--University of Oklahoma, 2001. / Includes bibliographical references (leaves 154-160).

Bound to violence (1968) is the first novel written by the Malian author Yambo Ouologuem. Winner of the Renaudot Award (November 1968), the novel was pulled from bookstore shelves by the French editor in the early 1970’s, following the accusations of plagiarism, which never went to trial. When the French text is reprinted in 2003, it is presented as an attempt to rehabilitate its reputation to the francophone public. Our study analyzes the intertextual practices, of which plagiarism is a major constituent, that are the foundation of the innovative narrative process of Bound to violence. The author appropriates the texts of the occidental novel as well as of the Bible, which various theories of intertextuality allow to identify. Similarly, the paratext of Bound to violence, which categorizes it as a novel, permits the blending of different discourses of that period in a mixture of narratives and genres. The novel presents “fixed” discourses such as the story of Hamitic Myth, ideological discourses about blackness and colonialism but also discourse about society, particularly History. The intertextual and hypertextual practices allow a fusion of narratives and genres which defines the novel’s originality. This study goes beyond a simple listing of the literary texts which are part of Bound to violence and examines the elaboration of an intertextual link between Bound to violence and other literary texts, as well as their function in the newly created novel. / Thesis (Master, French) -- Queen's University, 2009-10-06 17:23:10.38

The condition of women in African societies has always been object of intense discussion The present research takes its move from an analysis of four main literary works in Zulu, and a number of supporting texts, to monitor, as it were, the development of attitudes towards women during the second half of the 20th century. Literature is considered, in fact, a mirror of society. Traditional Southern African society is strongly patriarchal and conservative. A woman's role is generally viewed as the life-giver and the nurturer of the new generation of her husband's offspring. She is in charge of the gardens, where she grows the family food, while her husband is busy with his wars, cattle raiding ventures and politics. Patriarchy may reach severe forms of women oppression through the systems of ilobolo (bride-wealth) and of polygamy, but is also expressed by the exclusion of women from the economic, artistic and legal fields. Forms of freedom - of movement, or sexual or economic - allotted to men are never considered for women. Each of the four chosen texts emphasises one or more aspect of women oppression by the male dominated society, as reflected in popular life at the time of writing. So Uvalo Lwezinhlonzi, written in 1956, is a manifesto for freedom in the choice of a life partner, which is generally obstructed by the father's greed for ilobolo cattle and his ambition to be recognized among the notables of the district. Inkinsela YaseMgungundlovu (1961) fights for women's equal rights in the financial field. NguMbuthuma-ke Lowo (1982) is a desperate cry in the face of abuses in polygamous families. And Ikhiwane Elihle (1985) fights aspects of the new morality that accepts sexual freedom for women, since men also claim such freedom. The thesis is topical, and, to render it even more so, it often avails itself of ideas of feminist writers and critics, although such theories have not touched the nerve of the Zulu public as yet. / Thesis (M.A.)-University of Durban-Westville, 2002.

This study was aimed at investigating established electronic text and information projects and resources to inform the design and implementation of a South African electronic text resource. Literature was surveyed on a wide variety of electronic text projects and virtual libraries in the humanities, bibliographic databases, electronic encyclopaedias, literature webs, on-line learning, corcordancing and textual analysis, and computer application programs for searching and displaying electronic texts .The SALIT Web CD-ROM which is a supplementary outcome of the research - including the database, relational table structure, keyword search criteria, search screens, and hypertext linking of title entries to the electronic full-texts in the virtual library section - was based on this research. Other outcomes of the project include encoded electronic texts and an Internet web site. The research was undertaken to investigate the benefits of designing and developing an etext database (hypertext web) that could be used effectively as a learning/teaching and research resource in South African literary studies. The backbone of the resource would be an indexed ''virtual library" containing electronic texts (books and other documents in digital form), conforming to international standards for interchange and for sharing with others. Working on the assumption that hypertext is an essentially democratic and anti canonical environment where the learner/users are free to construct meaning for themselves, it seemed an ideal medium in which to conduct learning, teaching and research in South African literature. By undertaking this project I hoped to start a process, based on international standards, that would provide a framework for a virtual library of South African literature, especially those works considered "marginal" or which had gone out of print, or were difficult to access for a variety of reasons. Internationally, the TEI (Text Encoding Initiative) and other, literature based hypertext projects, promised the emergence of networked information resources that could absorb and then share texts essential for contemporary South African literary research. Investigation of the current status of on-line reference sources revealed that the digital frameworks underlying bibliographic databases, electronic encyclopaedias and literature webs are now very similar. Specially designed displays allow the SALIT Web to be used as a digital library, providing an opportunity to read books that may not be available from any other library. The on-line learning potential of the SALIT Web is extensive. Asynchronous Learning Network (ALN) programmes in use were assessed and found to offer a high degree of learner-tutor and learner-learner interaction. The Text Analysis Computing Tools (TACT) program was used to investigate the possibility of detailed text analysis of the full texts included in the SALIT library on the CDROM. Features such as Keyword-in-context and word-frequency generators, offer valuable methods to automate the more time-consuming aspects of both thematic and formal text analysis. In the light of current hypertext theory that emphasises hypertext's lack of fixity and closure, the SALIT Web can be seen to transfer authority from the author/teacher/librarian, to the user, by offering free access to information and so weakening the established power relations of education and access to education. The resource has the capacity to allow the user to examine previously unnoticed, but significant contradictions, inconsistencies and patterns and construct meaning from them. Yet the resource may still also contain interventions by the author/teacher consisting of pathways to promote the construction of meaning, but not dictate it. A hypertext web resource harnesses the cheap and powerful benefits of Information Technology for the purpose of literary research, especially in the under-resourced area of South African literary studies. By making a large amount of information readily available and easily accessible, it saves time and reduces frustration for both learners and teachers. An electronic text resource provides users with a virtual library at their fingertips. Its resources can be standardised so that others can add to it, thus compounding the benefits over time. It can place scarce works (books, articles and papers) within easy access for student use. Students may then be able to use its resources for independent discovery, or via guided sets of exercises or assignments. Electronic texts break the tyranny of inadequate library resources, restricted access to rare documents and the unavailability of comprehensive bibliographical information in the area of South African literary studies. The publication of the CD-ROM enables the launch of new, related projects, with the emphasis on building a collection of South African texts in all languages and in translation. Training in electronic text preparation, and Internet access to the resource will also be addressed to take these projects forward. / Thesis (Ph.D)-University of Durban-Westville, Durban,1999.

No abstract available. / Thesis (M.A.)-University of Durban-Westville, 2001.

No abstract available. / Thesis (M.A.)-University of Durban-Westville, 2001.

No description available.

A protean doctrine, claiming cultural pride and demanding self-expression for those who espouse it, nationalism yet casts its defining symbols and reserves its privileges and powers according to gendered criteria. Nationalism, if seen as symbolically constructed, may be interpreted as a gendered discourse in which subjects in history and also in literature are assumed to be male. Especially in the Manichean worlds of colonial and newly post-colonial societies, nationalist narratives - such as those produced at the time of African independence - read as family dramas in which honour and duty are patrilineally bequeathed, and national sons honour iconic mothers. The invisibilities in nationalist discourse, often left obscure in the interests of an ironic 'liberation', may be redressed both through the displacement of dominant subject positions in literature - where 'non-nationals' tell their own fictions - and through the remoulding of inherited tropes and symbolic scenarios. In this way new plots are written into history; nationalist romances give way to literary fictions. An investigation of the status of nationalism as symbolic language of gender, this thesis concentrates first on the inscription of nationalist icons in post-colonial African literature and on the gendered tropic patterns which govern that inscription. Writers considered include Peter Abrahams, Leopold Senghor, Camara Laye, and Ngugi wa Thiong'o. The iconic role of artist as nationalist hero is explored in particular in a discussion of essays and plays by Wole Soyinka. In its latter half, the thesis looks at African women's writing - novels by Flora Nwapa, Buchi Emecheta, Mariama Bâ and Bessie Head - and the work of a second generation of African writers, considering the ways in which this literature has begun to rescript the dramas of nationalism, to redream its visions of wholeness and healing.

Thesis (Ph. D.)--Illinois State University, 2006. / Title from title page screen, viewed on January 18, 2008. Dissertation Committee: Kristin Dykstra (chair), Christopher Breu, Christopher DeSantis. Includes bibliographical references (leaves 220-237) and abstract. Also available in print.

Thesis (Ph.D.)--McMaster University, 2003. / Advisor: Susie O'Brien. Includes bibliographical references (leaves 150-166). Also available via World Wide Web.