The thesis bridges the gap between physical and digital print design in search of a hybrid state, reflecting our present time. With AI-assisted creativity in print development and features such as added volume to the print elements, the physical garments replicate the creation of a 3D object existing in computer software. Through innovative garment construction techniques and the development of photographic print composition, it redefines the relationship between print, form, and body. Driven by visually stimulating imagery and the desire to communicate physical sensation through concepts constructed via digital tools, the thesis proposes hybrid wearables existing in both the digital and physical states. The research examines an innovative symbiosis between the nostalgic past and the futuristic present with joyful expression in mind while simultaneously harmonizing the saturated voices of the current zeitgeist. The project contributes to the utilization of AI image-generating tools such as Dalle2 in the design practice and the role of maintaining human-centered design instead of replacing it. The results are presented in multitudes of different presentation formats from analog or digital ones in the forms of image stills and animation to phygital convergences between the virtual and the actual reality.