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The precise nature of the motion of the lips of the musician is critically important to the sound of the brass wind instrument. The player must match the oscillation of the lips to the acoustical properties of the instrument and it can take many years of practice to master the techniques involved. Visualisation techniques for capturing the motion of the lips during performance are described and the behaviour of the lips quantitatively analysed using digital image analysis. The concept of an artificial mouth for the sounding of brass wind instruments is discussed and the motion of the artificial lips is compared to that of human musicians. When a brass instrument is played loudly the energy of the higher harmonics increases, creating a distinctive ‘brassy’ timbre. It has been suggested that saturation or constraint of the lips of the musician during extremely loud playing is responsible for this change in sound. Measurements of the motion of the lips of a number of different musicians on different instruments suggest that the lips are not significantly constrained at any playing dynamic, and that it is the phenomena of nonlinear propagation and shockwave generation that is responsible for the increase in energy of the higher harmonics. It is widely accepted that the starting transient of a musical instrument is of great importance to both listener and musician. Previous studies of brass instruments have focused on the steady-state behaviour of the lip-instrument interaction. Measurements of the motion of the lips have been synchronised with the pressure in the mouthpiece of the instrument and the sound radiated from the bell in order to investigate the transient behaviour of the system during both the starting transient and slurs between notes. Thiswork has been extended to include measurements of the pressure in the mouth of the player during the starting transient, and this information used to recreate realistic transients using an artificial mouth. The transient behaviour of the system is clearly affected by the time delay between the start of the note and the acoustical feedback from the instrument beginning. The information obtained can be used to aid in the creation of accurate computational and physical models of brass wind instruments.

No / Hemp concrete is an attractive alternative to traditional materials used in building construction. It has a very low environmental impact, and it is characterized by high thermal insulation. Hemp aggregate particles are parallelepiped in shape and can be organized in a plurality of ways to create a considerable proportion of open pores with a complex connectivity pattern, the acoustical properties of which have never been examined systematically. Therefore this paper is focused on the fundamental understanding of the relations between the particle shape and size distribution, pore size distribution, and the acoustical properties of the resultant porous material mixture. The sound absorption and the transmission loss of various hemp aggregates is characterized using laboratory experiments and three theoretical models. These models are used to relate the particle size distribution to the pore size distribution. It is shown that the shape of particles and particle size control the pore size distribution and tortuosity in shiv. These properties in turn relate directly to the observed acoustical behavior.

No / Graded porous materials are of growing interest because of their ability to improve the impedance matching between air and material itself. Theoretical models have been developed to predict the acoustical properties of these media. Traditionally, graded materials have been manufactured by stacking a discrete number of homogeneous porous layers with different pore microstructure. More recently a novel foaming process for the manufacturing of porous materials with continuous pore stratification has been developed. This paper reports on the application of the numerical procedure proposed by De Ryck to invert the parameters of the pore size distribution from the impedance tube measurements for materials with continuously stratified pore microstructure. Specifically, this reconstruction procedure has been successfully applied to retrieve the flow resistivity and tortuosity profiles of graded porous materials manufactured with the method proposed by Mahasaranon et al. In this work the porosity and standard deviation in pore size are assumed constant and measured using methods which are applied routinely for homogenous materials characterisation. The numerical method is based on the wave splitting together with the transmission Green's functions approach, yielding an analytical expression of the objective function in the Least-square sense.

Measuring different acoustical properties have been the key in reducing noise and improving the sound quality from various sources. In this report, a broadband (200 Hz – 6.5 kHz) three-dimensional seven-microphone intensity probe system is developed to measure the sound intensity, and total energy density in different acoustical environments. Limitations of most commercial intensity probes in measuring the three-dimensional intensity for a broadband sound field was the main motivation in developing this probe. The finite-difference error and the phase mismatch error which are the two main errors associated with the intensity measurements are addressed in this report. As for the physical design, seven microphones were arranged in a two-concentric arrays with one microphone located at the center of the probe. The outer array is for low-frequencies (200 Hz – 1.0 kHz), and the inner one is for high-frequencies (1.0 kHz – 6.5 kHz). The screw adjustable center microphone is used for the microphone calibration, and as the reference microphone of the probe. The simultaneous calibrations of all the microphones in the probe were done in the anechoic room. Theories for the intensity and the energy densities calculations for the probe were derived from the existing four-microphone probe configuration. Reflection and diffraction effects on the intensity measurements due to the presence of the microphones, and the supporting structures were also investigated in this report. Directivity patterns of the calculated intensity showed the omnidirectional nature of the probe. The intensity, and total energy density were calculated and compared with the ideal values in the anechoic room environment. Characterization of sound fields in a reverberant enclosed space, and sound source identification are some applications that were investigated using this probe. Results of different measurements showed effectiveness of the probe as a tool to measure key acoustical properties in many practical environments. / text

A simple method is described to record the radiated sound of musical instruments and to extrapolate the sound field to distances further away from the source. This is achieved by considering instruments as complex point sources. It is demonstrated that this simplification method yields plausible results not only for small instruments like the shakuhachi but also for larger instruments such as the double bass: The amplitude decays in a given manner and calculated interaural signal differences reaching the listener decrease with increasing distance to the source. The method can be applied to analyze the sound radiation characteristics as well as the radiated sound field in a listening region regardless of room acoustical influences. Implementations in terms of room acoustical simulations, spatial additive synthesis and sound field synthesis are discussed.

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Ce travail concerne l’étude acoustique théorique et expérimentale des matériaux poreux à squelette métallique, macroscopiquement homogènes et inhomogènes ainsi que l’étude de leurs propriétés mécaniques de comportement au choc pour comparaison. Le modèle acoustique de Johnson -Champoux - Allard s’est montré adapté pour la modélisation acoustique. Ce modèle associé à une approche proposée récemment et utilisant le concept de matrices de transfert en parallèle a permis, dans une nouvelle approche basée sur les “mélanges de matériaux”, d’étudier les matériaux poreux macroscopiquement inhomogènes. Par ailleurs, une étude paramétrique du coefficient d’absorption en fonction de la porosité et de la fréquence a été proposée. Les maxima d’absorption ainsi que l’enveloppe des courbes d’absorption en fonction de la porosité ont été étudiés. En premier lieu, un matériau théorique à propriétés indépendantes a été étudié. Les matériaux réels à propriétés interdépendantes ont ensuite été abordés à l’aide d’un modèle reliant leurs propriétés à la porosité. Enfin, une comparaison entre les propriétés acoustiques et les propriétés mécaniques de comportement à l’impact a été initiée en vue de déterminer un critère objectif permettant de proposer un compromis entre les deux domaines. / This work is concerned with the theoretical and experimental study of the acoustical properties of macroscopically homogenous and inhomogeneous porous media as well as their mechanical response to impacts. The model of Johnson - Champoux - Allard appeared adapted for the acoustical modeling. This model, associated with a recently developed approach involving the concept of parallel transfer matrices has lead to a new approach of macroscopically inhomogeneous porous materials based on “mixtures of materials”. Furthermore, a parametric study of the absorption coefficient as a function of porosity and frequency has been proposed. The maximums of absorption as well as the envelop of the absorption curves have been studied as functions of porosity. First, a theoretical material with independent parameters has been studied. Real materials with nonindependent parameters were then investigated with the help of a model relating their properties to the porosity. Finally, a comparison between the acoustical and mechanical properties has been initiated in view of determining an objective criterion that will allow to propose a trade off between the two fields.