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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
51

A "spyback" on three years of graduate training

Cook, Laura January 2009 (has links)
Thesis (M.F.A.)--Kent State University, 2009. / Title from PDF t.p. (viewed Jan. 12, 2010). Advisor: Charles Richie. Keywords: Michael Chekhov, Stanislavski, Three Sisters, Urinetown, The Diviners. Includes bibliographical references (p. 91).
52

The story of Valmont in Hampton's Les liaisons dangereuses an examination of an actors's process /

Forsythe, Daniel Stephen. January 1900 (has links)
Thesis (M.F.A.)--West Virginia University, 2002. / Title from document title page. Document formatted into pages; contains iv, 61 p. Includes abstract. Includes bibliographical references (p. 61).
53

An actor's process

Russell, Robert January 2009 (has links)
Thesis (M.F.A.)--Kent State University, 2009. / Title from PDF t.p. (viewed Jan. 22, 2010). Advisor: Charles Richie. Keywords: Michael Chekhov; Bill Sykes; Cinnesias; Vershinin; Oliver; Lysistrata; Three Sisters; Archetype. Includes bibliographical references (p. 74).
54

Ru-howzi the Iranian traditional improvisatory theatre /

Haery, Mahmoud M. January 1900 (has links)
Thesis (Ph. D.)--New York University, 1982. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. [158]-165).
55

Theatre and cyberspace : the contribution of the theatrical past to performance of the future /

LeNoir, Nina Marie, January 1999 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 1999. / Vita. Includes bibliographical references (leaves 221-231). Available also in a digital version from Dissertation Abstracts.
56

Michael Chekhov and his approach to acting in contemporary performance training /

Solomon, Richard, January 2002 (has links)
Thesis (M.A.) in Theatre--University of Maine, 2002. / Includes vita. Includes bibliographical references (leaves 32-34).
57

The mind and body connection Alba emoting and Michael Chekhov's technique /

Townsend, Elizabeth Ann. January 2009 (has links)
Thesis (M.F.A.)--Kent State University, 2009. / Title from PDF t.p. (viewed Feb. 17, 2010). Advisor: Mark Monday. Keywords: Alba Emoting; Michael Chekhov. Includes bibliographical references (p. 36).
58

Transfer : unlearning the director's role in playmaking / Unlearning the director's role in playmaking

Manning, Courtney Sale 28 June 2012 (has links)
In this thesis I will examine my own directing praxis and transfer, the instant where ideas become action. I will define transfer as an initial trajectory toward a lasting event and examine how that practice has influenced four productions while at UT: The Fictional Life of Historical Oddities, september play, 360 (round dance) and Emergency Prom. / text
59

Both hands

Lendzian, Daniel Francis 16 September 2013 (has links)
This thesis is an in-depth analysis of the role of Voice in Suzan Zeder’s The Edge of Peace. A brief description of the author’s acting work before matriculating into The University of Texas’ MFA Acting program is described. The author then describes the skills learned in graduate school needed to perform the role both in Texas and Seattle. He briefly describes prior acting work at the University, and details some plans for the future of his acting career. / text
60

Refining and letting go : an actor's process

Izuegbu, Nickclette Nne-amaka 17 September 2013 (has links)
This thesis consists of three major sections. The first is a report of my coursework while at the university from August 2010 to April 2013 and how it culminated in an actor process towards working. The second section chronicles my experiences outside of the classroom, with influential persons in the theatrical community, and how they both have added to my process as an actor. The third section is a paper on my process playing the character of Mrs. Dickson of Lynn Nottage’s Intimate Apparel in my final performance at the university, as well as final reflection on where I am in my process as an actor. / text

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