Global ETD Search

1	Just for laughs an analysis of 21st century African American situational comedies / Mitchell, Natanya Bobbie. January 2005 (has links) Thesis (M.A.)--Georgetown University, 2005. / Title from PDF t.p. (viewed on June 17, 2006). Includes bibliographical references (p. 109-112).
2	A study of local television programming with respect to the African-American community the conception, development and production of "Harambe" / Penn, Charles E., January 1993 (has links) Thesis (M.S.)--Kutztown University of Pennsylvania, 1993. / Source: Masters Abstracts International, Volume: 45-06, page: 2718. Abstract precedes thesis as title page [6] preliminary leaves. Typescript. Includes bibliographical references (leaves 202-206).
3	Blacks Examine their Television Images Sherman, Bonita W. 01 January 1982 (has links) (PDF) No description available. African Americans on television Television programs Communication Social and Behavioral Sciences
4	How I became prince of a town called Bel Air nationalist desire in black television / Zook, Kristal Brent. January 1900 (has links) Thesis (Ph. D.)--University of California, Santa Cruz, 1994. / Typescript. Includes bibliographical references (leaves 211-254).
5	Framing the presidency : presidential depictions on Fox's fictional drama 24 Oliveira Campoy, Juliana de January 2014 (has links) Indiana University-Purdue University Indianapolis (IUPUI) / Framing theory is one of the most used theories in the discussion of media effects on how people make sense of issues, especially in the political environment. Although it is majorly used for the discussion of news media, framing theory can also be applied in other areas surrounding media production. This thesis uses this theory to discuss how presidents are framed in fiction and implications of race and gender in the assessment of presidential characters by analyzing Fox’s fictional drama 24. Although at first the show seems to bring new options for the presidency, the analysis points Presidents Palmer and Taylor as unfit for office and President Logan as unethical and power-hungry. Following Entman’s (1993) process for analyzing frames in media, embedded white male hegemony was identified in the show. As the show presented a postfeminist and postracial world, it continued to frame femininity and blackness as the opposite to effective executive leadership. Further, white masculinity was associated with power, ambition and ultimately corruption. As other races and gender were pointed as unfit, the status quo was questioned as being corrupt. The show both increases the cynicism that people may develop against politics and damages a more proper consideration of women and people of color to be elected president. Framing Theory Presidency 24 White Male Hegemony Gender Framing Race Framing Media 24 (Television program) Popular culture -- United States Presidents -- United States Television programs -- United States Whites on television African Americans on television Race relations in mass media Hegemony -- United States Gender identity on television Communication -- Philosophy

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