Thesis (Ph. D.)--University of Wisconsin--Madison, 1956. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 329-344).

Thesis (M.A.)--University of Wisconsin--Madison, 1981. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 79-90).

No description available.

Inaug.-diss.--Giessen. / "Literaturnachweis": p. [50]-51.

Sculpted alabaster tablets depicting the head of St. John the Baptist on a charger, such as the Spilsbury alabaster now in the collection of the University of Victoria's Maltwood Museum and Gallery, were produced in large numbers in fifteenth-century England. Important as examples of private devotional art, they were probably first made as minor works subsidiary to alabaster monument and altarpiece production. / Graduate / 0377

No description available.

Thesis (D. Min.)--New Orleans Baptist Theological Seminary, 2004. / Includes abstract and vita. Includes project proposal. Includes bibliographical references (leaves 149-152, 37-40).

Thesis (D. Min.)--New Orleans Baptist Theological Seminary, 2004. / Includes abstract and vita. Includes project proposal. Includes bibliographical references (leaves 149-152, 37-40).

Thesis (D. Min.)--New Orleans Baptist Theological Seminary, 2004. / Includes abstract and vita. Includes project proposal. Includes bibliographical references (leaves 149-152, 37-40).

This thesis supports the Master of Fine Arts exhibition, Adjusted Tools, at the Tipton Gallery, East Tennessee State University, Johnson City, Tennessee, from August 3rd thru August 29th, 2012. The exhibition is comprised of eight sculptures, which are presented on pedestals and wall mounted. The artist references her own investigation of social patterns associated with preconceived roles of gender and how those patterns relate to housework. The artist experiments with an array of different materials including wood, stone, steel, and bronze that are fashioned into forms such as irons, ironing boards, and clothes pins. Topics addressed include influences, techniques, and methods directly pertaining to the artist's design and construction of sculpture. Included are images of work procedures as well as documentation of the exhibition.