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Der Hochalter der Kathedrale in Oliva ein Werk von Andreas Schlüter /Iwicki, Zygmunt. Schlüter, Andreas, January 1980 (has links)
Thesis (doctoral)--Universität Karlsruhe, 1978. / Includes bibliographical references (p. 156-160) and index.
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The principal retable of the church of San Xavier del BacGoss, Robert Carl, 1924- January 1969 (has links)
No description available.
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The Wittenberg altarpiece and its reflection of Martin Luther's expressed views of the visual artsHalla, Steve Richard. January 2000 (has links)
Thesis (Th. M.)--Dallas Theological Seminary, 2000. / Includes bibliographical references (leaves [46]-48).
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The Wittenberg altarpiece and its reflection of Martin Luther's expressed views of the visual artsHalla, Steve Richard. January 2000 (has links)
Thesis (Th. M.)--Dallas Theological Seminary, 2000. / Includes bibliographical references (leaves [46]-48).
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The Wittenberg altarpiece and its reflection of Martin Luther's expressed views of the visual artsHalla, Steve Richard. January 2000 (has links) (PDF)
Thesis (Th. M.)--Dallas Theological Seminary, 2000. / Includes bibliographical references (leaves [46]-48).
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Die Zellenschmelze der Pala d'oro zu San Marco in Venedig eine Studie zur Geschichte dieses Kunstwerks auf technischer Grundlage /Bucher, Walter, January 1933 (has links)
Thesis (doctoral)--Schlesische Friedrich-Wilhems-Universität zu Breslau, 1933. / Vita. Includes bibliographical references.
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Les retables d'autels sculptés dans les Pays-Bas à la fin de l'époque gothique (XVe-début XVIe siècle): raisons, thèmes et usagesD'Hainaut, Brigitte January 1996 (has links)
Doctorat en philosophie et lettres / info:eu-repo/semantics/nonPublished
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Altar - Reliquiar - Retabel Kunst und Liturgie bei Wibald von Stablo /Wittekind, Susanne, January 2004 (has links)
Habilitation - Ludwig-Maximilians-Universität, München.
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La Nativité italienne. Une histoire d’adoration (1250-1450) / The adoratio as devotional gesture and pictorial motif in italian Nativities (frescoes and altarpieces, 1250-1450)Puma, Giulia 24 November 2012 (has links)
Ma recherche porte sur l'iconographie de la Nativité du Christ dans la peinture italienne médiévale, avec un corpus de 300 images incluant les petits retables destinés à la dévotion privée comme les grands cycles de fresques. L'enquête commence autour de 1250 par la production des peintres qui précédèrent Giotto et Duccio, et s'achève autour de 1450, avec les oeuvres de Beato Angelico et Filippo Lippi. L'objectif est d'étudier l'évolution de chacune des figures constitutives de la scène (Marie, Jésus, Joseph, l'âne et le boeuf, les bergers, les sages-femmes, etc.) et surtout de la scène comme ensemble, à partir du motif figuratif du personnage agenouillé en adoration, motif toujours plus fréquent dans la Nativité au cours de la période et symptomatique des usages dévotionnels de l'image dans l'Italie médiévale. / My research scrutinizes the iconography of Christ's Nativity in italian medieval painting, dealing with 300 images, ranging from small altarpieces for private devotion to major fresco cycles. It starts around 1250, with the generation of painters who were teachers to Giotto and Duccio, and it ends around 1450, with the works of Beato Angelico and Filippo Lippi. My aim is to provide a complete study of each figure's evolution (Mary, Jesus, Joseph, the ox and ass, the shepherds, the midwives, etc.) and of the scene as a whole. The increasing proportion of kneeling figures – the adoratio flexis genibus – in the scene testifies the evolution of devotional practices and the use of images for praying.
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Mariánské oltáře ze sbírky Tomassa degli Obizzi v Národní galerii v Praze / Altarpieces of the Virgin Mary from the collection of Tommaso degli Obizzi in the National Gallery in PragueHonysová, Dominika January 2017 (has links)
The aim of the thesis is to evaluace the altars with the central theme of Our Lady of Italian prohnance of the 14th and 15th centuries from the collection of Tommaso degli Obizzi, today in the National Gallery in Prague. The introduction will be assessed for czech and foreign literature on the topic. Then will be recalled the circumstances of the origin of this collection and the way how these works came from Konopiště chateau to the National Gallery in Prague. Next part of the thesis will be focused on five altarsplates, which will be interpreted by formal. Thes e works will be processed accordingly katalog system. Finally, work will evaluace those works and thein importance in the kontext of collecting in a wider context.
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