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The problem of the keyboard slur in the works of W.A. Mozart : a study based on contemporary treatisesSuderman, Betty Louise 05 1900 (has links)
The problem of how to perform the early Classical keyboard slur has prompted
perplexity and dissension in generations of thoughtful performers and teachers. While the
mandatory legato indicated by the slur is unquestioned, diversity of opinion centers around
the performance of the last note of the slur, specifically regarding its length. Modern
pedagogy has generally followed a time-honoured principle of an early release for the last
note of a slur, yet many artists seem to disregard this guidance at will. This study attempts
to clarify the issue by examining several treatises of the early Classical period.
A brief history of the slur is included because its origins undoubtedly influenced
how it was later performed. Most of the research, however, focuses on relevant material
found in three treatises written by contemporaries of Wolfgang Mozart, namely, CPE.
Bach, Daniel Turk, and Mozart's father, Leopold. The three components of the slur—the
first note, the notes under the slur, and the last note are treated in turn by presenting
information found in the treatises and providing interpretative commentary. This
information is then applied to slurs found in the keyboard sonatas of Wolfgang Mozart.
Unfortunately, treatises provide no definitive answer to the question of the
performance of the last note of a slur. This lacuna is most likely due to the daunting task
of describing the many musical circumstances involved in performing the last note under a
slur. Solutions to the problem, therefore, cannot simply be founded solely on treatise
instructions regarding the slur. Fortunately, the wealth of descriptive writing on the
general art of effective music-making also provides some important clues to understanding
the principles of performing the last note under a slur. Much of this study focuses on
understanding the three important factors influencing the slur's ending: formal structure,
Classical violin bowing technique and, most important, the musical context in which a slur
is found. When these three aspects of performance are understood, much of the
uncertainty surrounding Wolfgang Mozart's slurs will disappear.
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Contour modeling by multiple linear regression of the nineteen piano sonatas by MozartBeard, R. Daniel. Clendinning, Jane Piper. January 2003 (has links)
Thesis (Ph.D.) -- Florida State University, 2003. / Advisor: Dr. Jane Piper Clendinning, Florida State University, School of Music. Title and description from dissertation home page (viewed Mar. 10, 2004) Document formatted into pages; contains 251 pages. Includes biographical sketch. Includes bibliographical references.
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Baudelaire et Hoffmann : affinites et influences.Lloyd, Rosemary. January 1975 (has links) (PDF)
Thesis (M.A. 1976) from the Departments of French and German, University of Adelaide.
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Mozartean gesture and rhetoric in Hummel's Concerto for trumpetPhillips, Edward, January 2008 (has links)
Thesis (D.M.A.)--University of North Texas, 2008. / System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded June 13, 2006, Feb. 12, 2007, Nov. 8, 2007, and Mar. 5, 2008. Includes bibliographical references (p. 38-40).
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Mozarts Bekenntnisse und Lehren über seine KunstMattlinger, Karl Heinrich, January 1918 (has links)
Inaug.-Diss.--Basel. / Vita. Bibliography: p. 153-154.
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The choral church music of Wolfgang Amadeus Mozart (1756-1791).Briggs, Wilfred Arnold, January 1966 (has links)
Thesis (Ed.D.)--Teachers College, Columbia University, 1966. / Typescript; issued also on microfilm. Sponsor: Harry R. Wilson, . Dissertation Committee: Frederick D. Mayer. "Complete listing of the choral church music of Mozart" : leaves 110-114. "Recordings of choral church music of Mozart" : leaves 115-116. Includes bibliographical references (leaves 104-106).
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Schicksal bei E.T.A. Hoffmann : zur Erscheinungsform, Funktion und Entwicklung eines Interpretationsmusters /Pabst, Rainer. January 1989 (has links)
Diss.--[Philosophische Fakultät]--Universität Köln, 1988.
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Die Ich-Problematik in E.T.A. Hoffmanns "Die Elixiere des Teufels" : eine psychoanalytische Untersuchung in Auseinandersetzung mit der deutschen idealistischen Philosophie /Goak, Jeang-Yean, January 2000 (has links)
Diss.--Universität Frankfurt am Main, 1999. / Bibliogr. p. 219-246.
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The influence of Wolfgang Amadeus Mozart on the creative life and output of Ludwig van Beethoven : a cross-genre investigation /Briggs Roberts, Jeremy Ryan. January 2004 (has links)
Thesis (D. Mus. Arts)--University of Washington, 2004. / Vita. Includes bibliographical references (leaves 120-122).
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Cosi fan tutte on video /Chan, Tong-ti, Trudy. January 1998 (has links)
Thesis (M. Phil.)--University of Hong Kong, 1999. / Includes bibliographical references (p. 309-318) and discography (p.318-320).
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