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This paper documents the decrease of short stories in three women's magazines from 1940 to 1970 and concludes that the decline results from readers turning to other sources for escape from housework. Chapter II describes patterns in plots, themes, characters, settings, and other elements of these stories. Chapter III shows the lack of influence which changes in writers, editors, and social and political developments in America have had on these short stories. The conclusion is reached that the magazine article is replacing magazine short stories.

by King-fai Tam. / Bibliography: leaves 151-158 / Thesis (M.Phil.)--Chinese University of Hong Kong, 1983

Typescript (photocopy). / Digitized by Kansas Correctional Industries

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This thesis argues that the interface between human and machine has been an important system of metaphors since the beginning of the twentieth century in North American science fiction (SF) and nonfictional writings. In examining these texts, this study intends to discuss positions and responses regarding technological developments and the social and political experiences underlying it In my parallel analyses of fictional (SF) and nonfictional (philosophical, scientific, theoretical) texts. I wish to signal similarities and differences among the two fields. In different ways, the treatments of cyborgs and cyberspace in both nonfiction and SF have addressed, through these metaphors, notions of mass culture, democracy, as well as individual and collective agency and subjectivity. I also argue that these critical strategies are best understood as the strategies of two social groups---one, of them in a dominant position (that of a professional, mainly technocratic class) and one in an ambivalently marginal position (that of the readers of a mass genre such as SF). In nonfictional writings, the strategy is as a rule one of either uncritical embrace of the present state of affairs, or a specular one of utter rejection, with the only exceptions emerging from contemporary feminism. In SF, attitudes of both consensus and problematization emerge. Thus, my study also calls for a qualification of claims about "postmodernity" as the privileged period in which technology acquires center stage. My first two chapters foreground some theoretical concepts and issues related to both the study of mass culture and of the SF genre. The next three chapters focus on specific texts about the instrumental body and of the virtual frontier, and on the critical responses (by women, and by dissenting male figures) to them. The conclusion stresses the notions of democracy allegorically presented in these texts.

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This thesis examines Senator John McCain’s concession address from the 2008 United States Presidential election campaign. McCain’s concession speech was significant because of his come-from-behind victory in the Republican primary, the favorable critical responses to his speech, and his response to the historic nature of a person of color winning the presidential election. This study is also significant because it contributes to the small body of literature that examines concession addresses. This study examined how well McCain’s concession speech demonstrated the qualities associated with the genre, if McCain’s concession functioned as a model speech, and whether McCain’s concession might signal an evolution of the genre. The method used to critique McCain’s concession was generic application, using a combined framework of Chesebro and Hamsher’s (1974) and Ritter and Howell’s (1974) characteristics of the concession genre. This method entailed applying the characteristics of the concession genre to McCain’s speech to determine if the artifact constitutes a strong example of the genre. The study found that McCain’s speech demonstrated qualities associated with the genre of concession speeches well, functioning as a model because he utilized rhetorical techniques that were uniquely successful for him, and that scholars and practitioners of should be flexible in their application of the genre constraints associated with concession speeches. / Department of Communication Studies

Indiana University-Purdue University Indianapolis (IUPUI)