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This thesis argues that the interface between human and machine has been an important system of metaphors since the beginning of the twentieth century in North American science fiction (SF) and nonfictional writings. In examining these texts, this study intends to discuss positions and responses regarding technological developments and the social and political experiences underlying it In my parallel analyses of fictional (SF) and nonfictional (philosophical, scientific, theoretical) texts. I wish to signal similarities and differences among the two fields. In different ways, the treatments of cyborgs and cyberspace in both nonfiction and SF have addressed, through these metaphors, notions of mass culture, democracy, as well as individual and collective agency and subjectivity. I also argue that these critical strategies are best understood as the strategies of two social groups---one, of them in a dominant position (that of a professional, mainly technocratic class) and one in an ambivalently marginal position (that of the readers of a mass genre such as SF). In nonfictional writings, the strategy is as a rule one of either uncritical embrace of the present state of affairs, or a specular one of utter rejection, with the only exceptions emerging from contemporary feminism. In SF, attitudes of both consensus and problematization emerge. Thus, my study also calls for a qualification of claims about "postmodernity" as the privileged period in which technology acquires center stage. My first two chapters foreground some theoretical concepts and issues related to both the study of mass culture and of the SF genre. The next three chapters focus on specific texts about the instrumental body and of the virtual frontier, and on the critical responses (by women, and by dissenting male figures) to them. The conclusion stresses the notions of democracy allegorically presented in these texts.

Gendered bodies and new technologies has one founding premise, namely that embodiment constitutes a non-negotiable prerequisite for human life. Although this may seem like an obvious statement, it is a statement that needs to be affirmed in the virtual age wherein we live. New technologies in most of its forms tend to discredit the embodied aspects of human life and instead concentrate on the disembodied aspects thereof. Among new technologies the following are specifically noted: microelectronics, telecommunication networks, nano-technology, virtual reality, computer-mediated communications and other forms of computer technologies. In short, “new technologies” refer to all things digital. I explore the issue of embodiment from a gendered perspective, seeing that the female body is the embodiment most likely to be discarded, not only in metaphysical systems, but also in developments within new technologies. The main focus of my gendered analysis is on the visual image and more specifically as it manifests in cinema, advertisements, the Internet, interactive artwork and television. The critical perspective that foregrounds my approach is that of the fairly new field of cyberfeminism. The main concern of cyberfeminism being a critical engagement of women’s position in terms of new technologies. In this regard, cyberfeminism does not perpetuate an anti-technology stance, but rather embraces technology by emphasising the embodied nature of our existence. I have identified four body types to explore the interactions between bodies and new technologies. They are: the techno-transcendent body; the techno-enhanced body; the marked body and the cyborg body. The four body types differ in the way in which gendered embodiment is negotiated in its interaction with new technologies and these are highlighted and discussed in the four chapters dealing with these four body types. / English / D.Litt.et Phil.

Gendered bodies and new technologies has one founding premise, namely that embodiment constitutes a non-negotiable prerequisite for human life. Although this may seem like an obvious statement, it is a statement that needs to be affirmed in the virtual age wherein we live. New technologies in most of its forms tend to discredit the embodied aspects of human life and instead concentrate on the disembodied aspects thereof. Among new technologies the following are specifically noted: microelectronics, telecommunication networks, nano-technology, virtual reality, computer-mediated communications and other forms of computer technologies. In short, “new technologies” refer to all things digital. I explore the issue of embodiment from a gendered perspective, seeing that the female body is the embodiment most likely to be discarded, not only in metaphysical systems, but also in developments within new technologies. The main focus of my gendered analysis is on the visual image and more specifically as it manifests in cinema, advertisements, the Internet, interactive artwork and television. The critical perspective that foregrounds my approach is that of the fairly new field of cyberfeminism. The main concern of cyberfeminism being a critical engagement of women’s position in terms of new technologies. In this regard, cyberfeminism does not perpetuate an anti-technology stance, but rather embraces technology by emphasising the embodied nature of our existence. I have identified four body types to explore the interactions between bodies and new technologies. They are: the techno-transcendent body; the techno-enhanced body; the marked body and the cyborg body. The four body types differ in the way in which gendered embodiment is negotiated in its interaction with new technologies and these are highlighted and discussed in the four chapters dealing with these four body types. / English / D.Litt.et Phil.