This project develops extant theories of political affect and relational identification and affinity formation by tracing how the visual images of an understudied archive--American superhero comic books--work to build multiple, alternative, fitful, inchoate, and sometimes radically creative spaces for visions of the political to take shape and develop over time. By analyzing and interpreting the generic superhero phenomenon of origin stories in comic books and by mapping the formal and narrative techniques used to construct origin stories, I show how received understandings of power, order, justice, violence, whiteness, masculinity, and heteronormativity often linger outside of language in an analytically untapped relational space between bodies--the space of political affect. Visual images of superheroes thus do more than take up space within political sign-systems; I argue them as material engines of affect, as engines of potential and usefully critical political identities and affinities. Superhero comic books, a cultural form often disregarded as childish or even ideologically dangerous, are thus recovered in this project as theoretically complex, offering speculative feminisms, anti-racism, and queer temporalities that link these popular objects of visual culture to ongoing traditions of utopianism and foundational revisionism within American political culture.

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Barack Obama's administration inherited one of the most severe economic crises in the history of the United States, which severely undermined the American public's confidence in the country's political and economic future. Declining trust in the federal government and its handling of the economic recession gave rise to two influential movements, the Tea Party and Occupy Wall Street, which were thoroughly critical of the country's leadership. Both movements made use of a strong populist rhetoric and mobilized masses by denouncing the political and financial elites, calling for returning control over the country's fate into the hands of ordinary citizens. My master's thesis is an analysis of the Tea Party and Occupy Wall Street that focuses on the ideology and goals that drove these popular movements, as well as highlights the most crucial commonalities and differences between them. I argue in favor of interpreting the ideologies behind the Tea Party and Occupy Wall Street as two distinct types of populism, in addition to which I emphasize the different degree of outside support the two movements enjoyed during their rise to prominence. To determine how influential the Tea Party and Occupy Wall Street became during Barack Obama's presidency, I also study their relationship with the political...