Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-03-18T21:55:11Z No. of bitstreams: 1 NiltonDaSilvaSouza_DISSERT.pdf: 958277 bytes, checksum: 19bfc382cf705d57c47c4e9d73066b74 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-03-21T19:20:38Z (GMT) No. of bitstreams: 1 NiltonDaSilvaSouza_DISSERT.pdf: 958277 bytes, checksum: 19bfc382cf705d57c47c4e9d73066b74 (MD5) / Made available in DSpace on 2016-03-21T19:20:38Z (GMT). No. of bitstreams: 1 NiltonDaSilvaSouza_DISSERT.pdf: 958277 bytes, checksum: 19bfc382cf705d57c47c4e9d73066b74 (MD5) Previous issue date: 2015-02-19 / Este trabalho foi fruto da pesquisa de mestrado desenvolvida no Programa de P?s-Gradua??o em M?sica da Escola de M?sica da UFRN sob a orienta??o do Dr. Andr? Luiz Muniz de Oliveira que buscou uma reflex?o acerca do gesto regencial e suas implica??es no que tange aos elementos objetivos e subjetivos da performance atrelados a uma gama de ferramentas regenciais concebidas de acordo com a tradi??o da m?sica hist?rica. Como ferramenta de an?lise gestual foi utilizado o m?todo PatternCube de Harold Farbermann. Foram utilizados v?deos dos regentes Pierre Boulez e Valery Gergiev, ambos regendo A Sagra??o da Primavera de Igor Stravinsky. Na an?lise dos v?deos observamos o uso t?cnico do aparato gestual dos regentes em detrimento do gesto musical fundamentado em Hatten. A pesquisa nos revelou a import?ncia do uso de ferramentas anal?ticas no aux?lio a subsidiar um direcionamento a performance na reg?ncia. / This work is the result of a master?s program research developed in the post graduation program in music at the Music School of the UFRN ( Federal University of Rio Grande do Norte) under the orientation of Dr. Andre Luiz Muniz de Oliveira which aimed at making a reflexion about regency gestures and its implications about the objective and subjective elements of the performance connected to a number of regency tools concieved in accordance with the tradition of historic music. As a tool for gestual analysis we?ve used the Harold Farbermann PatternCube method. We?ve used videos from conductors Pierre Boulez e Valery Gergiev, both conducting Igor Stravinsky?s Rite of Spring. In the analysis of the videos we?ve observed the technical use of the gestual aparatus instead of the use of musical gestures fundamented in Hatten. The research showed us the importance of the use of analitical tools in helping subsidise a direction in performance in regency.