Despite the dynamic portrayal of clothes in the Hebrew Bible scholars continue to interpret them as flat and inert objects. They are often overlooked or reduced to background details in the biblical texts. However, this thesis will demonstrate that the biblical writers’ depictions of clothes are not incidental and should not be reduced to such depictions. This thesis employs a multidisciplinary approach to develop and challenge existing approaches to the clothing imagery in the Hebrew Bible. It will fall into two main parts. In the first part, I draw insights from material-cultural theories to reconfigure ways of thinking about clothing as material objects, and reassessing the relationships between people and objects. Having challenged some of the broader conceptions of clothing, I will turn to interrogate the material and visual evidence for clothing and textiles from ancient Syro- Palestinian and ancient West Asian cultures to construct a perspective of the social and material impact of clothing in the culture in which the biblical texts were constructed and formed. In the second part, I will examine the biblical writers’ depiction of clothing through two case studies: Joseph’s ketonet passim (Genesis 37) and Elijah’s adderet (1 Kings 19 and 2 Kings 2). These analyses will draw from the insights made in the first part of this thesis to reassess and challenge the conventional scholarly interpretations of clothing in these texts. In this thesis, I argue that clothes are employed in powerful ways as material objects which construct and develop the social, religious and material dimensions of the text. They are also intimately entangled in relationships with the characters portrayed by the biblical writers and can even be considered as extensions of the people with whom they are engaged. Clothes manifest their own agency and power, which can transform other persons and objects through their performance and movement in a biblical text.

Mon sujet de thèse vise à étudier tous les aspects de la production textile au Soudan à l’époque méroïtique (300 avant J.-C. – 400 après J.-C.). En tant que production artisanale, les tissus sont les fruits de très nombreuses étapes de fabrication, depuis la culture de la fibre à sa transformation en fils, et jusqu’au tissage. Les textiles sont également un des piliers de la culture matérielle des sociétés antiques. Ils y remplissaient des fonctions très variées, liées à l’habillement ou au mobilier, dans tous les contextes, aussi bien urbains, cultuels, que funéraires. D’autres questions devront être abordées, comme celle du commerce avec le monde romain, ou celle de la place de la production textile soudanaise dans les espaces plus larges de la vallée du Nil ou du monde méditerranéen. Ma thèse aura pour objectif de documenter tous ces thèmes, touchants différents domaines comme l’archéobotanie, les études textiles, les analyses iconographiques, l’archéologie et l’histoire.Mon travail consistera à rassembler et analyser les outils, les tissus et les reliefs montrant des costumes, chaque groupe documentaire éclairant un ou plusieurs aspects de la production textile. Il s’agira aussi d’observer les contextes archéologiques afin de déterminer les différentes modalités de production et d’utilisation des tissus. Une telle étude, se basant sur un riche corpus d’objets souvent inédits, permettra d’illustrer un domaine peu connu de la culture matérielle et économique du Soudan méroïtique. / . This research aims to study every aspects of textile production in ancient Sudan and Nubia during the Meroitic period (300 BC – AD 600). Textiles are the result of a multi-faceted craft which involves a long and complex chaîne opératoire, from growing and harvesting the fibres to spinning, weaving, dyeing and sewing. Fabrics and cloths also played a central role in the material culture of ancient societies. They fulfilled numerous and varied functions related to clothing or furnishing in many everyday-life contexts, such as the house, the town, or the temple, but also during the after-life, taking part in funerary rituals and protecting the deceased. This study moreover considers the economic aspects of textile production, notably trade with the Roman provinces and the integration of the Sudanese production into larger geographical regions along the Nile valley and the Mediterranean basin.My doctoral thesis explores these different themes following a multidisciplinary approach, using methods from the fields of archaeobotany, textile studies, iconographic analysis, archaeology and history. The work is based on the gathering of hundreds of previously unpublished data in 3 databases: textiles from old and new excavations, textile production implements, and images of costumes on various media. In correlation with the study of archaeological contexts and findspots, the analysis of each corpus illustrates, for the first time, the diversity of Meroitic textile production and usage. In doing so, this research participates in a recent effort in Sudanese archaeology to shed light on the little-known material culture and economic history of the Meroitic kingdom.