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A critical reappraisal of the texts and contexts of Francis Sylvester MahonyDunne, Fergus January 2003 (has links)
No description available.
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'The flourishing whin' : a critical biography of John HewittMorrow, James Patrick January 1999 (has links)
No description available.
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Michel Foucault's progressive politics : validity and structure of the archaeological paradigm in the republican discourse of Fianna FailIrwin, David A. January 2000 (has links)
No description available.
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The political parties of the Republic of Ireland and the Northern Ireland question 1980-1995Ivory, Gareth E. January 1999 (has links)
No description available.
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The problem of political stability in a democratic age : The ideas of W.E.H. LeckyDineen, Y. January 1986 (has links)
No description available.
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The British working class movement and the Irish national question, 1916-1921Bell, Geoffrey January 1992 (has links)
No description available.
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British ideological movements and Irish politics, 1865-1925Peatling, G. K. January 1997 (has links)
No description available.
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Sinn Fein and the Anglo-Irish Treaty of 1921Dwyer, T. Ryle 08 1900 (has links)
The purpose of this thesis is to examine De Valera's objections in the light of his statements prior to the negotiations and of his proposals during the debate in the Dail.
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The symphonies of Charles Villiers Stanford : constructing a national identity?White, Jonathan Paul January 2014 (has links)
Writing in 2001, musicologist Axel Klein concluded that Stanford’s reception history has been significantly impacted by the complicated national identities surrounding both the composer and his music. A lifelong devotee of the nineteenth-century Austro-Germanic tradition, Stanford’s status as an Irish-born leading figure of the ‘English’ Musical Renaissance has compromised the place that the composer and his musical output occupy within the history of Western music. Stanford is well-known for being an outspoken critic on matters musical and Irish. Although his views seldom appear ambiguous, there is still a sense that the real Stanford remains partially obscured by his opinions. Through an examination of his symphonic works, this thesis seeks to readdress our understanding of Stanford and his relationship with Ireland and the musical community of his time. Although A. Peter Brown has stated that the symphony was not a central genre for the composer, it is my argument that, on the contrary, the symphony was a pivotal form for him. Considering these works within the broader history of the symphony in Europe in the nineteenth century, and through a critical examination of Stanford’s relationship with Ireland, this thesis seeks to demonstrate that these seven works can be read as an allegory for the composer’s relationship both with his homeland and with the musical community of his time. His struggle to combine the universality of symphonic expression with a need to articulate his Irish identity parallels Stanford’s own attempts to integrate himself within both British and European musical communities, and further demonstrates, in his eventual rejection of it, that it was only when he attempted to forge a more individualistic path through his music that he found a way of expressing his individual Irish identity.
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Countering the revolutionaries : an examination of the Cumann na nGaedheal Party 1922-25Regan, John M. January 1994 (has links)
No description available.
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