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Benito Lynch was born on July 25, 1885, in Buenos Aires. His father was Irish, and his mother was a Uruguayan of French descent. When Benito was two years old, his parents left the city for the estancia "El Deseado" in the La Plata region. There he came to identify closely with the area which later was to provide the setting for his rural novels. At the age of ten, Benito moved to La Plata, where his father became a legislator and community leader. In the city young Lynch experienced difficulty in accepting the disciplines of study.

Le traitement d'abus passés des droits de la personne s'avère un sujet très épineux dans un contexte de transition démocratique récente. Doit-on pencher du côté de l'amnistie des transgresseurs, souvent invoquée comme outil permettant d'enterrer les problèmes et souffrances d'hier, ou est-il plutôt préférable de traduire les contrevenants en justice, afin d'éviter l'insatisfaction des victimes et de leurs sympathisants, ainsi que tous les problèmes qui y sont reliés? Cette thèse s'intéresse au cas de l'Argentine, pays qui a vécu les deux extrêmes de ce continuum, en tentant de déterminer si cette nation sud-américaine a connu un réinvestissement dans la cause des droits humains comparable à celui vécu par la littérature spécialisée à partir des années 1990. À cet effet, nous concentrerons notre attention sur la périodisation proposée par Thomas Wright dans son ouvrage "State Terrorism in Latin America: Chile, Argentina, and International Human Rights" en essayant de déterminer sa vraisemblance.

Abstract: Alberto Ginastera is considered one of the most important composers in Argentina. His music reflects the ancient aboriginal primitivism and the nationalistic spirit of Argentine traditional music. Strong rhythm has played a significant role in his music. According to Ginastera¡¦s own criteria, his works can be divided into three periods, but only the first two periods are related to nationalistic music. The first period is called ¡§objective nationalism¡¨ (1937-1947), where folk elements are used directly in the works. The second period, called ¡§subjective nationalism¡¨ (1948-1953), is characterized by sublimated musical language. Ginastera uses new rhythmic and melodic materials that symbolize Argentine music. This thesis has four chapters besides the introduction. The time discussed in this thesis is until 1952, including Ginastera¡¦s early piano music up to his First Piano Sonata. All these compositions have the influence of the folk idiom of Argentina. The first chapter is a discussion of historical background, including the development and growth of art music in Argentine society and Ginastera¡¦s life as a composer. The second chapter focuses on the importance of the gaucho as a symbolic heritage of the indigenous folk music in Argentina and on how their music, such as malambo, gato, zamba, triste, vidala, and milonga were manifested in Ginastera¡¦s piano music. The third chapter studies Ginastera¡¦s compositional techniques and styles, including his treatment of form, phrasing, melody, harmony and tonality. This is followed by a comprehensive conclusion. Although Ginastera was not a prolific composer for the piano, his genius and creativity is shown by his outstanding skills in manipulating folkloric materials in his piano music. Ginastera¡¦s music has achieved widespread recognition and has also made a great contribution to the twentieth-century Latin-American music.

Texte remanié de: Tesis--Facultad de filosofía y letras--Universidad nacional de Cuyo, 2002. Titre de soutenance : Los poderes locales en la campaña mendocina, 1820-1880 : construcción del Estado liberal, centralización del poder y crisis del municipio rural. / Bibliogr. p. 347-367.

Diss.--Bern, 1996. / Bibliogr. p. 309-332.

Texte remanié de: Th. doct.--Sociol.--Paris--EHESS.

Texte remanié de: Diss. Ph. D.--History--Jerusalem--Hebrew university of Jerusalem, 1985. / Mention parallèle de titre ou de responsabilité : The @Zionist movement and the Zionist parties in Argentina : 1935-1948 / Silvia Schenkolewski-Kroll. Bibliogr. p. 368-378. Index.

Tesis doct.--México--Facultad latinoamericana de ciencias sociales. / Bibliogr. p. 299-334.

Texte remanié de: Tesis doct.--Literatura comparada y teoría literaria--Filadelfia (Pa.)--Universidad de Pennsylvania, 1994. / Bibliogr. p. 215-222.