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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Le commedie ariostesche nella storia della critica : saggio di bibliografia critica, 1901-1979

Brochard, Anna Di Blasio January 1986 (has links)
No description available.
2

Le commedie ariostesche nella storia della critica : saggio di bibliografia critica, 1901-1979

Brochard, Anna Di Blasio January 1986 (has links)
No description available.
3

Le novelle dell'Orlando furioso : struttura e tradizione

Carosella, Maria A. (Maria Angelica) January 1985 (has links)
No description available.
4

Le novelle dell'Orlando furioso : struttura e tradizione

Carosella, Maria A. (Maria Angelica) January 1985 (has links)
No description available.
5

The role of the fugitive in the Orlando furioso, the Gerusalemme liberata and The faerie queene : Spenser and the Renaissance romances

Lund, Carolynn. January 1981 (has links)
No description available.
6

A CRITICAL EDITION OF ROBERT TOFTE'S TRANSLATION OF ARIOSTO'S "SATIRES" (1608)

Pence, James Lee January 1978 (has links)
No description available.
7

The role of the fugitive in the Orlando furioso, the Gerusalemme liberata and The faerie queene : Spenser and the Renaissance romances

Lund, Carolynn. January 1981 (has links)
No description available.
8

La fundación de la genealogía de la Casa de Este en Orlando Furioso (1532) de Ludovico Ariosto

Sandoval Piña, Cristian Fidel January 2005 (has links)
Informe de Seminario para optar al grado de Licenciado en Lengua y Literatura Hispánica mención Literatura. / El Renacimiento Europeo de los siglos XV y XVI se plantea como un vaso comunicante entre dos épocas: culmina los profundos cambios en la percepción y definición del mundo iniciados en el medioevo tardío, para así inaugurar gran parte de las preocupaciones de la modernidad, al punto de llevar a algunos autores a hablar de “primera modernidad” en tal período. Entre los cambios producidos en aquél se encuentra la revaloración del sujeto como entidad individual y libre inserta en la vita activa. Con ello, el trabajo de letrados laicos en el período aumentó notablemente, producto de las nuevas formas de instrucción pero sobre todo por la revaloración de las fuentes latinas. A partir de ello, los autores incorporaron nuevos modos de expresión y releyeron los tópicos latinos según las necesidades de los nuevos tiempos, generando un nuevo imaginario. Nuestro Seminario tomó los conceptos de Locura y Carnaval como acercamiento a esta nueva concepción, pues son precisamente aquéllos los que instauran un campo de acción para las innovaciones formales y conceptuales que propiciaron este cambio en la actitud del hombre del Renacimiento en sus expresiones culturales.
9

Hacia Cervantes : confluence of the “Byzantine” and the chivalric literary traditions in the Quijote

Meierhoffer, Lynn Vaulx 22 June 2011 (has links)
Miguel de Cervantes’s novel El Ingenioso Hidalgo Don Quijote de la Mancha Part One (1605) and Part Two (1615) has delighted readers for centuries. The literary criticism analyzing just this one product of Cervantes’s literary genius is voluminous. In particular, the novel’s structure has received significant scrutiny, and discussions regarding its unity, or lack thereof, abound. This debate rages today with Cervantine experts still espousing various theories. Puzzling over this quandary and asking why a truly convincing explanation regarding the structure has not emerged, we arrive at a partial answer. We believe that there is unity in the Quijote and that Cervantes created a unified work by ingeniously taking full advantage of the elements of both the “Byzantine” and the chivalric literary traditions, combining them in a harmonizing synthesis. Moreover, he resolved the problem of unity within variety by establishing thematic consistency throughout. The purpose of our study is to explore the confluence of the “Byzantine” and chivalric literary traditions in works that precede Cervantes and to examine how Cervantes innovatively worked with this element in the Quijote of 1605. We present a panoramic view of works written between the thirteenth and the mid-sixteenth centuries, which reveal writers’ efforts to combine, consciously or unconsciously, the various characteristics of the “Byzantine” and chivalric literary traditions. For this project, we look at six representative works written in Spanish or Italian that represent significant antecedents to the Quijote and Cervantes’s unique method of synthesizing the traditions: Libro de Apolonio, Libro del caballero Zifar, Orlando innamorato, Orlando furioso, Palmerín de Olivia, Los amores de Clareo y Florisea y los trabajos de la sin ventura Isea. We investigate each author’s approach at coupling the two traditions and determine his/her degree of success in merging them artistically to produce a coherent whole. Our analysis reveals that not only does Cervantes systematically integrate the two literary traditions in his parody, but he also skillfully devises a way to unify thematically the delightful variety in his work. To wit, Cervantes embraces the theme of literature (fiction) and life (reality) and explores the need for distinguishing judiciously between them. / text

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