This dissertation discusses the complicated relationship (known as the comitatus) of kings and followers as presented in the heroic poetry of the Anglo-Saxons. The anonymous poets of the age celebrated the ideals of their culture but consistently portrayed the real behavior of the characters within their works. Other studies have examined the ideals of the comitatus in general terms while referring to the poetry as a body of work, or they have discussed them in particular terms while referring to one or two poems in detail. This study is both broader and deeper in scope than are the earlier works. In a number of poems I have identified the heroic ideals and examined the poetic treatment of those ideals. In order to establish the necessary background, Chapter I reviews the historical sources, such as Tacitus, Bede, the Anglo-Saxon Chronicle, and the work of modern historians. Chapter II discusses such attributes of the king as wisdom, courage, and generosity. Chapter III examines the role of aristocratic women within the society. Chapter IV describes the proper behavior of followers, primarily their loyalty in return for treasures earlier bestowed. Chapter V discusses perversions and failures of the ideal. The dissertation concludes that, contrary to the view that Anglo-Saxon literature idealized the culture, the poets presented a reasonably realistic picture of their age. Anglo-Saxon heroic poetry celebrates ideals of behavior which, even when they can be attained, are not successful in the real world of political life.

The aristocratic novel in the twentieth century depicts the successes and failures of the aristocracy's efforts to come to terms with the social realities brought about by contemporary egalitarianism. Although several of the novels discussed are written by aristocrats, the aristocratic novel as such refers to novels about the aristocracy as a social grouping. Seven authors are selected to represent fictional treatment of a class in crisis, struggling between decadence and resilience: V. Sackville-West, Evelyn Waugh, Nancy Mitford, Elizabeth Bowen, Molly Keane, L.P. Hartley and Emma Tennant. Sackville-West faces and chronicles the inevitable decay of her class, yet cannot refrain from mourning its gracious past. To her, the manor house symbolizes an ancient idyllic symbiosis between aristocrat and worker. To Evelyn Waugh, the aristocracy embodies the finest achievements of inherited English culture. He regards its decline as the crumbling of Christian civilization itself. Resilience against the rising proletariate lies in faith and a chivalrous other-worldliness associated with the old Catholic aristocracy. Mitford uses comedy to defend the ideals of service and honour which she sees undermined by vulgarity and mercantilism. She resists her opponents with lethal swipes of raillery. Bowen and Keane deal with the decline of the Irish Protestant Ascendancy. The heirs of the ascendancy have to cope with the paralysing bequest of a more vital past. Ironically, resilience lies in breaking with their heritage. Hartley appears to criticize the class structure, but his work reveals a fascination for the captivating myth of patrician life. Tennant, representing an aristocracy which has profited from the resurgence of wealth in Thatcherite Britain, is unsparingly caustic on the condition of her class. Her satiric writing presents an ethical resurgence that goes beyond the mere financial recovery of her society. The genre examined suggests a primal need among urbanized citizens for the myth of an heroic order. In the finest aristocratic novels, admiration for an imitable superior order is used to rally a consciousness of a venerable ethical establishment. What is threatened or lost is not merely wealth and privilege, but aristokratos - government by the best. / English Studies / D. Litt. et Phil. (English)

Throughout Victoria's reign, Lord Lindsay and his son Ludovic, respectively twenty-fifth and twenty-sixth earls of Crawford, created one of the largest private libraries ever assembled in Britain. The Bibliotheca Lindesiana included some six thousand manuscripts, which Ludovic sold to Enriqueta Rylands in 1901 for £155,000. The principal problematic that I address in this thesis is: Why did the earls of Crawford invest vast amounts of financial and cultural capital in this endeavour? In other words, what factors - both structural and specific - led to the formation of the library, what purposes did it serve, and what roles did its manuscript components in particular perform? Other questions include: How - and how successfully - did Lindsay and Ludovic maintain physical and intellectual control over the rapidly growing library? How did they position themselves within networks of connoisseurship and collecting in Victorian Britain? How was the formation of the Oriental manuscript collections connected with Lindsay's interest in racial classification and with wider racial discourses? And how did the library reflect and reinforce Lindsay's identity as a gentleman-scholar? Previous studies of this and other manuscript collections have adhered to an antiquarian, bio-bibliographical model, focusing on the detailed matter and mechanisms of collecting, rather than exploring the socio-cultural and epistemological contexts of their development. This thesis, by contrast, constitutes the first extended application of cultural theory to a manuscript collection, or indeed to any private library, in the nineteenth century. I combine close archival work with Bourdieu's concepts of field, capital and habitus to reveal the complex structuration and signification of the library, and to investigate the imbrication between the earls' personal agency and wider forces operating upon the library. My examination of the Bibliotheca Lindesiana has uncovered several key issues and themes hitherto unexplored in this or any other major private library of the nineteenth century. First, I argue that the reasons for the library's development reside principally in various forms of classification, which preoccupied Lindsay and reflected wider societal trends and taxonomies: the classification of libraries and the ramification of knowledge; Lindsay's deployment of the library to corroborate his and his family's social and cultural distinction (i.e. social classification); and an interest in racial classification, which reflected Orientalist discourses associated with imperialism. Secondly, while the dispersal of aristocratic collections in the late nineteenth and early twentieth centuries is a familiar trope, this study is the first to contextualize the decline of a private library within the struggle between the aristocracy and the bourgeoisie. Finally, this is the first examination of the impact of professionalization upon private as opposed to public libraries, revealing the tensions between amateur traditions and growing professionalism and specialization in the nineteenth century. I thus 'read' through the library some of the wider socio-economic and cultural issues operating in Victorian Britain and its empire.

Based on the author's Ph. D thesis. / Published by York Medieval Press in association with Boydell & Brewer and the Centre for Medieval Studies, University of York. Includes bibliographical references and index.

This thesis examines the portraiture and patronage of Marie Thérèse Louise de Savoie-Carignan, the princesse de Lamballe (1749-1792). It is the first comprehensive and detailed study to be undertaken of the princess's activities as patron. Lamballe was Marie-Antoinette's longest-serving confidante and Superintendent of the Queen's Household. Through close formal analysis of the portraits combined with careful consideration of the sitter's personal circumstances and the wider cultural and historical context, the thesis challenges scholarly assumptions that the princess had only negligible influence as a sitter and patron. As a case study of an independent, professionally ambitious and childless widow, it identifies a wider range of motives and cultural meanings than has previously been ascribed to female court patronage of this period. The first chapter demonstrates that the early depictions of Lamballe as a docile and grieving princess were largely dictated by her father-in-law, an identity the princess subsequently discarded when she assumed a professional role at court. Chapter two examines portraits executed during the princess's rise to political and social prominence and shows that her attachment to the queen and the length of time she spent in her company and service, together with her publicly visible roles as freemason and salonnière, made her a figure of considerable renown and influence and thereby a highly significant patron at the French court. This was enhanced by the princess's international reputation as a talented amateur artist in her own right and by her financial and social support of aspiring artists and art institutions. The princess's engagement with the cult of sentiment and advocacy of women artists is allied to the sorority encouraged by Marie-Antoinette within the women of her select circle. Complementary chapters on the princess's previously unknown anglophile inclinations (discussed in Chapter three) and her private collections, library, and musical and literary patronage (considered in Chapter four) further reveal that Lamballe was an informed and cultivated female patron who operated at the very centre of Marie-Antoinette's circle.

The aristocratic novel in the twentieth century depicts the successes and failures of the aristocracy's efforts to come to terms with the social realities brought about by contemporary egalitarianism. Although several of the novels discussed are written by aristocrats, the aristocratic novel as such refers to novels about the aristocracy as a social grouping. Seven authors are selected to represent fictional treatment of a class in crisis, struggling between decadence and resilience: V. Sackville-West, Evelyn Waugh, Nancy Mitford, Elizabeth Bowen, Molly Keane, L.P. Hartley and Emma Tennant. Sackville-West faces and chronicles the inevitable decay of her class, yet cannot refrain from mourning its gracious past. To her, the manor house symbolizes an ancient idyllic symbiosis between aristocrat and worker. To Evelyn Waugh, the aristocracy embodies the finest achievements of inherited English culture. He regards its decline as the crumbling of Christian civilization itself. Resilience against the rising proletariate lies in faith and a chivalrous other-worldliness associated with the old Catholic aristocracy. Mitford uses comedy to defend the ideals of service and honour which she sees undermined by vulgarity and mercantilism. She resists her opponents with lethal swipes of raillery. Bowen and Keane deal with the decline of the Irish Protestant Ascendancy. The heirs of the ascendancy have to cope with the paralysing bequest of a more vital past. Ironically, resilience lies in breaking with their heritage. Hartley appears to criticize the class structure, but his work reveals a fascination for the captivating myth of patrician life. Tennant, representing an aristocracy which has profited from the resurgence of wealth in Thatcherite Britain, is unsparingly caustic on the condition of her class. Her satiric writing presents an ethical resurgence that goes beyond the mere financial recovery of her society. The genre examined suggests a primal need among urbanized citizens for the myth of an heroic order. In the finest aristocratic novels, admiration for an imitable superior order is used to rally a consciousness of a venerable ethical establishment. What is threatened or lost is not merely wealth and privilege, but aristokratos - government by the best. / English Studies / D. Litt. et Phil. (English)

What did it mean to be a Catholic elite in Protestant England? The relationship between the Protestant crown and its Catholic subjects may be examined fruitfully through a study of an individual and his world. This thesis examines this relationship through the example of Sir Thomas Tresham, who has often been seen as the archetypal Catholic loyalist. It is argued that the notion of Catholic loyalism must be reconfigured to account for the complexities inherent in the relationship between Catholics and the government. The duty to honour the monarch's authority was bound up with social and national sentiment, but it often accompanied criticisms of the practice of that authority, and the ways in which it encroached on personal experience. Intractable tensions lay behind expressions of loyalty, and this thesis travels in these undercurrents of cultural, social, religious, and political conflict to investigate the nuanced relationship between English Catholics and English society. Political resistance as classically understood - actions which directly opposed and undermined government policy - risks the exclusion of culture and identity, through which resistance was redefined. It is argued that Tresham's participation in elite activities became vehicles for resistance in the Catholic context. Book-collecting, reading, and the donation of books to an institutional library are framed as forms of resistance which countered the spirit of government legislation, and provided for the continuation of a robust tradition of Catholic scholarship on English soil. Through artistic and architectural projects, Tresham found ways to participate in elite culture which were not closed off to him, and in which Catholicism and gentility could sit side by side. These activities were also avenues for resistance, whereby the erection of stone testaments to Tresham's faith defied the government's attempts to redefine Englishness and gentility in Protestant terms, to the devastation of Catholicism. These artistic works combined piety, gentility, and resistance, and, together with Tresham's two Catholic libraries, they were to be his legacy.

L’objet de cette thèse est d’étudier les relations entre Louis le Germanique et les aristocrates laïques, aussi bien ceux qui appartenaient à son propre royaume (de Bavière puis de Francie orientale), que ceux qui appartenaient aux autres royaumes issus du traité de Verdun (843). L’intérêt de cette recherche, qui s’inscrit dans le cadre d’un très récent renouveau d’intérêt pour le règne de Louis, est d’apporter un nouvel éclairage sur l’évolution politique de l’Empire carolingien central à tardif, en étudiant sa facette « orientale », souvent négligée par rapport à sa contrepartie « occidentale ».<p>Dans un contexte caractérisé par les rivalités et les conflits, il est évidemment vital pour le roi de s’assurer l’appui des grands et de les intégrer à son entourage. La première partie de ce travail a donc été consacrée à l’entourage du roi et à son évolution. Cet entourage a plus précisément été défini sur base du De Ordine Palatii d’Hincmar de Reims :il inclut d’abord les membres du Palais au sens étroit du terme (famille et détenteurs d’offices palatins – laïques en l’occurence -) ;ensuite l’ensemble des « grands » laïques du royaume, qui, sans détenir d’office au Palais, entretiennent une relation privilégiée avec le roi, soit qu’ils détiennent de lui un honor (les comtes), soit qu’ils appartiennent à ses vassaux ou à ses fideles. Au sein de cet ensemble de personnes, tous ne bénéficient cependant pas de la même « Königsnähe » ;par conséquent, en tenant compte de la nature des sources issues de Francie orientale (essentiellement les actes privés des abbayes et évêchés du royaume), il s’est avéré nécessaire de nuancer ce tableau en recherchant les personnalités qui font réellement preuve de la plus grande proximité avec le roi, sans être nécessairement pour autant les mieux documentés au niveau des sources.<p>De tous les membres (laïques) de cet entourage, les comtes sont apparus comme les plus importants, en raison de leur fonction même ;pour cette raison (et afin de rendre la consultation plus aisée et plus pratique pour qui s’intéresse aux comtes), une prosopographie a été constituée, incluant les comtes actifs en Bavière (826-887), Alémannie, Francie, Saxe, Thuringe (833-887) et Lotharingie orientale (870-887). <p>Si cette approche, essentiellement prosopographique, est intéressante en soi, elle ne permet néanmoins pas, en tant que telle, d’apprécier la teneur des relations entre roi et grands, ni de replacer celle-ci dans le cadre plus global de l’Empire carolingien. Pour ce faire, il est nécessaire d’y ajouter l’étude de certains éléments significatifs, qui permettent de dégager plus aisément continuités, ruptures et spécificités. A l’étude de l’évolution du fisc (et des spécificités des donations royales), s’est jointe celle des éléments représentatifs du pouvoir des aristocrates :possession de monastères privés, disposition de fortifications, transmission des offices comtaux. L’articulation de ces éléments avec le pouvoir royal révèle des spécificités très intéressantes, notamment au niveau du contrôle du roi sur les donations et honores accordés aux grands, le maintien de la révocabilité de ceux-ci étant visiblement souhaité ;s’il n’est pas toujours possible d’évaluer le rôle de la volonté royale dans cette évolution, il n’en va pas de même quand on étudie les divers actes d’infidélité, réels ou supposés, portés contre le roi. Les réactions royales, en la matière, semblent bien le signe d’une politique distincte et cohérente.<p>En conclusion, cette analyse se joint à l’approche prosopographique pour présenter une manière spécifique de concevoir, et d’aborder sur le plan pratique, les relations entre roi et grands. Sous certains aspects, ce règne se distingue nettement de celui de ses contemporains, et éclaire donc une autre facette de l’évolution de l’Empire carolingien postérieure au traité de Verdun, globalement (et provisoirement) plus maîtrisée qu’ailleurs ;celle-ci ne peut être ignorée et doit contribuer à nuancer l’image de l’évolution du pouvoir royal au IXème s.<p> / Doctorat en philosophie et lettres, Orientation histoire / info:eu-repo/semantics/nonPublished