Texte remanié de: Diss.--Philosophische Fakultät--Bonn--Rheinische Friedrich-Wilhelms-Universität, 1987.

Texte remanié de: Diss.--Philosophische Fakultät--Universität zu Köln, 1991. / Bibliogr. p. 396-416. Index.

Diss.--Theologische Fakultät--Marburg. / Bibliogr. p. 153-164.

In this study of the influence of Matthew Arnold on W.B. Yeats, I describe a tendency in the critical field to overlook the placement of Arnold at Phase 18, and the implications of his presence beside Yeats at Phase 17, in Yeats’s key philosophical treatise A Vision (1926, 1937). The central contribution of my thesis is to address this crucial blind spot but also the concomitant failure by critics to consider Arnold’s overall bearing on the ‘System’ itself. Chiefly through analysis of the gyres, two types of man, and lunar phases of the Great Wheel, I trace five main, interrelated aspects comprising ‘the Arnoldian element’ in A Vision: 1) Romanticism; 2) morbidity; 3) Celticism; 4) culture; and 5) the over-arching ideal of ancient Greek genius. My thesis that Arnold is paramount to Yeats’s poetical and political concerns in the treatise demonstrates how the Arnoldian element – including a covert extension of Yeats’s dialogue with Arnold in “The Celtic Element in Literature” (1897) – within its abstruse occult discourse partly but powerfully shapes: 1) the projection of Irish self-rule and unity, principally in the figure of the Daimonic Man of the ideal Phase 17 (Yeats) subversively juxtaposed with the fragmenting Emotional Man of Phase 18 (Arnold and Goethe), in a time of anarchy; and 2) the representation of a range of phasal examples (named and unnamed, encompassing both literature and sexual love). I argue that Yeats’s considerable indebtedness to Arnold 1) both spurs and troubles readings of Yeats as a poet of decolonization; 2) merits attention in the long-running ‘Orwellian’ debate over Yeats’s alleged fascism, coinciding with Yeats’s eugenics; 3) illuminates A Vision as an ‘anxiety of influence’ text in which Yeats ‘kills’ his critical fathers Arnold and J.B. Yeats; and 4) warrants Arnold’s routine inclusion among Yeats’s foremost influences like Nietzsche, Blake, Dante, and Shelley whose portrayals in A Vision are partly bound up, as I show, with Yeats’s engagement with Arnold.

This thesis examines the evidences of pessimism in the poetry of each poet, substantiated when possible by parallel prose writings and other critical and biographical material; and finally, it reaches tentative conclusions about the direction of the change in pessimistic outlook of three poets.

京都大学 / 新制・課程博士 / 博士(理学) / 甲第22970号 / 理博第4647号 / 新制||理||1668(附属図書館) / 京都大学大学院理学研究科数学・数理解析専攻 / (主査)教授 坂上 貴之, 教授 泉 正己, 教授 國府 寛司 / 学位規則第4条第1項該当 / Doctor of Science / Kyoto University / DFAM

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In studying the early history of the legends, the author have found that it could be divided into three periods: 1) the period of origins, 2) the period of literary creation, and 3) the period of translation and adaptation. The last period may be said to have never reached a conclusion, for writers of many nations are still finding in the ancient legends material for poem and song.

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