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A Study of Early Utah Water Color PaintingTaylor, James Harvey 01 January 1974 (has links)
The intent of this study was to investigate those artists in early Utah art history who played an important part in the development of water color painting.
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Ceramics from the Franklin Glassworks: Acquisition Patterns and Economic StressMoodey, Meredith Campbell 01 January 1988 (has links)
No description available.
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"I Would Not Begrudge to Give a Few Pounds More": Elite Consumer Choices in the Chesapeake, 1720-1785 The Calvert House Ceramic AssemblagePatrick, Steven Edward 01 January 1990 (has links)
No description available.
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Existential FluxRoessler, Heather 01 June 2018 (has links)
My wok is a place for meditation (through play and ritual) to grapple with ideas around what it means to be alive. I explore my own history, psychology and the nature of things, to better understand myself. I create because of the need to build a familiarity with the unknown and the uncomfortable and to accept that which is out of my control. While seeking to understand and learn from my own personal confrontations with death, I also find my own form of spirituality.
Losing my hold on graspable things, as time and change tend to bring, witnessing the dualities in nature ever-shifting; I must accept that nothing stays the same nor remains… not even me.
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Three-Dimensional Wall SculptureFranz, Evelyn 26 May 1976 (has links)
The thesis discusses five sculptures completed during the period of study from October 1974 to May 1976 and presented at the Department of Art and Architecture Gallery May 26, 1976-June 1 J, 1976.
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Reverse ActualizationMcClain, William David Ross 01 May 1999 (has links)
No description available.
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Plaids and Broadswords of the AltamahaWeber, Robert K. 01 January 1998 (has links)
No description available.
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An Interdisciplinary Approach in the Art Education CurriculumSuraco, Terri Lynn 03 August 2006 (has links)
AN INTERDISCIPLINARY APPROACH IN THE ART EDUCATION CURRICULUM By Terri L. Suraco Under the Direction of Melody Milbrandt ABSTRACT This study investigates how interdisciplinary lessons are taught in an art education classroom. The teaching strategies used are: Integrated models, the use of "Big Ideas" (Jacobs, 1989, 2003), the use of constructivist methods (Freedman, 2003; Brooks and Brooks, 1999; Milbrandt, 2004), and the use of essential question inquiry (Erickson, 1998; Mallery, 2000) and teacher collaboration (Jacobs, 2005; Erickson, 1998; NAEA, 2005). I am the only participant in an autoethnographical study. In the Literature Review: Why arts integration is important is explored. Positives and negatives of teaching integrated disciplines are addressed. I include four units from my interdisciplinary curriculum in art education and observations with teaching reflections from the units taught in elementary and middle school. The models that are described are: Parallel Disciplines, Multidisciplinary, Interdisciplinary, and Integrated (Jacobs, 1989, 2005: Mallery, 2000;). The study results reveal how interdisciplinary teaching can be implemented in an art education classroom. IDEX WORDS: Thesis, Interdisciplinary, Integrated, Art Education, Big Ideas
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Romaine Brooks: Embracing DiversityEnsor, Ronda Lea 21 April 2008 (has links)
While the majority of literature written in regard to artist Romaine Brooks has focused on her portraiture of cross-dressing women, I intend to focus on other aspects of her oeuvre which are often neglected. Therefore, I will examine works depicting women produced or exhibited by Brooks during the years 1910 and 1911 when her output was at its most varied. I have divided these works into four different categories: nudes, interior scenes, balcony scenes, and portraits. These paintings prove that while Brooks painted in a traditional fashion, she also subtly challenged the role of women in art and society.
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AmbientCain, Micah 21 April 2008 (has links)
Ambient explores the role of the viewer within an artistic situation. By combining function with sculptural form I am presenting a situation designed for interpretation, whether it is visual, tactile, or purely conceptual. Ambient is an opportunity for the viewer, or reader, to access all aspects of the work I create.
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