Texte remanié de: Thèse de doctorat--Langues et littératures anciennes--Caen, 2005. Titre de soutenance : Morituri te salutant : la naumachie à Rome et dans l'Empire romain du Ier av. J.-C. au Ve siècle ap. J.-C. / Bibliogr. p. 519-537. Notes bibliogr. Index. PUPS = Presses de l'Université Paris-Sorbonne.

Thesis (Ph.D.)--University of Western Sydney, 2009. / A thesis presented to the University of Western Sydney, College of Arts, Centre for Cultural Research, in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliographies.

Student report -- Air Command and Staff College, Air University, Maxwell AFB, AL, 1988. Submitted to the faculty in partial fulfillment of requirements for graduation; Sponsor, Col Robert J. Courter, Director, Force development, HQ/DED; Faculty advisor Lt Col Rober L. Peters, ACSC/3823 Stus / "Apr 1988" "Report number 88-2300"

Thesis (M.S. in Information Technology Management)--Naval Postgraduate School, December 2003. / Thesis advisor(s): Alex Bordetsky, Rex Buddenberg. Includes bibliographical references (p. 401-408). Also available online.

The research presented in this dissertation covers three separate topics of conservation as defined by the National Science Foundation: 1) Materials Stabilization, Strengthening, Monitoring, and Repair; 2. Understanding Material Degradation and Aging; and 3) Materials and Structural Characterization of Cultural Heritage Objects (the `technical study'). The first topic is addressed through a study to assess the consolidant tetraethoxysilane for the stabilization of alum treated wood. Falling under materials degradation studies is a study published in American Museum Novitates to understand how environmental conditions affect the aging of fossil resins from five different deposits. Two separate studies are included in technical study of cultural heritage objects which comprises the third research area of materials characterization. The first is a survey of red dyes used in Chinese paintings from the Ming Dynasty to the Early Republic (1364-1911). The second is a study of the pigments, dyes and binders used in Hawaiian barkcloth (kapa) from the 19th century.

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Background: The bleaching of paper is an important and controversial treatment employed in the conservation of art. The use of a bleach may greatly enhance the quality of an image but at a cost of lost structural integrity. In order to fully consider the ramifications of bleaching a paper artifact, a historical study of early European paper and its manufacture was conducted. The structure of paper was also studied in order to understand the finer points of early European paper manufacture and to draw conclusions from the bleaching comparison. Results: A comparison of the commonly used ClO2 bleaching with a previously proposed chlorous acid treatment was conducted. The two different bleaching techniques were evaluated on their impact on the colour of artificially aged and unaged Whatman chromatography 1 paper. The results of the bleaching were analyzed with a colourimeter and it was determined that there was a significant change in colour as a result of the bleaching. The ClO2 and chlorous acid bleaching treatments did not produce results that were significantly different from one another, visually and statistically. The bleaching treatments were also tested with the viscometry of the paper in cadoxen and it was determined that ClO2 is a more degradative bleach than chlorous acid. The research also demonstrated that bleaching has a greater degradative impact on previously degraded samples. The quantitative results of the viscometry were accompanied by a qualitative look at the paper samples with a scanning electron microscope (SEM). In the SEM images there were slight visible differences in the samples that could correlate to aging. Conclusions: Chlorous acid is a gentle effective bleaching technique that was as effective as ClO2 and less degrading to the paper samples. Bleaching has an increased impact on previously degraded samples, and conservators should be wary of this. Further research involving this bleaching technique is suggested. The use of an SEM in imaging damage to paper is a viable option but more work is needed with this technique to ensure conclusive results. / Thesis (Master, Art History) -- Queen's University, 2012-01-31 22:51:58.027

Sets and the Senses is a work for symphony orchestra that bears the interaction between science and art as its overriding theme. Formalizations of compositional parameters that relate to this interaction are established, in particular those relating to the contrast between systematic and intuitively composed music, in order to provide a vehicle for musical communication on the theme. A summary of scientific and artistic elements of the compositional process reveals in the work an ingrained hierarchy of science/art interactions. Specific strategies for manipulating the science/art parameters are described. Genetic algorithms as applied to computer-assisted composition are discussed. The formal design of the work is described in terms of the relationship between science and art, accompanied by descriptions of systematic and intuitive musical procedures used.

Abstract This project is concerned with visual representation of human gross anatomy*. The subject is complex because it derives from an intersection of artistic and scientific disciplines and is an active field of research. The overall aim of the project is to open up new ways of interpretation when engaging with complex visual representations of anatomy. The project involves a consideration of the methods and models in which the communication of visually complex information is achieved by using a combination of artistic and scientific representation. It explores methods and techniques used in the creation of visualisations that are intended to convey scientific knowledge. Literature and visual reviews were undertaken and these examined research material which informed the project's exploration. These reviews included texts that studied the historical development of anatomic representation and also contemporary visual material. Elements of cognition and perception and their relationship to visual communication were reviewed and considered in relation to the project's practical work. Wider socio-cultural contexts that affect pictorial style in anatomic representation were also reviewed and some relevant contexts are discussed within the exegesis. Practical exploration included developing models of anatomy that combined elements from artistic and scientific approaches. For example, in some explorative work, the fine detail of traditional anatomic representation formed one section of a model and this was allied with another section that used a more scientific approach to isolate key structures by illumination. The exegesis concludes with a summary of the project, conclusions arising from the research and an indication of potential areas for further study. * For conciseness, all further references within the exegesis to anatomy and anatomic representation refer to human gross anatomy unless otherwise stated.