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Maler, Monstren, Muschelwerk Wandlungen des Grotesken in Literatur und Kunsttheorie des 18. und 19. JahrhundertsScheidweiler, Alexander January 2009 (has links)
Zugl.: Heidelberg, Univ., Diss., 2009
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Representación visual en dos novelas latinoamericanas Elogio de la madrastra y Keres cojer? = guan tu fak /Huttner, Joseph. January 2009 (has links)
Thesis (B.A.)--Haverford College, Dept. of Spanish, 2009. / Includes bibliographical references.
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Poésie et art figuré de Néron aux Flaviens recherches sur l'iconographie et la correspondance des arts à l'époque impériale /Croisille, Jean-Michel. January 1978 (has links)
Thesis (doctoral)--Université de Lille III, 1976. / Includes bibliographical references (p. 930-950).
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"A salomonic key" radical art and politics in American literary modernism /McGuigan, John. January 2002 (has links)
Thesis (Ph. D.)--University of Wisconsin-Madison, 2002. / Includes bibliographical references (leaves 254-263).
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Aus dem Nachleben antiker Göttergestalten die antiken Gottheiten in der Bildbeschreibung des Mittelalters und der italienischen Frührenaissance,Frey-Sallmann, Alma. January 1931 (has links)
Issued in part (xii, 47 p.)--as the author's inaugural dissertation, Basel. / "Literatur-abkürzungen": p. [x]-xvi.
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An ecocritical study of William Carlos Williams, James Agee, and Stephen Crane by way of the visual artsRalph, Iris. January 1900 (has links) (PDF)
Thesis (Ph. D.)--University of Texas at Austin, 2005. / Vita. Includes bibliographical references.
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Faces of Janus : the revival of classicism in modernist Paris /Junyk, Ihor. January 2001 (has links)
Thesis (Ph. D.)--University of Chicago, Dept. of History, March 2001. / Includes bibliographical references. Also available on the Internet.
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Journeys viewed, heard and read: literary impressionism, music and consonance in Dorothy Richardson's Pilgrimage.January 2008 (has links)
Wong, Yong Yi. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. / Includes bibliographical references (leaves 143-151). / Abstracts in English and Chinese. / Abstract --- p.i / 摘要 --- p.iii / Contents --- p.iv / Introduction --- p.1 / Chapter Chapter 1 --- Colours and Letter; Painting and Writing: Literary Impressionism in Pilgrimage --- p.32 / Chapter Chapter 2 --- Notes and Words; Listening and Reading: Music and Reading in Pilgrimage --- p.79 / Chapter Chapter 3 --- Consonance --- p.113 / Conclusion Arts in a Chord --- p.132 / Work Cited --- p.143
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The potential for facilitating a rich variety of learning opportunities through the learning area arts and culture (visual arts)Westraadt, Georina January 2007 (has links)
Thesis
Submitted in fulfilment
of the requirements for the degree
Magister Educationis
in the
Faculty of Education and Social Sciences
at the
CAPE PENINSULA UNIVERSITY OF TECHNOLOGY
2007 / When C2005 was introduced in South Africa, teacher training had to be restructured,
to be in accordance with Outcomes Based Education. In 2002, C2005 was replaced
by the Revised National Curriculum Statement as a refinement of C2005. From
2005, the Curriculum is called National Curriculum Statement (NCS).
A close study of the NCS revealed the fact that the Learning Area Arts and Culture
provides opportunities for rich and varied learning experiences to take place.
The concern of this study is how teachers are dealing with this educational potential,
especially in the Visual Arts.
Pending the outcome of the research, the possibility of aligning the training of student
teachers could be considered, to ascertain that the full potential of the learning area
Arts and Culture is accomplished. The outcome of the study could also initiate future
research into the possibility of supplementary training for the educators already in
practise.
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Making Art to Read: an Investigation of How the Making of Art Can Help Adolescent Students Explore LiteratureRobinson, Ariela January 2021 (has links)
This qualitative teacher - research study investigates how secondary students in English classes might use art materials and the construction of abstract artworks to explore, develop, and express their responses to and interpretations of literary works. The study was guided by the following research questions:
1. What happens when students are introduced to a wide variety of art materials and encouraged to use them to discover and express their response to or interpretation of a literary text?
1a. How do students describe how their understanding of or relationship to a work of literature is impacted by their production of a work of art in response to that literature?
2. How do students describe the experience of displaying their responsive art works in a final art “show” or classroom display, and how does their preparation for such a capstone event impact their creative process or their experience of producing their work of art?
3. What challenges and obstacles seem likely to arise for a teacher who tries to implement an instructional program in literature that includes a requirement that students create works of art to explore or express their response to or understanding of a literary work?
The data collected and analyzed include classroom observations in multiple classes, student writing, student artwork at all stages, student testimony, and student responses to survey questions. The analysis of the collected data suggest that the creation of works of art to explore and express literary experience and response promotes in many students an expanded understanding of the definition of ‘art’ and ‘artist’; a greater personal engagement with the assigned literary work; more original, nuanced, and insightful responses to literature; and more engaged and intellectually honest writing about literature. The greatest challenges and obstacles to implementing the arts-based approach to the study of literature in the classroom were located largely in the researcher’s own attachments to conventional practices in the teaching of literature, desire to ensure that her students acquired standard knowledge about the assigned literary work, and her lingering sense of responsibility about preparing students for conventional future literature classes.
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