The purpose of this creative project was to explore various ways of using acrylic paint other than the traditional methods of direct application to canvas or paper and produce a suite of fifteen mixed media drawings using methods developed during the creative project. With the drawings produced during the creative project the writer discovered a new approach in using acrylic polymers. Subtle relationships of color, texture, value, and spacial illusion were achieved through the use of this method. The technique involved making a thin sheet of nonsoluable, flexible acrylic, cutting it, manipulating it, and applying it to a sheet of paper. Through the creative project the writer explored riew concepts in composition and personal imagery. Work completed during the project yielded over one hundred drawings. Works from the project have been exhibited regionally and nationally. Two pieces were included in Indiana Artists Exhibition in 1983 and two others were purchased by the Evansville Museum for their permanent collection.

Thesis (M. Ed.)--Kutztown University of Pennsylvania, 1991. / Source: Masters Abstracts International, Volume: 45-06, page: 2749. Typescript. Includes bibliographical references (leaves 91-95).

Thesis (Ed. D.)--Teachers College, Columbia University, 1963. / Typescript; issued also on microfilm. Sponsor: William J. Mahoney. Dissertation Committee: Willard J. Jacobson. Includes bibliographical references (v. 2, leaves 287-290).

Thesis (Ph. D.)--University of Texas at El Paso, 2009. / Title from title screen. Vita. CD-ROM. Includes bibliographical references. Also available online.

M.Tech. (Fine Art) / Papermaking as an activity area at the Technikon Witwatersrand (TWR) was initially introduced to equip fine art students with the basic knowledge and skills required to produce their own handmade papers, primarily for printmaking techniques. This need was identified through the fact that quality art papers were only available on campus at an expense that aspiring students could not afford. As the Papermaking Research and Development Unit (PRDU) at TWR expanded, students were able to specialise in paper-based research that targets certain issues that impact on and in our immediate environment. One issue that took priority was to investigate the properties, use and production of archival handmade papers to service local artists and students. South Africa does not have an extensive indigenous history or tradition in hand papermaking. It is a relatively new medium with little literature available on the subject. Research has become necessary to understand the properties of this medium in order to explore its various possibilities. This investigation would be viable to the local marketand manufacturers of paper, as well as to those who utilise paper in their creative activities. The bulk of archival papers available on the South African market are currently manufactured overseas and are imported to our country. With importing costs and current exchange rates, this increases their price in the South African market. The research specifically aims at producing a local handmade equivalent to the imported product that will meet, or lower, the cost and increase the availability of the product to the local market. Handmade papers have many advantages to the artists that exceed mould-made papers, all of which are investigated in this research. The specific market had to be identified in order to streamline the research possibilities and improve product potential. This market was identified as papers for selected traditional printmaking techniques, such as silkscreening; intaglio and relief processes. The research thesis, once published, will provide a resource on the subject, with specific application to a local situation. It will enable papermakers to further understand the composition of their product, as well as expand on its use and application.

Thesis (M.F.A.)--Rochester Institute of Technology, 1983. / Typescript. Includes bibliographical references (leaves 24-25).

Thesis (Ed. D.)--Teachers College, Columbia University. / Typescript; issued also on microfilm. Sponsor: Justin Schorr. Dissertation Committee: William J. Mahoney. Bibliography: leaves 125-127.

Thesis (M.S.)--Rochester Institute of Technology, 2005. / Typescript. Includes bibliographical references (leaves 111-113).

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黃仕民. / 論文(碩士) -- 香港中文大學硏究院藝術學部, 1996. / 參考文献 : leaves 53-55. / Huang Shimin. / 前言 --- p.1 / Chapter (一） --- 繪畫中使用新物料的起因及其普遍性 --- p.2 / Chapter (二） --- 新物料的特質 --- p.5 / Chapter (三） --- 在當代繪畫中引起的影響 --- p.10 / Chapter (四） --- 結論 --- p.17 / 附圖 --- p.22 / 附註 --- p.52 / 參考書目 --- p.53