Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-04-17T21:15:22Z No. of bitstreams: 1 PauloDeMacedoCaldasNeto_TESE.pdf: 1612541 bytes, checksum: 01ea3633e7ca4d3521607ae167d6b964 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-04-18T19:52:14Z (GMT) No. of bitstreams: 1 PauloDeMacedoCaldasNeto_TESE.pdf: 1612541 bytes, checksum: 01ea3633e7ca4d3521607ae167d6b964 (MD5) / Made available in DSpace on 2017-04-18T19:52:14Z (GMT). No. of bitstreams: 1 PauloDeMacedoCaldasNeto_TESE.pdf: 1612541 bytes, checksum: 01ea3633e7ca4d3521607ae167d6b964 (MD5) Previous issue date: 2016-12-09 / A abordagem do discurso liter?rio e das suas rela??es com o discurso hist?rico parte de uma indaga??o voltada ao entendimento da mem?ria e do sujeito. Este, enquanto ser psicossocial, dotado da capacidade de perceber e de lembrar algo significativo, ir? contribuir para a forma??o de sua pr?pria mem?ria. Esta acabar? sendo preenchida pelas lembran?as de grupos sociais de que fez parte o sujeito, instituindo o que se chama de mem?ria coletiva. Em seguida, produzir-se-? uma reflex?o sobre o discurso hist?rico, tendo-se a Historiografia, vertente da Filosofia da Hist?ria respons?vel pela aprecia??o dos fatos que marcaram uma sociedade, como base para a an?lise liter?ria do objeto de estudo em quest?o ? a prosa de mem?rias de Augusto Frederico Schmidt. Este trabalho tem como primeiro foco a compreens?o dos alicerces da mem?ria individual do eu nos relatos memorial?sticos de O Galo Branco, As florestas e outros textos publicados, na categoria prosa, pelo escritor e homem de neg?cios Augusto Frederico Schmidt. Conhecido por sua intensa atua??o pol?tica no Governo JK, nos idos de 50 e 60 no Brasil, vamos nos deparar com um sujeito preocupado com o registro de sua vida e com as correspond?ncias existentes entre a sua obra art?stico-biogr?fica e os acontecimentos de uma ?poca. Alguns dos textos schmidtianos lembram cr?nicas, porque foram editados em jornais e possuem a brevidade, o lirismo, a poesia do momento, muito embora sigam al?m do registro circunstancial, alcan?ando a estrutura de uma narrativa longa e cheia de pontos autobiogr?ficos. Tivemos a preocupa??o aqui de apontar as fronteiras entre o memorial?stico, o historiogr?fico e o autobiogr?fico, principalmente ao estabelecermos liga??es te?ricas e anal?ticas para a explica??o est?tica das obras liter?rias em quest?o. Todo o mecanismo psicomotor da lembran?a, componente para a ativa??o da mem?ria, foi destacado. A seguir, abordamos a maneira pela qual se apresenta o discurso hist?rico no interior das narrativas reais de Schmidt e a representatividade da conex?o entre a mem?ria e a hist?ria no interior da prosa. / The approach of literary discourse and its relations with the historical speech starts from an inquiry focused on the understanding of memory and the subject.This, as a psychosocial being, endowed with the capacity to perceive and remember something meaningful, will contribute to the formation of his own memory. This will be filled by the memories of social groups of which the subject was part, instituting what is called collective memory. Afterwards, a reflection on the historical discourse will take place, with Historiography, a branch of the Philosophy of History responsible for the appreciation of the facts that marked a society, as a basis for the literary analysis of the object of study in question ? the Prose of memories of Augusto Frederico Schmidt. This work has as its primary focus the understanding of the foundations of individual memory I in memorialistic reports White Rooster, Forests and other published texts, in prose category, the writer and businessman Augusto Frederico Schmidt. Known for its intense political activity in the Government JK, the ides of 50 and 60 in Brazil, we will come across a worried man with the record of his life and the existing connections between his artistic and biographical work and the events of an era. Some of Schmidtian texts resemble chronic, because they were published in newspapers and have the brevity, lyricism, poetry of the moment, although follow beyond circumstantial record, reaching the structure of a long and full of autobiographical narrative points. This research points out to the boundaries between memorialistic, historiographical and autobiographical texts, especially when we establish theoretical and analytical links to the aesthetic explanation of literary works in question. All psychomotor mechanism of memory, component for activation of memory, has been highlighted. Then, we approach the way in which it presents the historical discourse within the actual narratives of Schmidt and the connection of representation between memory and history within the prose.