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The internship requirements for Master of Applied Science in Materials Conservation were completed in the Materials Conservation laboratory of the Australian Museum under the direction of Miss Sue Walston between November 30th, 1981 and July 9th, 1982. The work programme focused upon the preparation of artefacts for a permanent gallery display entitled "The Abelam, a people of Papua New Guinea". Wooden carvings, shell ornaments, bone implements, ceramic and coconut bowls, and wooden spears were the most common artefact types requiring treatment, prior to display. Many objects were decorated with pigments, shells, beads or feathers and were secured with plied fibre string. Artefacts were photographed , condition and proposed treatment reports were written, practical work was carried out and final treatment reports were finished. Upon completion of the gallery, the Materials Conservation laboratory staff reviewed their role in the overall gallery plan. As a group, the problems affecting the conservation and display of artefacts were identified and analysed. A flow chart of exhibition guidelines for Materials Conservation was prepared for use when planning future galleries. The relative humidity and temperature were monitored regularly in various areas throughout the museum. Accurate readings were obtained using a sling psychrometer and thermohygrographs. Each week the modes of the relative humidity charts were calculated, analysed and recorded. While treating objects for the Abelarn gallery, the need for specifically coloured support materials became evident. Dye types capable of permanently colouring a diverse range of cellulosic materials were investigated. Trichromatic colour cards were prepared for each material. A flood occurred in the Aboriginal gallery which required immediate action by the conservation staff. Affected artefacts were transported to the laboratory, stabilized and reports on their condition were written. A workshop on microscopic examination of cellulosic materials was organized by Mary-Lou Florian, Conservation Scientist with the British Columbia Provincial Museum, Canada. She also gave a lecture at the Forestry Commission of N.S.W. on Conservation of Aboriginal carved trees and Canadian totem poles. Dr. P. Casey presented information on fungi to the Australian Museum Conservation staff. A technical meeting on the topic of interlaboratory co-operation was attended at the conservation unit of the Museum of Applied Arts and Sciences. The conservation facility at the Art Gallery of N.S.W. and the Nickleson Museum, University of Sydney, were viewed.

From November 30th, 1981 to May 28th, 1982 I was employed at the Conservation Laboratory of The Australian Museum. I also completed a contract for Australia Post, under Sue Walston's supervision, for two weeks in July 1982 and worked on two private projects at Conservation Art and Library Services, Leichhardt. During my time at The Australian Museum preparation for the opening of a major gallery, "The Abelam - a people of Papua New Guinea" was concluded. A large proportion of my work at the Museum was related to this event. The Australian Museum places a high priority on environmental monitoring of storage areas and one of my duties was to participate in this monitoring programme. Shortly before the opening of the new gallery, flooding was discovered in two showcases in the Aboriginal Gallery affecting some sixty artefacts. The entire conservation staff was involved in emergency procedures, removing the objects to a stabilising environment until further work could be carried out. As the work load occasioned by the Abelam Gallery eased, I was placed in charge of the followup work on the flood-damaged artefacts. The contract with Australia Post was to prepare moulded fibre-glass backings for a collection of Aboriginal bark paintings. This plus my work at Conservation Art and Library Services, a private conservation laboratory, have provided interesting perspectives on the differences between the public and private sectors. Overall, my experience over the last nine months has been quite diverse, encompassing preventive, remedial and cosmetic conservation, practical and administrative work.