Global ETD Search

1	Crime with Loss of Context : How the Translation Changed the Implied Reader of Åsa Larsson’s The Savage Altar: Innocence Will Be Sacrificed Lindve, Katarina January 2008 (has links) <p>The implied reader of a novel is the person that the author writes for. In the case of Åsa Larsson’s Swedish detective novel Solstorm, the implied reader is familiar with Swedish politics, history, and geography but also with biblical references and Swedish customs. When the novel is translated into English, The Savage Altar: Innocence will be Sacrificed, there is a new implied reader, the translator’s implied reader. When culture-specific material is either omitted or misunderstood, or a cultural filter changes the material to suit the new target audience, the context of the novel is also changed. The result is a loss of context.</p> Authorial audience implied reader culture-specific context overt and covert translation cultural filter intertextuality English language Engelska språket
2	Crime with Loss of Context : How the Translation Changed the Implied Reader of Åsa Larsson’s The Savage Altar: Innocence Will Be Sacrificed Lindve, Katarina January 2008 (has links) The implied reader of a novel is the person that the author writes for. In the case of Åsa Larsson’s Swedish detective novel Solstorm, the implied reader is familiar with Swedish politics, history, and geography but also with biblical references and Swedish customs. When the novel is translated into English, The Savage Altar: Innocence will be Sacrificed, there is a new implied reader, the translator’s implied reader. When culture-specific material is either omitted or misunderstood, or a cultural filter changes the material to suit the new target audience, the context of the novel is also changed. The result is a loss of context. Authorial audience implied reader culture-specific context overt and covert translation cultural filter intertextuality Specific Languages Studier av enskilda språk
3	Character Narrators, the Implied Author, and the Authorial Audience: A Rhetorical and Ethical Reading of Octavia E. Butler’s Parable of the Talents Melkner Moser, Linda January 2020 (has links) This essay considers the interplay between character narrators, the implied author, and the authorial audience in Octavia Butler’s Parable of the Talents. The aim of the study was to investigate how narrators, the implied author, and readers position themselves in relation to each other and in relation to the novel’s ethical dimensions. The theoretical framework is based on James Phelan’s theories on the rhetorical and ethical aspects of fiction. The essay argues that the implied author’s communication to the authorial audience is one of the reasons that the novel, like its prequel Parable of the Sower, often succeeds to function as warnings to the audience of dangers ahead. This is especially true regarding one of the implied author’s most consistent messages to the audience throughout the Parable novels: every choice has consequences, and those consequences need to be considered when we decide how to act and react in different circumstances, both as individuals and as a society. Octavia Butler Parable of the Sower Parable of the Talents James Phelan the implied author character narrators narrators authorial audience rhetorical narrative theory rhetoric/ethics ethics rhetoric rhetoric of character narration Lauren Olamina Olamina Earthseed epistolary novels narrative theory General Literature Studies Litteraturvetenskap

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