Made available in DSpace on 2014-12-17T15:07:05Z (GMT). No. of bitstreams: 1 MariaSC.pdf: 599057 bytes, checksum: b990198f00705ee253bffc394c8f7413 (MD5) Previous issue date: 2008-09-20 / This work brings some reading about a few Norte-rio-grandenses writers collaborations published in literary papers which circulated during the third decade of the twentieth century in Brazil, in a way of enlarging the understanding of how the cultural debate was carried out in the years of the definition of the Brazilian Modernism, based on the relationships between literature and culture. Under the genres of prose and poetry, the selected textual collaborations for analysis have brought the traces of a small group of articulated authors in the Brazilian cultural scenery from the 1920 s, concerning the issues of the modern (linked to the modernist renovation) and the regional (under the aspects of the tradition). The set of the analyzed collaborations is representative of a modern-regional cultural practice marked by a tendency either local or cosmopolitan, thus, sharing a large dimension of the formation of the modern literary tradition, marked by different kinds of practices which give form to the project of a collective national awareness. The characterization of the existence of an intellectual field with big links, however with its own characteristics and a certain autonomy, which also gets integrated to the cultural debate of the so-called modernist years through the literary vehicles, gives to these intellectual people a co-participation in the renewing movement in the formation context of the brazilian cultural modernity of the early twentieth century / Esse trabalho traz uma leitura em torno de colabora??es de escritores norte-rio-grandenses publicadas em ve?culos liter?rios que circularam durante a terceira d?cada do s?culo XX, no Brasil, no sentido de ampliar o entendimento de como se deu o debate cultural nos anos de defini??o do modernismo brasileiro, com base nas rela??es ente literatura e cultura. Sob os g?neros da poesia e da prosa, as colabora??es textuais selecionadas para an?lise trazem as marcas de um pequeno grupo de escritores articulados no cen?rio cultural brasileiro dos anos de 1920, em torno das quest?es do moderno (frente ? renova??o modernista) e do regional (sob os aspectos da tradi??o). O conjunto das colabora??es analisadas ? representativo de uma pr?tica cultural moderno-regional, marcada por uma tend?ncia ora local ora cosmopolita, vindo comungar, assim, de uma dimens?o ampla da forma??o da moderna tradi??o liter?ria, marcada por pr?ticas diversas a dar forma ao projeto de uma consci?ncia nacional coletiva. A caracteriza??o da exist?ncia de um campo intelectual com vincula??es amplas, por?m com caracter?sticas pr?prias e uma relativa autonomia, que tamb?m se integra ao debate cultural dos chamados anos modernistas, atrav?s dos ve?culos liter?rios, confere a esses intelectuais uma co-participa??o no movimento renovador no contexto da forma??o da modernidade cultural brasileira do in?cio do s?culo XX