• Refine Query
  • Source
  • Publication year
  • to
  • Language
  • 126
  • 99
  • 36
  • 35
  • 26
  • 10
  • 8
  • 4
  • 3
  • 3
  • 2
  • 1
  • 1
  • 1
  • 1
  • Tagged with
  • 407
  • 407
  • 99
  • 74
  • 70
  • 49
  • 46
  • 43
  • 39
  • 34
  • 31
  • 31
  • 31
  • 27
  • 27
  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Avant-garde culture and media strategies the networks and discourses of the European film avant-garde, 1919-39

Hagener, Malte 2005 (has links)
Proefschrift Universiteit van Amsterdam. Rugtitel: Avant-garde culture. Met lit. opg., filmogr. - Met samenvatting in het Nederlands.
2

Aspekte des Allegorischen in der neuen Musik Überlegungen zum musikalischen Werkbegriff

Finkbeiner, Christine 1982 (has links)
Thesis (doctoral)--Johann Wolfgang von Goethe-Universität zu Frankfurt am Main. Includes bibliographical references (p. 233-237).
3

Avantgardische Strömungen in der tchechischen Bildhauerei : von der Jahrhundertwende bis zum Ende der Ersten Tchechoslowakischen Republik

Reich, Annette. 2003 (has links)
Texte remanié de: Diss.--Philosophisch-Historische Fakultät--Heidelberg--Ruprecht-Karls-Universität, 1997. Bibliogr. p. 361-386. Notes bibliogr.
4

Improvisation, identity and tradition experimental music communities in Los Angeles

Sharp, Charles Michael 2008 (has links)
Thesis (Ph. D.)--UCLA, 2008. Vita. Description based on print version record. Includes bibliographical references (leaves 469-484) and discography (leaves 485-487).
5

Disanimate modernism literature, painting and aesthetics in wartime and post World War I Italy

Cooper, Allison Ann 2008 (has links)
Thesis (Ph. D.)--UCLA, 2008. Vita. Description based on print version record. Includes bibliographical references (leaves 180-196).
6

Aspekte des Allegorischen in der neuen Musik Überlegungen zum musikalischen Werkbegriff

Finkbeiner, Christine 1982 (has links)
Thesis (doctoral)--Johann Wolfgang von Goethe-Universität zu Frankfurt am Main. Includes bibliographical references (p. 233-237).
7

Writing modernist and avant-garde music in Mexico performativity, transculturation, and identity after the revolution, 1920-1930

Madrid-González, Alejandro Luis 2003 (has links)
Thesis (Ph. D.)--Ohio State University, 2003. Title from first page of PDF file. Document formatted into pages; contains xv, 238 p.; also includes music, graphics Includes bibliographical references (p. 218-238). Available online via OhioLINK's ETD Center
8

Dance as a project of the early modern avant-garde

Drake-Boyt, Elizabeth M. González, Anita. Young, Tricia Henry 2005 (has links)
Thesis (Ph. D.)--Florida State University, 2005. Advisors: Dr. Anita González, Florida State University, School of Theatre and Dr. Tricia Young, Florida State University, College of Visual Arts and Dance, Dept. of Dance. Title and description from dissertation home page (viewed June 15, 2005). Document formatted into pages; contains vi, 312 pages. Includes bibliographical references.
9

Freewoman : Dora Marsden and the politics of feminist modernism

Franklin, Cary 2002 (has links)
No description available.
10

It does too matter : aesthetic value(s), avant-garde art, and problems of theory choice

Nicholls, Tracey. 2005 (has links)
My dissertation is concerned with two central issues: analysis of theory-practice gaps in aesthetic theories applied to avant-garde musics, and problems of visibility and respect in theorizing across cultures. In the first chapter, I examine a case study, John Coltrane's successive improvisations on "My Favorite Things," under two different theories in order to show how theories shape our view of the practices we are trying to explain. In the second chapter, I take up Coltrane's practices and their relations to theories once again but, in a reversal of the previous chapter's focus, I show how examining theories through practices can reveal these theory-practice gaps and problematic assumptions. I move, from there, to an analysis, informed by feminist standpoint epistemology, of the extent to which political values influence our theory choices and thus help construct our metaphysical views. Out of this discussion, my third chapter argues that attempts to universalize a culturally-situated notion of 'the musical work' (one drawn from Western classical music) do violence to works and artists situated in other cultural traditions. Thus I construct an alternative view of the musical work that I call 'contextualized nominalism' which has the merit of being sensitive to these issues of cultural situation. The fourth chapter explores connections between avant-garde jazz practices and oppositional politics which can be made visible when performances of works are accorded priority over composition. Here I construct a performative notion of community which, in addition to making the most sense of improvisational musical practices, can also be the ground of an 'ethos of improvisation' extendable into other social contexts. Finally I turn to the need for a pluralistic framework in aesthetic evaluation of polycultural artistic processes and products, through a critical examination of universal notions of aesthetic value. I argue, from this and all of the preceding chapters, that where we cross cultures, or mix them, in aesthetic evaluations, we must do so as respectful pluralists and within a pluralist framework.

Page generated in 0.0487 seconds