Global ETD Search

161	Vergessene Symphonik ? : Studien zu Joachim Raff, Carl Reinecke und zum Problem der Epigonalität in der Musik / Wiegandt, Matthias. January 1997 (has links) Diss.--Freiburg--Albert-Ludwigs-Univ., 1995. / Bibliogr. et discogr. p. 335-347.
162	Felix Mendelssohn's Sonata for cello and piano in D-major, Op. 58, its place in the history of the cello sonata and the influence of Beethoven Rzeczycki, Tomasz Sebastian. January 2002 (has links) Treatise (D.M.A.)--University of Texas at Austin, 2002. / Vita. Includes bibliographical references. Available also from UMI Company.
163	The evolution of sonata-form design in Ludwig van Beethoven's early piano sonatas, WoO 47 to Opus 22 Song, Moo Kyoung 28 August 2008 (has links) Not available / text Sonatas (Piano)--Analysis, appreciation Sonata form
164	Beethoven as pianist: a view through the early chamber music Parr-Scanlin, Denise 28 August 2008 (has links) Not available / text
165	A rehearsal model for Beethoven's Meeresstille und glückliche Fahrt, opus 112 / / Meeresstille und glückliche Fahrt. Brayne, Marilyn Patricia. January 1985 (has links) No description available. Music -- Performance.
166	Beethoven poet: Hector Berlioz's "A critical study of Beethoven's nine symphonies" at the crossroads of French Romanticism Star, Allison 07 November 2011 (has links) In attempts to take a step towards illustrating Berlioz's musical aesthetic, my dissertation explores his "Critical Study" as his manifesto of the new poetic in music, which uses Beethoven's symphonies as models. First published in 1844, his "Critical Study" is a collection of individual essays on each of Beethoven's nine symphonies - the most widely known version of these essays originally published in the Revue et gazette musicale de Paris in 1837-8. This collection of essays derives from a reworking of Berlioz's earliest articles on Beethoven (1829-37), notably his reviews of a new concert series at the Societe des concerts du Conservatoire that premiered Beethoven's symphonies in Paris. Almost ten years in the making, Berlioz's "Critical Study" represents the pinnacle of his writings on Beethoven. Here he promotes Beethoven's "romantic" symphonies as models of "poetic" forms, within the context of emerging French literary Romanticism. I examined some of the key components in Beethoven's music that most occupy Berlioz as critic and, in turn, how Berlioz as composer develops these key components in his own contribution to the symphonic genre - his Romeo et Juliette (1839), composed at the peak of his Beethoven study. Ultimately, I hope to have demonstrated that the subtle mixture of the musical, the poetic, the critical pedagogical, and the cultural that intersect in Berlioz's Romeo et Juliette exemplifies the same aesthetic of the poetic that he promotes in Beethoven's symphonies. / Graduate Beethoven, Ludwig van, 1770-1827 Berlioz, Hector, 1803-1869 Romanticism -- France
167	The piano fragment and the decomposing of the musical subject from the Romantic to the postmodern Musca, Lisa Ann, January 2007 (has links) Thesis (Ph. D.)--UCLA, 2007. / Vita. Includes bibliographical references (leaves 226-233).
168	Organic relationships motivic parallelisms between the first and second themes of sonata form / Shantz, Bren. January 2008 (has links) Thesis (M. Mus.)--Michigan State University. Dept. of Music Theory, 2008. / Title from PDF t.p. (viewed Sept. 11, 2009). Includes bibliographical references (p. 41). Also issued in print.
169	Die Klavierbegleitung im Liede von Haydn, Mozart und Beethoven eine Stilstudie. Stuber, Robert, January 1958 (has links) Inaug.-Diss.--Bern. / Vita. Bibliography: p. 124-125.
170	Felix Mendelssohn's Sonata for cello and piano in D-major, Op. 58, its place in the history of the cello sonata and the influence of Beethoven Rzeczycki, Tomasz Sebastian. January 2002 (has links) Treatise (D.M.A.)--University of Texas at Austin, 2002. / Vita. Includes bibliographical references.

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