Spelling suggestions: "subject:"each."" "subject:"nach.""
121 |
The development of the episode in Bach's fuguesHaug, Leonard Harold. January 1935 (has links)
Thesis (M.A.)--University of Wisconsin--Madison, 1935. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
|
122 |
Dynamic markings in Bach cello suites /Ko, Ching-Tzy. January 2000 (has links)
Thesis (D. Mus. Arts)--University of Washington, 2000. / Vita. Includes bibliographical references (leaves 218-222).
|
123 |
Das Klavierkonzert der Berliner Schule und Ihres führers Philipp Emanuel Bach, Sowie neue beiträge zur Geschichte des Klavierkonzerts. (Teildruck) ...Uldall, Hans, January 1927 (has links)
Inaug.-Diss.--Marurg. / Lebenslauf. Published in full (vii, 119 p.) as Das Klavierkonzert der Berliner Schule, mit Kurzem überblick über seine allgemeine Entstehungsgeschichte und Spätere Entwicklung. (Sammlung Musikwissenschaftlicher Einzeldarstellungen, 10. Hft.). eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
|
124 |
Untersuchungen übers Einflüsse Johann Sebastian Bachs auf das theoretische und praktische Wirken seines Schülers Johann Philipp KirnbergerEngelhardt, Ruth, January 1900 (has links)
Thesis--Erlangen-Nürnberg. / Vita. Includes bibliographical references (p. 405-414).
|
125 |
Ostinato techniques in chaconnes and passacaglias of Pachelbel, Buxtehude and J.S. BachGauger, Ronald Raymond, January 1974 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1974. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
|
126 |
Johann Sebastian Bach's arrangements of several concertos by Antonio VivaldiHanson, John Hanford, January 1961 (has links)
Thesis (M.M.)--University of Wisconsin--Madison, 1961. / Typescript. Musical examples (ms.): leaves 42-78. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references and discography (leaves 35-41).
|
127 |
Musik als Generationsprinzip von Literatur eine Analyse am Beispiel von Thomas Bernhards Untergeher /Diederichs, Barbara. January 1999 (has links) (PDF)
Giessen, Universiẗat, Diss., 1999.
|
128 |
Ökologisches Entwicklungskonzept Hellenbrucher Bach (Kreis Mettmann, NRW)Huerkamp, Petra. Unknown Date (has links) (PDF)
Universiẗat, Diss., 2001--Bonn.
|
129 |
"... ich bin sicher, dass ich ihn lieben lerne ..." Studien zur Bach-Rezeption in RusslandZwetzschke, Jana January 2007 (has links)
Zugl.: Essen, Folkwang-Hochsch., Diss., 2007
|
130 |
The Cello Suites of J. S. Bach: A Critical Edition for MarimbaJanuary 2010 (has links)
abstract: The music of Johann Sebastian Bach has long been used for keyboard percussion pedagogy and performance. The cello suites (BWV 1007-1012), in particular, are popular choices for marimbists. As with many transcriptions for marimba, performers are challenged to transfer Bach's musical genius onto an instrument whose timbre, range, mode of execution and acoustic properties are distinctly different from the original. To date, there is no concise and relevant edition of the suites for study and performance at the marimba. The edition contained herein solves most, if not all, of the problems normally confronted by marimbists. In addition to synthesizing the most salient information from early manuscript sources and modern performances, this edition corrects the harmonic and voiceleading problems that are caused by the polyphonic limitations of the cello. This edition also eliminates performance notations found in most cello editions which are of little use to a marimbist. / Dissertation/Thesis / D.M.A. Music 2010
|
Page generated in 0.0479 seconds