Submitted by Daniel de Assis Furtado null (assis27@hotmail.com) on 2017-08-18T12:16:21Z No. of bitstreams: 1 DISSERTAÇÃO B.pdf: 1245681 bytes, checksum: 3a5237603a11d345916941adbc430943 (MD5) / Approved for entry into archive by Luiz Galeffi (luizgaleffi@gmail.com) on 2017-08-23T18:42:02Z (GMT) No. of bitstreams: 1 furtado_da_me_arafcl.pdf: 1245681 bytes, checksum: 3a5237603a11d345916941adbc430943 (MD5) / Made available in DSpace on 2017-08-23T18:42:02Z (GMT). No. of bitstreams: 1 furtado_da_me_arafcl.pdf: 1245681 bytes, checksum: 3a5237603a11d345916941adbc430943 (MD5) Previous issue date: 2017-05-24 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Esta dissertação tem por objetivo reconhecer os elementos que indicam a construção da imagem de “Paraíso terrestre”, concomitante ao sentimento de nativismo na poesia lírica de Manuel Botelho de Oliveira (1636-1711), especificamente em sua silva “À Ilha de Maré”. Será traçado o panorama histórico-literário em que a obra foi composta, tanto o europeu quanto o brasileiro, assim como revelados alguns dados biográficos do autor, destacando a importância do mesmo para a literatura brasileira então nascente. Em relação ao conteúdo da referida silva, será debatido o topos literário das “ilhas encantadas”, apresentando um cotejo com a maneira como este foi abordado por Camões e pelos frades Manuel de Santa Maria Itaparica e José de Santa Rita Durão, assim como apontamentos sobre a influência que todos esses poetas — Botelho de Oliveira inclusive — receberam de Virgílio e de Ovídio. Esperamos com este trabalho não apenas divulgar a obra dum poeta geralmente ofuscado por seus contemporâneos (Gregório de Matos Guerra e Pe. Antônio Vieira), mas também propor um olhar mais atento a um período histórico-literário cuja importância na formação da identidade brasileira é, por vezes, deixada de lado. / This dissertation aims at recognizing the elements that indicate the construction of the image of "Terrestrial Paradise", concomitant with the feeling of nativism in the lyrical poetry of Manuel Botelho de Oliveira (1636-1711), specifically in his silva "À Ilha de Maré". The historical-literary panorama in which the work was composed, both European and Brazilian, will be traced, as well as some biographical data of the author will be revealed, highlighting his importance to the origins of Brazilian literature. In relation to the content of the silva, the literary topos of the "enchanted islands" will be debated, presenting a comparison with the way it was approached by Camões and the friars Manuel de Santa Maria Itaparica and José de Santa Rita Durão, as well as notes on the influence that all these poets - Botelho de Oliveira inclusive - received from Virgil and Ovid. We hope not only to divulge the work of a poet who is often overshadowed by his contemporaries (Gregório de Matos Guerra and Fr. Antônio Vieira), but also to offer a closer look at a historical-literary period which importance in the formation of Brazilian identity is sometimes set aside. / La presente tesis tiene como objetivo reconocer los elementos que indican la construcción de la imagen del “Paraíso terrenal”, concomitante del sentido de nativismo en la lírica de Manuel Botelho de Oliveira (1636-1711), específicamente en su silva “À Ilha de Maré”. Se trazará la escena histórica-literaria en que se hizo el trabajo, ambas europea como brasileña, así como revelado algunos datos personales del autor, resaltando la importancia de ello para la incipiente literatura brasileña. En relación con la silva, se discutirá lo topos literario de las “islas encantadas”, comparando con la forma en que este fue abordado por Camões y los frailes Manuel Santa Maria Itaparica y José de Santa Rita Durão, así como notas sobre la influencia que todos estos poetas — incluido Botelho de Oliveira —recibieron de Virgilio y de Ovidio. Confiamos que este trabajo no sólo publicite la obra de un poeta generalmente eclipsado por sus contemporáneos (Gregorio de Matos Guerra, y el P. Antônio Vieira), sino también proponga una mirada más cercana a un período histórico-literario cuya importancia en la constitución de la identidad brasileña a veces es dejada de lado.

This dissertation is a comparative inquiry into the formation of the urban order as a product of different discursive practices. Three main textual objects are taken into examination to dissect the interaction of textual form with the crystallization of a new social order centered in the city. The first is a martial arts manual written by the Spanish hidalgo and luckless conquistador Bernardo de Vargas Machuca in 1599, titled Milicia y descripción de las Indias. The second is Teatro de virtudes políticas que constituyen a un príncipe, a piece of Baroque literature composed in 1680 by the Creole savant Carlos de Sigüenza y Góngora on the occasion of the arrival of the new viceroy to Mexico City. The last is a manual of public hygiene, Trattato d’igiene e sanità pubblica, published between 1905 and 1912 by Luigi Pagliani, one of the main figures behind the reorganization of the public health administration in post-Unification Italy. I approach these works first as cohesive systems of knowledge, and then investigate their individual components, argumentative logic, representational strategies, and tropes. Though heterogeneous in nature, these texts identify foundational moments when the city, as a discursive construct, is molded or thoroughly redesigned through the rationality of an emerging field of knowledge: military theory, Baroque literature and spectacle, hygiene and public health. As a constitutive element in the systematization of their respective fields, these texts envision, craft, and perform three “model cities”, or paradigms of urban order, that capture the succession of different mechanisms of power: the ciudad indiana established by colonizers at the fringes of the Spanish empire, the Creole city of the Novohispanic elites, and the hygienic city at the rise of the modern nation-State. These models enable processes of subjectivation to enfold, refashion the urban order into distinct arrangements, and reflect shifts and recalibrations in the modalities of power, the deployment of new techniques of government or means of social control. Vargas Machuca, Sigüenza, and Pagliani are treated, as it were, metonymically. They express, stand for, and intercept the social dynamics proper to their own cultural and historical horizons. They represented different social types (the indiano militiaman, the Baroque letrado, and the positivist technocrat) and operated as organic intellectuals of their times, who channeled and articulated on the ideological level the demands and injunctions of rising social groups. It is the complex entanglement of power relations, ideological investments, socio-economic transformations, and collective identities, that I have tried to unravel throughout my dissertation. The city, I argue, comes into sight as a field crossed by multiple forces, an apparatus that engenders sameness and difference, selfhood and otherness, emplaces ranks, hierarchies, and divisions that structure the polity, forges subjectivities through inclusionary or exclusionary strategies.

Thesis (Ph. D.)--Ohio State University, 2006. / Full text release at OhioLINK's ETD Center delayed at author's request

Renaissance and Baroque drama offers a view into gender dynamics of the time. What is seen is a development in the allowed expression and manifestation of desire by females, beginning from a point of near silence, and arriving at points of verbal statement and even physical violence. Specifically, in La Mandragola by Niccolò Machiavelli, Romeo and Juliet by William Shakespeare, and Fuenteovejuna by Lope de Vega, there appears a chronological progression, whereby using desire and its expression as a metric in conjunction with modern concepts of gender and sexuality to measure a shift in relation to what is and is not allowed to be expressed by women. / Includes bibliography. / Thesis (M.A.)--Florida Atlantic University, 2016. / FAU Electronic Theses and Dissertations Collection

The topic of the diploma work is the analysis of the theory proze in the second half of the seventeenth century with the title Economical books and its comparizon with the two older works published by the end of the 16th century under the general title The Economist. The first part of the diploma work notices the structure of the separate texts, sees the grafical form of the texts and compares its differences. Next part of the work contains the study and comparizon of the individual areas of the human activities participating on the economy which was reflected by the humanistic writers. A special regard is given to the terms of administrative and economical character and the change in thein use from 16th to the 18th century. The work analyses the prevention of the landed estate running in the imagination of the baroque scholar, time evidence and three model examples: brewery, fishpond cultivation, forestry as the typical branches of the old czech economy.The last part of the work is the vocabulary of the chosen ideas dealing with the area of economy and administration of the landed estate formed and divided by the texts of the individual authors. The aim of the work is to evaluate the development of the language in the economical area and to compare the expected activitiies of the individual participants in the economical life and to make a list of terminological units.