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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Bartholomeus Spranger ve sbírkách v České Republice / Bartholomeus Spranger in the collections in Czech Republic

Liška, Jan January 2011 (has links)
Diploma work contains the description of the personality of the painter Bartholomeus Spranger and his work in the Czech collections. The portrait painter Bartholomeus Spranger lived from the year of 1546 to the year of 1611. He was born in Antwerpen and afterwards he was travelling around the Europe. At first he was going to the France ( Paris and Lyon ) and then he was going to the Italy ( Parma, Milano and Roma ). In the year 1575 he is called up to the Vienna and afterwards in the year 1580 to the Prague. The object of this work is an analyse of production in Czech collections and evaluate of their authorship. Futher on then the object of this work is exploration the sources of Documentary and also a critical evaluation of the used literature.
2

Transmutation and Metamorphosis through the Work of Bartholomeus Spranger and the Patronage of Rudolf II

Garner, Aubry C. 19 September 2016 (has links)
No description available.
3

Bartholomeus Spranger v Itálii / Bartholomeus Sparanger in Italy

Telnarová, Veronika January 2019 (has links)
The thesis is focused on the Italian period of Bartholomeus Spranger's life, on his artistic development during that time and on the artworks that he created there. Italy of the second half of the 16th century became Spranger's home for ten years. As well as many other artists Spranger set out for a journey to get to know the greatest Italian masterpieces and primarily to gain new and valuable experience. The first opportunity to work waited for him in Parma, but without any doubt, the most important sojourn for him was Rome. Not only did he have the possibility to be inspired by all the masterpieces and masters themselves, but he also had the opportunity to work for the patrons such as cardinal Alessandro Farnese and the pope Pius V. To the imperial court in Vienna, and then Prague, he came as an experienced artist and the Italian sojourn certainly played major role in it. This topic has not been comprehensively complied in the Czech language so far.

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