Submitted by Irvana Coutinho (irvana@ufpa.br) on 2017-03-07T16:55:35Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_CapaSeculoXX.pdf: 79270454 bytes, checksum: 4a86db66595e01f946724c18c61307a9 (MD5) / Approved for entry into archive by Irvana Coutinho (irvana@ufpa.br) on 2017-03-07T16:56:24Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_CapaSeculoXX.pdf: 79270454 bytes, checksum: 4a86db66595e01f946724c18c61307a9 (MD5) / Made available in DSpace on 2017-03-07T16:56:24Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_CapaSeculoXX.pdf: 79270454 bytes, checksum: 4a86db66595e01f946724c18c61307a9 (MD5) Previous issue date: 2011-06-29 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / A dissertação sobre o aspecto visual da revista ‘‘Belém Nova’’, que circulou entre as décadas de 1920 e 1930, analisa a sintaxe visual presente nesse impresso, permitindo que se destaque de forma crítica - com base nos conceitos presente nos estudos de Dondis A. Donis (2003), Fayga Ostrower (1983) e Wassily Kandinsky (2005), dentre outros - as matrizes estéticas e formais presentes no seu projeto gráfico notadamente nas capas das edições pertencentes ao acervo da bibliotéca da Acadêmia Paraense de Letras. / The thesis about the visual aspect of “Belém Nova” magazine, that had circulated between the 20’s and 30’s, analyses the visual syntax in this form, allowing to focus critically - based on the concepts present in studies of Dondis A. Donis (2003), Fayga Ostrower (1983) and Wassily Kandinsky (2005), among others - the aesthetic and formal patterns present on its graphic design project especially on the covers of of the editions that belong to the library collection of the Paraense Literature Academy Library.