This study focuses on the attitudes of museumgoers toward the exhibition of human remains in modern Swedish museums. More specifically, it deals with how their attitudes toward remains are shaped and informed by museums’ materiality and institutionalized authority, whether they think of remains as humans or objects, as well as how these dead bodies ultimately become culturally meaningful to us who are still alive. Through the use of ethnographic field methods including go-along interviews and participant observation, the behaviors and opinions of museumgoers are recorded. With the help of Emmanuel Levinas’ ethical phenomenology and Annemarie Mol’s theory of multiple ontology, the cultural background against which these attitudes have taken shape is examined. The study shows that museumgoers are generally positive toward the exhibition of human remains in museums—an attitude which is influenced by the history, scientific authority, and carefully designed materiality of the museum. Among the perceived benefits of exhibiting human remains, visitors cite the ability of the remains to arouse their curiosity and serve as links to the past, as well as provide material proof that validates the museum’s claims to knowledge. However, this positive attitude is dependent on whether the remains are treated and displayed with respect. This call to treat the dead respectfully can be seen as a universal reaction to the ”face-to-face encounter” as described by Emmanuel Levinas, but at the same time, museumgoers’ interpretation of respect is culturally contingent and heavily influenced by contemporary values such as individuality, scientific objectivity, and equality. Furthermore, the perceived need to treat remains respectfully is directly tied to the perceived humanity of the remains. This is in turn dependent on how close the remains are to us in terms of appearance and temporal distance. By focusing on museumgoers instead of professionals, and through using ethnographic fieldwork to note opinions and their cultural backgrounds, this study attempts to add a fresh perspective and new knowledge to what is currently one of the hottest debates in museology: whether remains even belong in museums. Further, by recognizing that no opinion is formed in a vacuum, the narrow question of displaying death can tell us something bigger about the norms and values of Sweden today.