Originada na escravidão e reforçada ainda hoje nas diversas formas de relações cotidianas, a imagem de sexualidade exagerada e inata, colada ao corpo negro, reproduz elementos de violência simbólica e condena, muitas vezes, o corpo negro à morte semiótica. Na tentativa de dissociar-se dessa imagem, o sujeito negro adota algumas estratégias que vão da atitude contida em relação ao exercício da sua afetividade e sexualidade, passando pelo questionamento dos condicionamentos eróticos e, por fim, constituindo uma outra semântica para o corpo negro. Dessarte, esta dissertação procurou perscrutar o enunciado e a enunciação das poesias eróticas de Cadernos Negros na tentativa de desvelar as relações estabelecidas entre as categorias semânticas liberdade vs. opressão; público vs. privado; e individual vs. coletivo. Cadernos Negros é um periódico literário, publicado ininterruptamente há 28 anos, cujo objetivo é divulgar uma enunciação negra na Literatura Brasileira. / The image of the black body has being linked to an exaggerated and innate sexuality originated in the slave era, and is even nowadays reinforced by daily and diverse social relations and interactions. This racialized notion of the black body reproduces elements of symbolic violence, and moreover, condemns the black body to a semiotic death. In an attempt to dissociate themselves from such images, the black writers adopt strategies that go from the attitude contained in the exercise of affectivity and sexuality, passing through the questioning of erotic conditioning, and finally, constituting an alternative semantics of the black body. From this perspective, this dissertation looks to articulate the enunciations of the Black Notebooks erotic poetry, in an attempt to highlight the established relations between semantic categories such as freedom vs. oppression, public vs. private, and individual vs. collective. The Black Notebooks is a literary periodical published uninterrupted in Brazil for 28 years. It\'s objective is to pursue the black utterance in Brazilian literature.

Originada na escravidão e reforçada ainda hoje nas diversas formas de relações cotidianas, a imagem de sexualidade exagerada e inata, colada ao corpo negro, reproduz elementos de violência simbólica e condena, muitas vezes, o corpo negro à morte semiótica. Na tentativa de dissociar-se dessa imagem, o sujeito negro adota algumas estratégias que vão da atitude contida em relação ao exercício da sua afetividade e sexualidade, passando pelo questionamento dos condicionamentos eróticos e, por fim, constituindo uma outra semântica para o corpo negro. Dessarte, esta dissertação procurou perscrutar o enunciado e a enunciação das poesias eróticas de Cadernos Negros na tentativa de desvelar as relações estabelecidas entre as categorias semânticas liberdade vs. opressão; público vs. privado; e individual vs. coletivo. Cadernos Negros é um periódico literário, publicado ininterruptamente há 28 anos, cujo objetivo é divulgar uma enunciação negra na Literatura Brasileira. / The image of the black body has being linked to an exaggerated and innate sexuality originated in the slave era, and is even nowadays reinforced by daily and diverse social relations and interactions. This racialized notion of the black body reproduces elements of symbolic violence, and moreover, condemns the black body to a semiotic death. In an attempt to dissociate themselves from such images, the black writers adopt strategies that go from the attitude contained in the exercise of affectivity and sexuality, passing through the questioning of erotic conditioning, and finally, constituting an alternative semantics of the black body. From this perspective, this dissertation looks to articulate the enunciations of the Black Notebooks erotic poetry, in an attempt to highlight the established relations between semantic categories such as freedom vs. oppression, public vs. private, and individual vs. collective. The Black Notebooks is a literary periodical published uninterrupted in Brazil for 28 years. It\'s objective is to pursue the black utterance in Brazilian literature.

La question de la Kehre est l’un des nombreux incontournables des études heideggériennes. La publication de la Gesamtausgabe étant en voie d’achèvement, de nouveaux textes – les Cahiers noirs tout particulièrement – permettent d’éclairer les différents contextes d’usage de ce terme difficile. La première partie de notre mémoire propose d’esquisser la réception de ce concept au fil des décennies. Elle tentera ensuite de saisir l’écueil initial qui conduisit Heidegger à la pensée de la Kehre ainsi que le sens à donner au concept en regard de termes avoisinants. La seconde partie portera sur l’acheminement de Heidegger jusqu’à l’enjeu thématique de la Kehre. Elle montrera comment Heidegger pense la Kehre d’abord dans le cadre des Contributions à la philosophie puis dans l’horizon de la question de la technique où, à partir de Hölderlin, elle sera comprise comme tournant apocalyptique. / The meaning of the Kehre is one of the many heavily debatted topics in Heideggerian research. New texts from the Gesamtausgabe – the Black Notebooks most notably – offer new insights pertaining to the predominant role of the term in Heidegger’s thinking. The first part of this dissertation aims to show how the term was first received and understood in the secondary literature. It will then clarify the formal meaning of the term. The second part of this dissertation will attempt to show how Heidegger came to understand the Kehre as it is presented in the Contributions to Philosophy. It will then proceed to illustate how the meaning of the Kehre was broadened in the 40s as an apocalyptic turn, in the context of the growing importance of the question concerning technology and of the poetry of Hölderlin.