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’Boris Godunov’ vs ’Boris Godunov’ : En jämförelse mellan Pusjkins drama och Musorgskijs operaSjöberg, Anders January 2007 (has links)
<p>[inget abstract finns]</p>
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Nobody's Fool: A Study of the Yrodivy in Boris GodunovPollard, Carol J. 12 1900 (has links)
Modest Musorgsky completed two versions of his opera Boris Godunov between 1869 and 1874, with significant changes in the second version. The second version adds a concluding lament by the fool character that serves as a warning to the people of Russia beyond the scope of the opera. The use of a fool is significant in Russian history and this connection is made between the opera and other arts of nineteenth-century Russia. These changes are, musically, rather small, but historically and socially, significant. The importance of the people as a functioning character in the opera has precedence in art and literature in Russia in the second half of the nineteenth-century and is related to the Populist movement. Most importantly, the change in endings between the two versions alters the entire meaning of the composition. This study suggests that this is a political statement on the part of the composer.
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’Boris Godunov’ vs ’Boris Godunov’ : En jämförelse mellan Pusjkins drama och Musorgskijs operaSjöberg, Anders January 2007 (has links)
[inget abstract finns]
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Polské téma v ruských historických vyprávěních o Smutě první poloviny 17. století / The Polish Subject in Russian Historical Narrations on Time of Troubles in the First Half of the 17th CenturyBrůha, Petr January 2015 (has links)
The main topic of the thesis is the investigation of the Polish influence on Russia during the Time of Troubles, as it's described by the Russian writers of the first half of 17th century in their Historical narrations. In the first part of the work there is introduced the Time of Troubles as a phenomenon that significantly influenced all its contemporaries. The thesis also pays attention to the historical sources, to their causes and circumstances of creation and also some of their authors. In the most extensive part of the work there are, based on extensive source material, discussed various topics that are focused on the Polish factor on the Russia during the period. There is mentioned the Polish support of False tsars, who aspire to the tsar title, the king's Zikmund military intervention and also the final victory of Russian militia over foreign interventionists. In conclusion there are compared individual historical narrations with each other, if there are any different topics that they describe or if they describe any element of Polish intervention in the same way or if there is any connection between the authors' lives and their works.
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"Singing the Myths of the Nation: Historical Themes in Russian Nineteenth-Century Opera"Alston, Ray S. 13 September 2018 (has links)
No description available.
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