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The evolution of Buddhism and the development of ceramic art in ChinaMing, Mei. January 2007 (has links)
Thesis (M. Phil.)--University of Hong Kong, 2007. / Title proper from title frame. Also available in printed format.
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Jing tu xing yi zhi yi shu lunWang, Che-haiung. January 1900 (has links)
Thesis (M.A.)--Zhongguo wen hua xue yuan. / Reproduced from typescript. Bibliography: leaves [77-80].
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Jing tu xing yi zhi yi shu lunWang, Che-haiung. January 1900 (has links)
Thesis (M.A.)--Zhongguo wen hua xue yuan. / Reproduced from typescript. Bibliography: leaves [77]-[80]
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Śākyabhikṣus, palimpsests and the art of apostasy the emergence and decline of Mahāyāna Buddhism in early medieval India /Morrissey, Nicolas Michael, January 2009 (has links)
Thesis (Ph. D.)--UCLA, 2009. / Vita. Description based on print version record. Includes bibliographical references (leaves 289-327).
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The evolution of Buddhism and the development of ceramic art in ChinaMing, Mei., 明梅. January 2007 (has links)
published_or_final_version / abstract / Buddhist Studies / Master / Master of Philosophy
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Conserving mural paintings in Thailand and Sri Lanka : conservation policies and restoration practice in social and historical context /Bayle, Beatrice. January 2009 (has links)
Thesis (MA)--University of Melbourne, Centre for Cultural Materials Conservatorium, 2010. / Typescript. Includes bibliographical references (p. 135-146)
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Chinese transformation of Buddhism the case of Kuan-yin /Vignato, Giuseppe, January 1993 (has links)
Thesis (M.A.)--Catholic Theological Union at Chicago, 1993. / Vita. Includes bibliographical references (leaves 149-154).
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Li Gonglin's Buddhist beliefs and his Lotus Society Picture an iconographic diagram of the bodhisattva path /Pan, An-yi. January 1997 (has links)
Thesis (Ph.D.)--University of Kansas, 1997. / Co-Chairs: Chu-tsing Li; Marsha Weidner. Includes bibliographical references.
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Far Eastern philosophical influences on environmental art, 1967- 1987Gelburd, Gail. January 1988 (has links)
Thesis (Ph. D.)--City University of New York, 1988. / Includes bibliographical references (leaves 270-302).
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The thousand buddha motif : a visual chant in buddhist cave-temples along the silk roadPepper, France A. (France Allison) January 1995 (has links)
As early as the fifth century C.E., the thousand buddha motif had become a prevalent feature in the art of many cave-temples in Gansu, China. Past scholarship concentrated on tracing the textual sources of the motif and with relating it to the practices associated with the devotion to the three thousand buddhas of the three ages. Past research has not considered how the thousand buddhas may have been a reflection of a wider range of religious practices and popular beliefs nor has it explored the motif's artistic origin. / By demonstrating that the earliest examples of the two-dimensional painted form of the thousand buddhas came from Gansu and that the motif was related to an iconographic and architectural design that existed between several Gansu cave-temple sites, this study proposes that the thousand buddha motif was a Gansu cave-temple art innovation that influenced cave-temple decor in areas west of Gansu. In addition, possible reasons for the prevalence of the motif are suggested by considering that it may have reflected the relationship between the thousand buddhas and meditative practices as well as the acts of chanting and circumambulation.
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