Global ETD Search

11	The silence of the void exploring the visual language of the void from the East to the West / Sun, Chien-Yu. January 2004 (has links) Thesis (D.C.A.)--University of Wollongong, 2004. / Typescript. Includes bibliographical references: leaf 104-113.
12	Patronage, devotion and politics a Buddhological study of the Patola Sahi Dynasty's visual record / Twist, Rebecca L. January 2007 (has links) Thesis (Ph. D.)--Ohio State University, 2007.
13	Reincarnating the micro universe / Bae, Jeon Ah. January 2008 (has links) Thesis (M.F.A.)--Rochester Institute of Technology, 2008. / Typescript. Includes bibliographical references (leaf 36).
14	Ch'en Hung-shou's "Elegant Gathering" a late-Ming pictorial manifesto of Pure Land Buddhism / Tsai, Hsing-li. January 1997 (has links) Thesis (Ph.D.)--University of Kansas, 1997. / Co-Chairs: Chu-tsing Li; Marsha Weidner. Includes bibliographical references.
15	The Transformation of Pure Land thought and the development of Shinto shrine mandala paintings Kasuga and Kumano / Darling, Leonard Bruce. January 1983 (has links) Thesis (Ph. D.)--University of Michigan, 1983. / Index of references to illustrations, leaves 643-646. Includes bibliographical references (v. 1, leaves 442-483).
16	The thousand buddha motif : a visual chant in buddhist cave-temples along the silk road Pepper, France A. (France Allison) January 1995 (has links) No description available. Buddhism and art Cave temples, Buddhist -- Asia
17	Myšlenky zenového buddhismu a jejich odraz v japonském umění / Zen-buddhism thought and its reflection in Japanese art Soudková, Kateřina January 2016 (has links) Zen Buddhism Thoughts and their Reflection in Japanese Art This thesis covers the development of Chan and Zen Buddhism thoughts, their effect on Japanese culture and their reflection in specific art forms. In the first part, it summarizes the arriving and settling of Zen in Japan as a follow-up to Chan development in China and as a reaction to the preceeding Buddhist schools in Japan. In the second part it deduces a set of criteria for defining "Zen Arts" from the general trends in taste at that time. And in the third part, it compares the differences in architecture, landscape design and painting before and after the influence of Zen. It follows the changes in development of specific components and techniques of these art forms and on this basis it determines what are the key Zen Buddhism thoughts that are expressed by that and how.

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