The claims of the traditional texts and teachers of Buddhist meditation include the enhancement of mental health. Twenty five meditators sitting a ten day retreat in Vipassana and Metta meditation were measured on a compassion scale and an androgyny index. The androgyny index was used to measure mental health. Compassion scores for all meditators increased slightly after the retreat. Experienced meditators had significantly higher scores than inexperienced meditators. Regardless of previous experience, meditators with high compassion scores significantly increased in androgyny after the retreat. The traditional claims for the enhancement of mental health are therefore supported by these results.

This thesis aims to explore the doctrine of sukkhavipassaka (“dry-insight practitioner”) in Pāli Buddhism. The focus of the thesis is to utilize the canonical and commentarial sources of the various Buddhist schools to evaluate the position of this doctrine in the history of early Buddhism. Since the early 20th century the sukkhavipassaka doctrine and its practice have been reemphasized by eminent meditation monks in Burma, and later they spread to other Buddhist countries in Asia and beyond. Some scholars, nevertheless, have cast doubts on the authenticity of the sukkhavipassaka doctrine. They argue that it is a later development, not recorded in the Pāli Nikāyas since the form-sphere jhāna (Skt. dhyāna) is always necessary for the realization of arahantship, or even for stream-entry, the first stage of enlightenment. The first part of this thesis investigates the concept of the sukkhavipassaka in the four Nikāyas. Many suttas in the Pāli Nikāyas imply an acknowledgement of noble beings who lack form-sphere jhānas; also many meditative techniques described in the suttas can be practised in the so-called dry-insight way. However, it is in the Pāli commentarial literature, which is discussed in the second part of this thesis that the sukkhavipassaka doctrine appears in a full-fledged form. The Pāli commentaries not only specify the concentration that dry-insight practitioners use to develop insight knowledge, but also reveal the advantages and disadvantages of the dry-insight meditative approach. In the third part of this thesis, the canonical and commentarial materials related to the Susīma Sutta which are preserved in schools other than the Theravāda are investigated. This thesis reveals that the concept of arahants who lack the first form-sphere jhāna is accepted not only by the Theravāda but also by the Sarvāstivāda, the *Satyasiddhisāstra, and the Yogacārabhūmiśāstra. Since various Buddhist schools in India unanimously advocate the idea that there are arahants who have not achieved the form-sphere jhāna, this research concludes that the dry-insight meditative approach and dry-insight arahants are not an invention by Theravādin commentators, but a common heritage which was most probably handed down from the time of the Buddha and then shared by various Buddhist schools.

<p>Early art in Buddhist cultic sites was characterized by the absence of anthropomorphicimages of the Buddha. The Buddha was instead represented by different signs, like awheel, a tree, a seat and footprints. This study emphasizes the transformation this artunderwent from simple signs to carefully made aniconic compositions representing theBuddha in a narrative context.</p><p>Buddhist aniconic art has been explained by a prohibition against images of theBuddha or by a doctrine that made it inappropriate to depict the body of the Buddha.This study rejects such explanations. Likewise, the practice of different meditationalexercises cannot explain this transformation. Instead, it is important to understand thatearly art at Buddhist cultic sites consisted of simple signs belonging to a shared sacredIndian culture. This art reflected a notion of auspiciousness, fertility and abundance.The formation of Buddhist aniconic art was indicated by the connection of these auspi- cious signs with a narrative tradition about the life and teachings of the Buddha.</p><p>The study emphasizes the importance Sakyamuni Buddha played in the formation ofBuddhist art. The Buddha was interpreted as an expression of auspiciousness, but hewas also connected with a soteriological perspective. Attention is also focused on thefact that the development of Buddhist art and literature was a gradual and mutualprocess. Furthermore, Buddhist aniconic art presaged the making of anthropomorphicimages of the Buddha. It was not an innovation of motive for the Buddhists when theystarted to make anthropomorphic images of the Buddha. He was already there.</p>

Early art in Buddhist cultic sites was characterized by the absence of anthropomorphicimages of the Buddha. The Buddha was instead represented by different signs, like awheel, a tree, a seat and footprints. This study emphasizes the transformation this artunderwent from simple signs to carefully made aniconic compositions representing theBuddha in a narrative context. Buddhist aniconic art has been explained by a prohibition against images of theBuddha or by a doctrine that made it inappropriate to depict the body of the Buddha.This study rejects such explanations. Likewise, the practice of different meditationalexercises cannot explain this transformation. Instead, it is important to understand thatearly art at Buddhist cultic sites consisted of simple signs belonging to a shared sacredIndian culture. This art reflected a notion of auspiciousness, fertility and abundance.The formation of Buddhist aniconic art was indicated by the connection of these auspi- cious signs with a narrative tradition about the life and teachings of the Buddha. The study emphasizes the importance Sakyamuni Buddha played in the formation ofBuddhist art. The Buddha was interpreted as an expression of auspiciousness, but hewas also connected with a soteriological perspective. Attention is also focused on thefact that the development of Buddhist art and literature was a gradual and mutualprocess. Furthermore, Buddhist aniconic art presaged the making of anthropomorphicimages of the Buddha. It was not an innovation of motive for the Buddhists when theystarted to make anthropomorphic images of the Buddha. He was already there.

No description available.

Since its inception, the Internet has served as a powerful medium for the dissemination of religious information and the creation of religious communities. Cyberspace now represents an important global paradigm shift in the way religion is conducted. This research provides a sociological account of the affordances the Internet contributes to religious life by examining the ways in which it has influenced the conduct or practices associated with Buddhism. In particular, it assesses the extent to which the rituals constitutive of the Buddhist practice of meditation have been achieved by the Cybersangha, the term Buddhists use for the online Buddhist community. The thesis argues that the Internet is not well suited to the facilitation of particular types of religious understanding and that there are clear limitations to its ability to provide the shared ritualistic experience necessitated by meditation. This is due to the fact that current technology can enable ritual only to a limited degree, and to the ways in which the textual nature of the Internet poses problems for religious experience of an intuitive, non-mediated nature. For these reasons, despite the fact that many websites advertise ‘online meditation’ and despite the strong attempts of some communities to use the Internet as a meditational medium, online meditation cannot be fully facilitated by the Internet. Since a key method by which a Buddhist attains understanding of reality is the use of the body in a meditative act, the inability to provide for embodiment means that the Internet can never offer an experiential equivalent to that of an offline environment. The lack of this experiential aspect means that it cannot in turn provide for holistic, religious communion. As such, there needs to be a further philosophical and practical appraisal of the capabilities of the Internet in general, and as a medium by which a religious experience can be engendered.

Since its inception, the Internet has served as a powerful medium for the dissemination of religious information and the creation of religious communities. Cyberspace now represents an important global paradigm shift in the way religion is conducted. This research provides a sociological account of the affordances the Internet contributes to religious life by examining the ways in which it has influenced the conduct or practices associated with Buddhism. In particular, it assesses the extent to which the rituals constitutive of the Buddhist practice of meditation have been achieved by the Cybersangha, the term Buddhists use for the online Buddhist community. The thesis argues that the Internet is not well suited to the facilitation of particular types of religious understanding and that there are clear limitations to its ability to provide the shared ritualistic experience necessitated by meditation. This is due to the fact that current technology can enable ritual only to a limited degree, and to the ways in which the textual nature of the Internet poses problems for religious experience of an intuitive, non-mediated nature. For these reasons, despite the fact that many websites advertise ‘online meditation’ and despite the strong attempts of some communities to use the Internet as a meditational medium, online meditation cannot be fully facilitated by the Internet. Since a key method by which a Buddhist attains understanding of reality is the use of the body in a meditative act, the inability to provide for embodiment means that the Internet can never offer an experiential equivalent to that of an offline environment. The lack of this experiential aspect means that it cannot in turn provide for holistic, religious communion. As such, there needs to be a further philosophical and practical appraisal of the capabilities of the Internet in general, and as a medium by which a religious experience can be engendered.

No description available.